BeflHWH nana, BoraxwH Hana
29
^yTD 6onDffloo Konn^ocTDO ^onor pomnT nx npo6noMm. EonDfflnncTDO
npHHHMacT TaKoe noao^eHHe, kto-to 6epeTca aa DTopyro pa6oTy, r,ae TO^e
HH3Kaa naaTa’ ’. ^ CH^ea, ycTaDHDfflHCD d noa, HaHHHaa noHHMaTD ypoK,
KoTopwH ^aa MHe 6oraTHH oTep. flo Mena ^oxo,aHao, KaKoDa 5Haa ^h3hd
Ha DKyc. HaKonep a nocMoTpea Ha Hero h hodtophh Donpoc: “TaK hto ^e
peraHT Hpo5aeMy?”
“Bot 3to”, - cKa3aa oh, MarKo HocTynaD Mena ho roaoDe. “To, hto Haxo^HTca Me^^y yraen y Te5a”. CKa3aD 3to, 5oraTHH oTep o5o3HaHHH Ty Kap^HHaHbHo HHyra ToHKy 3peHHa, hto oT^eaHaa ero ot ero pa5oTHH- kod h Moero 5e^Horo oTpa, h Ho^DoaHaa eMy, d Konpe kohpod, cTaTD o,a- HHM H3 5oraTeHraHx ara,aeH Ha TaDaHax, d to DpeMa, KaK moh dhcoko- o5pa3oDaHHHH, Ho 5e^HHH oTep HcHHTHDaa Hy^^y DcM cdoM ^H3HD. B 3toh ToHKe 3peHH3 5oraToro oTpa h 5hho peraeHHe Hpo5aeM. 3Ty tohk^ 3peHH3 oh HoDTopaa THcaHy pa3, 3to h cTaao VpoKoM ^ 1 Mena.
“BeflHwe H cpe^HHH K^acc paSoTarox pa^H flener”.
“Boraxwe sacTaB^HWT aeHbrH paSoTaTb na ce5«”.
B to apKoe cy55oTHee yTpo a y3Haa coDepraeHHo HHyra ToHKy 3pe- HH3, KoTopaa pacxo^HHacb c TeM, HeMy yHHH Mena oTep. B 9 aeT a HaHaa oco3HaDaTD, hto o5a oTpa xoTeaH Mena yHHTD, ho yHHTD pa3HHM De^aM. Moh DHcoKoo5pa3oDaHHHH oTep peKoMeH^oDaa MHe AeaaTb to, hto AeaaH oh. “Chhok, a xoHy, hto5h th mhoto yHHaca, HoayHHa xoporaHe 3HaHHa, hto HoMoryT HaHTH Ha^e^Hyra, 5e3oHacnyra pa5oTy d 5oabraoH KoMHaHHH. Tdi y5eflHrabca, hto 3to oHeHD DHro,aHo”. Moh 5oraTHH oTep xoTea, hto5h a y3Haa, KaK pa5oTaraT ^eHDTH, hto5h a mot 3acTaDHTD hx pa5oTaTD Ha ce5a. HMeHHo 3to Deao Mena Dcra ^h3hd, a He raKoaDHHe
3HaHH3.
Moh 5oraTHH oTep Hpo,aoa^HH moh 1-hh ypoK: “^ pa^, hto th paccepAHaca, pa5oTaa 3a 10 peHToD d Hac. Echh 5h th ne paccepAHaca h ^oDoabcTDoDaaca 5h TeM, hto HMeerab, a 5h ^oa^eH 5hh Te5e cKa^aTD, hto He Mory yHHTD Te5a. noHHMaerab, nacToa^ee yHeHHe Tpe5yeT aneprHH, cTpacTH, HeyeMHoro ^eaaHHa. EHeD - 3HaHHTeHbHaa HacTD 3toh ^opMyaH, THeD H ara5oDb o^De^HHaraTca d cTpacTD. Kor,aa aoxo^ht ^o ^eHer, 5oabraHHcTDo Hra^eH ^eaaeT ^eHcTDoDaTD HaDepnaKa, 5htd d 5e3oHacnocTH. CTpacTD He HaHpaDaaeT hx. 3to fleaaeT cTpax”.
“3to HoaToMy ohh ^oDoabcTDyraTca hh3koh 3apHaaToH?” - chpochh a. “fla”, oTDeTHH 5oraTHH oTep. “HeKoTopHe ara,aH yTDep^^araT, hto a 3KcHHyaTHpyra cdohx pa5oTHHKoD, hotom^ hto He HaaHy hm ctohdko ^e, ckohdko HaaTST Ha caxapnoH HaaHTapHH, hhh HaaTHT HpaDHTeaDcTDo. ^ ^e roDopra - ara,aH caMH ce5a aKcHayaTHpyrar. Hx cTpax dhcht Ha^ hhmh”.
“Ho pa3De DH He HoHHMaeTe, hto ^oh^hh hm HaaTHTD 5oabrae?”. “HHHero a He ^oH^eH. H, KpoMe Toro, 5oabraee KoaHHecTDo ^eHer Hpo- 5aeM He peraaeT. Hocmotph Ha cDoero oTpa. Oh 3apa5aTHDaeT mhoto
30 Po5epx T. KHOcaKH, 0apoH
ncHTcp
^eHer, a Bce ne MO^ex onaaxHTb cboh CHexa. boabraHHCXBO aro,aeH, ecan HM ^aTb 5oabrae ^eHer, ToabKo ray5^e aaaeayT b ^ohth”.
“Bot noneMy 10 peHToB b nac”, - CKaaaa a, y.TH5aacb. “3to nacTb Moero ypoKa”.
“A5coTraTHo npaBHTbHo”, - aacMeaTca 5oraTHH oTep. “RoHHMaerab, tboH oTep yHHTca h noayHHT oTTHHHoe o5paaoBaHHe, nooToMy cmot h^Hth BHcoKoonaaHHBaeMyra pa5oTy. Hy h hto? A npo^aeMH ^ene^HHe coxpanaraTca, noToMy hto oh HHHero He 3Haa o ^eHbrax b raKoae. B ^oBepraeHHe Bcero, oh BepHT b to, hto Ha^o pa5oTaTb na ^eHbrH, pa^H ^ener”. “A bh - HeT?” - cnpocHT a. “Hy, He coBceM”, - cKa^ar 5oraTHH oTep. “Ecth th xoHerab nayHHTbca pa5oTaTb Ha ^eHbrH, Tor,aa ocTaBaHca B raKoae. 3to 3aMeHaTeabHoe MecTo, hto5h nayHHTbca oto ^eTaTb. Ho, ecTH TH xoHerab nayHHTbca, KaK 3acTaBHTb ^enbTH pa5oTaTb na Te5a, Tor,aa a HayHy Te5a OToMy, ecaH th caM xoHerab OToMy nayHHTbca”.
“A pa3Be ^pyrHe He xoTeaH 5h OToMy nayHHTbca?” - cnpocHT a. “HeT”, - cKa3aa 5oraTHH oTep. “HpocTo noToMy, hto aerHe yHHTbca pa5oTaTb Ha ^eHbrH, oco5eHHo ecaH cTpax npeo5aaAaeT b Te5e, Kor,aa peHb H^eT o ^eHbrax”. “^ ne noHHMara”, - cKa^aa a, naxMypacb. “He 5ecnoKoHca o5 otom ceHHac. HpocTo 3HaH, hto oto cTpax npHB33HBaeT ara,aeH k pa5oTe. CTpax, hto ne onaaTaT cboh cHeTa. CTpax 5HTb yBoaeHHHM? C^pa® HeHMeHHa ^ocTaToHHoro KoaHHecTBa ^eHer. CTpax, hto Ha^o 5y,aeT HaHHHaTb cnaHara. CTpax 3acTaBaaeT hx ayHrae oBaa^e- BaTb npo^eccHeH, a 3aTeM pa5oTaTb na ^eHbrH, cTpeMHTbca k ^enbraM. EoabraHHcTBo ara,aeH cTanoBHTca pa5aMH ^ener, a 3aTeM ^thtck Ha cBoero 5occa”.
“HayHHTbca, KaK 3acTaBHTb ^enbTH pa5oTaTb na ce5a, h ecTb coBepraeHHo ^pyroH Kypc b o5yHeHHH?” - cnpocHT a. “Ee^ycaoBHo”, - oTBeTHT 5oraTHH oTep. - “Ee^ycaoBHo”.
Mh cH^eTH B THraHHe B to npeKpacnoe, raBaHcKoe cy55oTHee yTpo. Moh ^py3ba bot-bot ^ot^hh 5hth HaHaTb Hrpy b 5eHc5oa. Ho no Ka- koH-to npHHHHe a HcnHTHBaa 5Taro^apHocTb k oTpy MaHKa, a 5ht ^o- BoaeH, hto cor.racHTca pa5oTaTb 3a 10 peHToB b Hac. ^ HyBcTBoBaa, hto cKopo HaHHy noHHMaTb to, HeMy HHKor,aa He 5y,ayT yHHTbca b raKoae moh Apy3ba.
“Eotob yHHTbca?” - cnpocHT 5oraTHH oTep.
“Ee^ycaoBHo”, - cKa^ar a c yxMHTKoH.
“^ ^ep^y cBoe o5e^aHHe. A HaHaa o5yHaTb Te5a H3^aTeKa. B 9 aeT TH y^e nonpo^oBar, hto o3HaHaeT pa5oTaTb Ha ^eHbrH, pa5oTaTb pa^H hhx. HoMHo^b cboH nocTe^HHH Mecap Ha 50 aeT h th noHMerab, HeM Bcra cbom ^H3Hb 3aHHMaraTca MHorHe ara,aH”.
“^ He noHHMara”, - cKa^aa a.
“KaK TH HyBcTBoBaa ce5a, ch^k h o^H^aa, noKa a k Te5e BHH^y? KaKoBo oho npocHTb Ha^5aBKH?”.
“y^acno”, - cKa3aa a.
“Ecth th BH^Hpaerab pa5oTy 3a ^eHbrH, npocToe cTpeMaeHHe k
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