Beflhwh nana, Boraxwh hana

BeflHWH nana, BoraxwH Hana


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^OHDraM—OTO ana^HT, Tm Dm6npaofflD m^ianD, KOTopon MHDyT MHoro

aro,aeH”, - CKaaaa 6oraTHH oto^. “A hto th HcnHTHDaa, Kor,aa mhcchc MapTHH ^aDaaa Te6e 30 ^^htod 3a 3 naca pa6oTH?”.

“^ HyDcTDoDaa, hto ototo He^ocTaToHHo. Chodho a pa5oTan 6ec- naaTHo. ^ 5hh pa^oHapoDan”, - cKa^aa a.

“Te ^e caMHe HyDcTDa HcnHTHDaeT 5oabraHHcTDo pa5oTHHKoD, r.ra^a Ha cdoh ^eHDTH. Oco5eHHo nocae ynaaTH Dcex HanoroD, nocae pa3HHx DHHeToD. Th, ho KpaHHeH Mepe, noayHHH 100 %”.

“Bh HMeeTe DDH^y, hto 5oabraHHcTDo pa5oTHHKoD HoayHarar ne Dce?” - c H3yMaeHHeM chpochh a.

“KoneHHo!” - cKa^a^ 5oraTHH oTe^. “npaDHTeabcTDo Dcer,aa (Hep- dhm) 3a5HpaeT cdom ^oara cnaHa^a”.

“KaK ohh 3to ^eaaraT?” - chpochh a.

“HaaorH”, - cKa^a^ 5oraTHH oTe^. “Kor,aa th 3apa5aTHDaerab, Te5a o5aararaT HaaoraMH. Te5a o5aararaT HaaoraMH, Kor,aa th TpaTHrab ^enb- th. Te5a o5aararaT HaaoraMH, Kor,aa th ^ep^Hrab ^eHDTH d 5aHKe. H HoMepeTD Te5e 5e3 na^oroD ne Aa^yT”.

“A HoHeMy ara,aH Ho3DoaaraT HpaDHTeabcTDy Hpo,aeaHDaTD TaKoe c

HHMH?”

“EoraTHe He Ho^Doaarar”, - cKa^a^ c yaH^KoH 5oraTHH oTe^. “Be^- HHe H cpe^HHH Kaacc - ^a. Ebracb o5 3aKaa^, hto 3apa5aTHDara 5oabrae TDoero oT^a, a oh HaaTHT 5oabrae na^oroD”.

“KaK TaKoe mo^^t 5htd?” - chpochh a. flaa Mena, d moh ^eDSTb aeT, 3to 3DyHHT HeHpaD^oHo^o5Ho. “HoHeMy ^e 3th ara,aH Ho3DoaaaH HpaDHTeabcTDy TaKoe c hhmh Hpo^eaHDaTb?”

EoraTHH oTe^ 3aMoaHaa. HaDepnoe, oh xoTea, hto5h a cayraaa, a He ae3 co cDoeH 5oaToDHeH. HaKone^, a ycHoKoHaca. Mne He HonpaDH- hocd to, hto a ycaHraa^. ^ 3Ha^, hto moH oTe^ Dce DpeMa ^a^oDaaca Ha HeHoMepno 5oabraHe HaaorH, ho HHHero c othm He mot Ho,aeaaTD. Mo^eT 5htd, ^h3hd ero pacTa^KHDaaa TaK?

EoraTHH oTe^ thxo h Me^aeHHo KaHHyaca Ha cdo^m cTyae, Ha

Mena. “Totod yHHTbca?” - chpochh oh.

^ Me^aeHHo KHDHya roaoDoH.

“KaK a y^e cKa^aa, Te5e na^o MHoroe y3HaTD. HayHHTbca, KaK 3acTaDHTD ^eHDTH pa5oTaTD na Te5a, a OToMy yHaTca dcm ^h3hd. Eoab- 0hhctdo ara,aeH H^yT d Koaae^^ Ha 4 ro^a, h Ha otom o5pa3oDaHHe KoHHaeTca. ^ y^e 3Hara, hto mos yHe5a, KacaTeaDHo ^eHer, Hpo^aHTca Dcra Mora ^H3HD, t.k. HeM 5oabrae a y3Hara, TeM 5oabrae MHe Tpe5yeTca y3HaDaTD. EoaDraHHcTDo ara,aeH HHKor,aa He H3yHarar Hpe^MeT ^ener. Ohh xo^aT Ha pa5oTy, HoayHaraT ^eHDTH, 5aaaHcHpyraT co cdohmh h^kodhmh KHH^KaMH H Dce. B ^oDepraeHHe Dcero ohh y,aHDaaraTca - oTKy,aa ^e 5epyTca ^ene^HHe Hpo5aeMH. Ohh cHHTaraT, hto 5oabraee KoaHHecTDo ^eHer peraHT hx Hpo5aeMy. Ma^o kto oco3HaeT, hto hx Hpo5aeMa - oto 5perab D ^HHancoDoM o5pa3oDaHHH”.

“T.e. moH ore^ HMeeT Hpo5aeMH c na^oraMH HoToMy, hto He hohh-



32 Po5epx T. KHOcaKH, 0apoH

ncHTcp

Maex, HTO TaKoe ^eHbrH?" - CMy^eHHO cnpocHa a.

“nocayraaH”, - CKaaaa 5oraTHH OTep. “HaaoTH - oto HHrab MaaeHb- Kaa nacTb toto, hto na^o anaTb, hto5h nayHHTbca aacTaBaaTb ^enbTH pa5oTaTb Ha ce5a. Cero^Ha a ToabKo xoTea BHacHHTb, He HcHeaao hh TBoe ocTpoe ^eaaHHe yanaTb Bce, hto KacaeTca ^ener. EoabraHHcTBy ara^aeH 3to He Hy^Ho. Ohh xotht xo^HTb B raKoay, o5yHaTbca npo^eccHH, noayHaTb KaKoe-To y,aoBoabcTBHe ot pa5oTH, 3apa5aTHBaTb no5oabrae. O^Ha^^H ohh npocHnararca c 5oabraHMH ^ene^HHMH npo5aeMaMH, Tenepb ohh, TeM 5oaee, ne MoryT npeKpaTHTb pa5oTaTb. Bot ona pena Toro, KaK ToabKo HHrab yMeTb pa5oTaTb Ha ^eHbrH, BMecTo toto, hto5h HayHHTbca, KaK 3acTaBHTb ^enbTH pa5oTaTb na ce5a. Hy, He neperopeao e^e ^eaaHHe yHHTbca?” - cnpocHa 5oraTHH oTep.

^ ^aa noHKTb, hto He neperopeao, KHBHyB tohoboh. “Xoporao”, - cKa3aa 5oraTHH orep. “Tenepb npHcTynaH k pa5oTe. Ha otot pa3 a Te5e HHHero He 3anaaHy”.

“Hero?” - cnpocHH a y,aHBaeHHo.

“Th caHraaa Mena. HHHero. Th 5y,aerab pa5oTaTb Te ^e 3 Haca Ka^^yra cy55oTy, ho na otot pa3 Te5e ne 3anaaTaT 10 peHToB b Hac. Th cKa3aa, hto xoTea 5h nayHHTbca He pa5oTaTb na ^eHbrH, bot a h He 5y,ay Te5e HHHero naaTHTb”.

He BepHH cbohm yraaM.

“^ y^e HMea hoao^hhh pa3roBop c MaHKoM. Oh y^e pa5oTaeT. npoTHpaeT h paccTaBaaeT KoncepBH 5ecHaaTHo. Te5e ayHrae hotopo- HHTbca H BepnyTbca k pa5oTe".

“3to HecHpaBe^aHBo”, - 3aopaa a. “Bh ^oh^hh hto-to 3aHaaTHTb”.

“Th cKa3aa, hto xoHerab yHHTbca. Echh th He nayHHrabca OToMy ceHHac, TH cTanerab t^khm ^e, KaK Te 2 ^^h^hhh h My^HHHa, kotophx TH BH^ea, pa5oTara^He na ^eHbrH, h Ha^era^Hxca, hto a hx He yBoara.

Hhh BHpacTerab h cTanerab, KaK tboh oTep, 5y,aerab mhoto 3apa5a- THBaTb ToabKo pa^H Toro, hto5h 5HTb ho yraH b ^oarax, Ha^eacb, hto 5oabraee KoaHHecTBo ^eHer peraHT tboh Hpo5aeMH. Echh th ototo xo- Herab, ^aBaH BepneMca k naraeH opHTHHaabHoH ^oroBopeHHocTH o pa5o- Te 3a 10 peHToB b Hac. A Mo^erab c^eaaTb to, ^o Hero ^oKaTHBaeTca 5oabraHHcTBo ara,aeH. ^aayHca, hto Te5e Maao HaaTKT, yBoabHaHca h H^H HcKaTb ^pyryra pa5oTy".

“A hto MHe ^eaaTb?” - cHpocHa a.

EoraTHH oTep thxoh^ko HocTyHaa Mena ho roaoBe. “BocHoab3yHca 3thm”, - cKa3aa oh. “Echh c^eaaerab oto xoporao, BcKope 5y,aerab 5aa- ro^apHTb Mena 3a Hpe^ocTaBaeHHyra bo3mo^hoct^ h cTanerab 5oraTHM HeaoBeKoM”.

^ 3aMep, He Bepa b to, hto MHe Hpe^aaraeTca TaKaa HeHecTHaa c^eaKa. ^ HpHraea cra,aa HpocHTb HoBHraeHHa ^aaoBaHHa, a TeHepb MHe Hpe^aararaT Boo5^e 5ecHaaTHo pa5oTaTb. EoraTHH oTep chob^ thxoh^- ko HocTyHaa Mena ho roaoBe h cKa^aa: “BocHoab3yHca othm. A TeHepb BHMeTaHca oTcra,aa h HpHcTyHaH k pa5oTe".



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