Дядя Горгудун мязар йери щаггында



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QAYNAQLAR

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Jemile Chichek (İsbandiyarova)
THE MODERN LOVE EPOSES ON THE PARALEL OF LOVE MOTIVES OF “DEDE GORGUD”
Summary
In the article the comparative analysis of love motives in the eposes “Kitabi-Dede Gorgud” with the Azerbaijan love eposes of the 20th century is carried out. On the paralel of “Dede Gorgud” love motives the modern love eposes are investigated. The examples about the continuation of the tradition creating epos by our nation from the ancient times are shown. Giving the quotations from the valuable thoughts and ideas of the outstanding scientists and investigators about the given theme are explained. It is also mentioned that generally the tradition of creation the epos is the constituent part of the ancient common Turkic culture, the artistic mentality. In general it was considered advisable to look through the ancient history, the life style in those historical periods, the common cultural examples created together, th artistic thinking, the mutual relation, the struggle and the conflicts of Turkic nations. Paying attention to the common Turkic eposes till the “Kitabi-Dede Gorgud” some special advantages are analyzed. Different parts (such as “Baybura’s son Bamsi Beyrek”, “Dukha Goja oglu Deli Domrul” and etc.) are studied especially. Alike and different points of the love motives in the parts and in Azerbaijan love eposes of the 20th century are investigated. From the ancient times the continuation of inheritance relation of our nation in the creation of epos, meeting of some signs of “Dede Gorgud” parts in the new period love eposes are estimated. The alike and different points between the eposes “Ashug Ali’s visit to Turkey” and “Baybura’s son Bamsi Beyrek” are compared. As a result it is also mentioned that the main point connecting the eposes “Dede Gorgud” and Azer­bai­jan love eposes of the 20th century to each other is the real love, the vital love. Though one can meet some mystic-gnosis values very rarely in “Kitabi-Dede Gorgud”, some romantical, fan­tastical mea­nings are observed in these parts and are explained with the neat arguments.

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