Beflhwh nana, Boraxwh hana

BeflHWH nana, BoraxwH Hana


21


nnnnoH. Kor,^a oto^ c ^pyroM npn6nn3nnncD k hom, to yDH^onn MOTannHHOCKHH ropraoK, d KOTopoM MH pacnaaDHaHH tmGhkh H3-no,a nacTH. B TO ^hh 3y5Haa nacTa Gnaa ho d naacTMaccoDHx Tra^HKax. Tra^HKH ^oaaHHCb h3 CDHH^a. Mh CHanaaa DH^HraaH KpacKy Ha tm5h- Kax, a 3aT0M ohh 5pocaaHCb d MOTaaaHHecKHH ropraoK, r,ae h naaDHHHCb ^o ^H^Koro cocToaHHa. Hotom mh HaaHDaaH CDHHe^ nepe3 MaaeHbKoe oTDepcTHe HaDepxy mohohhhx k^ptohok d hhx. MoaoHHHe k^ptohkh 5hhh HanoaHeHH aae5acTpoM. EeaHH noporaoK noDcra,ay 5hh thhcom, noKa MH He CMeraHDaaH ero c do,^oh. B CHeraKe a HepeDepnya HaKeT c thhcom, h HoaToMy Dca TeppHTopHa DoKpyr Hac HaHoMHHaaa MecTo, r,ae Hponecaacb cne^Haa 5ypa. MoaoHHHe KaproHKH 5hhh DHeraHHM koh- TeHHepoM aae5acTpoDHx ^opM. Moh oTe^ h ero ^pyr Ha5ara,aaaH, KaK MH ocTopo^Ho pa3HHDaeM pacHaaDaeHHHH CDHHe^.

“OcTopo^HeH”, - CKa3aa oTe^. ^ KHDHya, ne Ho^HHMaH tohodh. HaKone^ pa3HHDKa 5Haa 3aKoHHena, a HocTaDHa MeTaaaHHecKHH rop- raoK Ha 3eMara h yaH^Hyaca oT^y. “Hto dh ^eaaeTe, pe5aTa?” - CHpocHa oh c ocTopo^HoH yHH^KoH. “fleaaeM to, hto th MHe CKa3aa ^eaaTb. Mh ^eaaeM pa35oraTeTb”, - oTDeTHa a. “fla”, - CKa^aa MaHK. “Mh - HapTHepH”. “A hto d 3thx aae5acTpoDHx ^opMax?” - CHpocHa oTe^. “Cmotph”, - CKa3aa a. - “CeHHac Koe-HTo yDH^Hrab”. MaaeHbKHM mohotohkom a HocTyHaa ho HepeMHHKe, pa^AeaHDraeH KapToHKy Ha ho- hodhhh. OcTopo^Ho 3 DHHya Depxnrara HoaoDHHy aae5acTpoDoH ^opMH H HHKeab, 5hd0hH d CDHH^oDo-HHKeaeDoM CHaaDe, DHHya napy^y.

“O, moH Eor! ” - DocKHHKHya oTe^. “Bh H3DaeKaeTe HHKeab h3 cdhh- ^a”. “npaDHHbHo”, - CKa3aa MaHK. “Mh ^eaaeM to, hto dh coDeToDaaH. Mh 3apa5aTHDaeM ^eHbTH”. flpyr Moero oT^a pa^Depnyaca h pac- xoxoTaaca. O^e^ yaH^Hyaca h HoKaHaa roaoDoH. PacKpacneDraHeca, c Kopo5KoH HCHoab3oDaHHHx tm5hkod h3-ho^ 3y5noH HacTH Hepe^ hhmh CToaaH ^Da MaabHyraHa, o5cHHaHHHe c hot ^o tohodh 5eaHM HoporaKoM c yaH^KoH ^o yraeH. O^e^ HoHpocHa Hac HocTaDHTb Kopo5Ky Ha 3eMara h HpHcecTb Ha KpHHb^o. C yHH^KoH oh MarKo o5bacHHH, hto o5o3HaHaao chodo “HoflfleaHDaHHe”. HaraHM MeHTaM HpHraea Kone^. “Bh ^yMaeTe, HTo 3To He3aKoHHo?” -CHpoCHH MaHK, C ^po^bra D roaoce. “OTHyCTH hx”,- CKa3aa ^pyr oT^a. “Mo^eT 5HTb, y hhx TaaaHT nacToa^HH Hpope3aaca”. OTe^ HpHCTaabno HocMoTpea na Hero. “fla, 3to HeaeraabHo - CKa3aa MarKo moH oTe^. “Ho dh, pe5sTa, Hpo,aeMoHCTpHpoDaaH 5oabrayra H3o5peTaTeabHocTb h opHTHHaabHocTb mhchh. TaK ^ep^aTb. ^ ^eHcTDHTeabHo rop^ycb d^mh”.

Pa3oHapoDaHHHe, mh c MaHKoM CH^ea MoaHa mhh^t 20, Hpe^^e HeM HaHaaH pa3rpe5aTb naray CDaaKy. EH3Hec C^ox d tot ^e ^eHb, Kor,aa HaHaaca. no^MeTaH HoporaoK, a HocMoTpea na MaHKa h CKa3aa: “flyMara fl,^HMMH HpaD co cdohmh ^py3b3MH. Be^HHe mh”. MoH oTe^ y^e yxo^Ha ot Hac, Kor,aa 3 3to CKa3aa. “Pe5aTa” - CKa^aa oh, - “dh ^e^HHe ToabKo Tor,aa, Kor,aa c^aeTecb. CaMoe Da^noe, hto dh hto-to CAeaaaH. EoabraHHCTDo ara,aeH ToabKo roDopaT h MeHTaraT pa35oraTeTb, a dh Koe-



22 Po5epx T. KHOcaKH, 0apoH

ncHTcp

HTO c^eaaaH. A o5ohmh aaMH rop^ycb h noBxoparo aaM CHOBa. TaK ^ep^aTb. He cflaBaHTecb”.

MaHK H a ctohhh h MoaHaaH. CaoBa-To 5hhh xoporaHe, ho Bce e^e MH He 3HaaH, hto fleaaTb.

“HoHeMy TH He 5oraTHH, nan?” - cnpocHH a.

“HoToMy hto a BH5paa npo^eccHra raKoabHoro yHHTeaa. 0Koab- HHe yHHTeaa He AyMarar o tom, hto5h 5HTb 5oraTHMH. HaM npocTo HpaBHTca yHHTb. ^aab, hto He Mory noMoHb BaM, ho a ^eHcTBHTeabHo He 3Hara KaK 3apa5aTHBaTb ^enbTH”. MaHK h a npo^oa^aaH y5HpaTb. “SnaeTe hto”, - cKa^aa oTep. “Echh bh, pe5aTa, xoTHTe nayHHTbca, KaK 5HTb 5oraTHMH, BH He Mena cnparaHBaHTe. HoroBopH co cbohm otpom, MaHK”. “Mohm otpom?” - nepecnpocHa MaHK c HcKa3HBraHMca hhpom. “fla, tbohm otpom”,- hobtophh oTep c yaH^KoH. “V Hac c tbohm otpom o^HH H tot ^e 5aHKHp, KoTopHH B BocTopre ot TBoero oTpa. Oh MHe ne pa3 roBopHH, hto tboH oTep BeaHKoaeHeH, Kor,aa ^eao aoxo^ht ^o 3apa5aTHBaHHK ^ener”. “MoH oTep?” - chob^ chpochh MaHK c He^oBepH- eM. “A Hero ^e y Hac HeT xoporaeH MaraHHH, KpacHBoro ^oMa, KaK y 5oraTHx ^eTeH b raKoae?”. “Xoporaaa MaraHHa h KpacHBHH ^om He o5a- 3aTeabHo o^naHarar, hto th 5oraT hhh 3Haerab, KaK 3apa5aTHBaTb ^enb- th”, - oTBeTHH oTep. “OTep fl,^HMMH pa5oTaeT na caxapnoH HaaHTapHH. Oh He HaMHoro oTHHHaeTca ot Mena. Oh pa5oTaeT na KoMHaHHra, a a pa5oTara na HpaBHTeabcTBo. KoMHaHHa HoKyHaeT MaraHHy Hero. V caxapnoH komh^hhh ceHHac ^HHancoBHe HeHpHSTHocTH, oTep ^.^hmmh Mo^eT cKopo HoTepaTb Bce. A tboH orep, MaHK, coBepraenno ^pyroH. Oh, BepoaTHo, ctpoht HMHepHra, h a Ho,ao3peBara, hto Hepe3 HecKoabKo aeT oh cTaneT oHeHb 5oraTHM HeaoBeKoM”.

Coo5^eHHoe otpom chob^ BH3Baao hphhhb oneprHH y Hac c MaHKoM. C hobhmh cHaaMH mh cTaaH BHHH^aTb rpa3b, HoaBHBrayraca B pe3yabTaTe HepBoro Hecpa5oTaBraero ^eaa. V^Hpaa, mh ctpohhh Haa- HH, KaK H r,ae HeperoBopHTb c otpom MaHKa. Hpo5aeMa 5Haa b tom, hto oh MHoro pa5oTaa, HacTo Bo3Bpa^aacb ^omoH oHeHb ho3^ho. OTep MaHKa Baa^ea cKaa^aMH, cTpoHTeabHoH KoMHaHHeH, HecKoabKHMH Mara3HHaMH H TpeMK pecTopanaMH. Ho3^ho oh h HpHxo,aHa H3-3a pecTopanoB.

Hocae oKoHHaHHa y5opKa MaHK Hoexaa Ha aBTo5yce ^omoH. Oh co^Hpaaca HoroBopHTb c otpom, Kor,aa oh BepneTca BeHepoM ^omoH, h cHpocHTb ero, He mot 5h oh HayHHTb Hac, KaK cTaTb 5oraTHMH. MaHK Hoo5e^aa Hepe3BoHHTb cpa3y Hocae pa^roBopa c otpom, ^a^e ecaH 5y,aeT ho3aho.

Teae^oH 3a3BoHHa b 20:30. “Hy?” - cKa^aa a. “B cae^yra^yra cy5- 5oTy”, - oh Hoao^HH Tpy5Ky. O^ep MaHKa cor.racHaca BcTpeTHTbca c HaMH. B 7:30 yTpa b cy55oTy a cea Ha aBTo5yc, rae^raHH b 5eflHHH ro- po,acKoH paHon.