Lexico-semantic and linguculturological english and uzbek discoveries


 .2. Interpretation of the social life and way of life of the people in the riddles of Uzbek household items



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3 .2. Interpretation of the social life and way of life of the people in the riddles of Uzbek household items


When analyzing puzzles about household items , we need to get acquainted with the culture of that people . After all, finding the answer to the riddle is closely linked with knowing its cultural background . Traditional Uzbek occupations and economic activities are reflected in
Uzbek household chores . The living conditions, lifestyles and traditions of the people were embodied . The Uzbek people used to tell riddles during winter and autumn nights during various handicrafts such as spinning cotton, spinning wheels, and weaving quilts . When we get acquainted with some of the Uyghur droplets , we see that the people work in this process and at the same time weave the process and the tools of labor to find food . 39. Money in the market, Come and bleed into my hands. Angishvona 40. Self left, Color lock, Bottom hole. (Cholpi) 41. Two wolves play in the mountains, Without dust, Both eat the same head, Without bleeding.      (Scissors)
[34]

As Uzbek riddles are a centuries-old genre , they have become more complex and polished over the centuries . Each home ro`zg`or items displayed puzzles ma ' engineers to the form, content, composition, construction and a repeat consists of the elements responsible. The main source of annoyance of each riddle is the means of artistic representation, and each riddle built with such means is a manifestation of word art . This is why the words used in riddles are often used in a figurative sense . Otherwise, you will be bored to find words that are constantly used in their own sense , and the reader will be bored . There are artistic means of expression in the Uzbek language that have been used for centuries and are used in every genre . Anvar Khodzhiakhmedov's work "Classical Literature " (1999), which is now widely known to readers , contains more than 50 works of art . Below we will try to analyze household puzzles using a few poetic arts . Literary books, issued a metaphor (the Greek "copied") refers to the ancient Uzbek language is specific in many cases as a "metaphor" is called. Now it is also called the art of simulation 42. The moon walks under the ground, the rich man with a white beard walks . (Omoch)



[35]

The answer to this riddle is a plow, which was used by our ancestors to


plow the land. He was likened
to a moon-white, white-bearded rich man in the sky because he worked the land, harvested crops , and made a living from it . The method of metaphor is the analogy of something , a sign, an action, etc., in other words . Although there are 4 elements in the formation of the parable, such as similarity, analogy, basis and means , not all of them are involved in the genre of riddles , only analogy is used. The rest of the elements are understood from the meaning of r .
43. In the dark of the night, an old woman is spreading her hair. (Lamp)  44. A head of wheat fills the house. (Lamp)
 
[36]

In both cases, there was only a simulation . In the first, the old woman's lamp and her hair are compared to her rays, and in the second, she looks as good as wheat, but she builds two similitudes alone.


45. His mouth is like a doppia, his belly is red. Oven 46. ​​The inside is like black coal, the teeth are yellow, like sparks. (Tandir)
    

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47. Sitting like a mullah, Screaming like a mule. (Samovar)
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The answer to the first riddle is tandir, and the second is a samovar riddle, in both riddles , in addition to the arrow, the basis and the means are used. Merchandise mark and one of those, the movement of the motor -dek, o'sha checking chog`ishtiruv additions qo`llanilyapti.Yana similarities is that both the field as the basis of colors visible tnashyapti: red, yellow, and black.

Migration is one of the most widely used artistic means. The art of using the word nomadic in a
figurative sense, or
transferring the qualities of an event in some way similar to that of an event, is the art of transferring it to events.


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