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L.L. Selivanova
EXEGI MONUMENTUM…
(GREEKS AND BARBARIANS
IN COMMEMORATIVE ART
FROM CLASSICAL GREECE)
The article examines the ideology of confrontation between the
Greeks and the barbarians as reflected in the monumental art of Clas-
sical Greece, with reference to the offering by the Thessalian Daochos
at Delphi. This so-called Daochos Monument (c. 336–332 B.C.) con-
sisted of eight sculptures, each for one
of the male members of the
family of Daochos, King of Thessaly, spanning over several genera-
tions. On the basis of her analysis of the inscription from this Monu-
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384
ment, the author suggests that Daochos reinterpreted the victory of his
namesake grandfather as
his defeat of the barbarians, for the purpose
of presenting himself as a defender of Hellenic civilization, and thus
aligning with the stance of King Philip II of Macedonia. By promot-
ing the glory of his family in the
panhellenic sanctuary, Daochos in-
tended to solicit gratitude from the entire Hellenic race.
Keywords: Greeks and barbarians, panhellenism, the Daochos
Monument, Delphi, Thessaly, Philip
II of Macedonia.
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