|
The Scope of the Course: 32 hours (28 lectures, 4 hours of seminars).
2 credit points. Type of Assessment: a test.
I.The Author of the Course: Lecturers Ella Smirnova and Lauma Auziņa.
Preconditions for the Acquisition of the Course: Preliminary knowledge in the history of politics, culture and the cinema.
The Content of the Course: The course characterises principles of the registration and storage of audio-visual documents, it introduces students to the system of archives in Latvia and the work at the State Archives of Film-Photo-Sound Documents of Latvia (SAFPSDL). The students acquire practical skills of an archivist.
Thematic Planning:
THEMES
|
Week
|
Type of classes and hours
| -
The system of archives in Latvia. The structure, activity and basic directions of SAFPSDL.
|
1,2
|
L2, S2
| -
The classification and registration of documents at SAFPSDL.
|
3
|
L2
| -
Audio-visual documents. The history of their development and technological process. Film documents. The treatment process of a film.
|
4,5
|
L2;L2
| -
The supervision of archives of legal persons. Expert examination of the value of documents and their inclusion in public records.
|
6
|
L2
| -
Preservation regulations of audio-visual documents.
|
7
|
L2
| -
The accounting and description of audio-visual documents.
|
8, 9,10
|
L2;S2, S2
| -
The technical processing of audio-visual documents in the archives. The determination of damages of documents and their repair.
|
11, 12, 13, 14
|
L2, L2, S2, S2
| -
The popularisation and application of audio-visual documents.
|
15, 16
|
L2, L2
|
Preconditions for the Acquisition of the Credit Points:
A positive assessment in the test.
Literature:
1. The Law “On Archives” of the Republic of Latvia.
2. Cherchi Usai Paolo. Burning passions, London, 1994
3. The Oxford Guide to Film Studies, Oxford, 1998
4. The Oxford History of World Cinema, Oxford, 1996
The Name of the Course: The Fundamentals of Direction for Cameramen
The Scope of the Course: 64 hours. 4 credit points. Type of Assessment –an oral examination which also includes the evaluation of a theoretical paper.
II.The Author of the Course: Lecturer Prof. Ansis Epners
The Content of the Course: The course gives an insight into the artistic fundamentals of film directing and its technology. It stresses the common and diverse features of film direction and television direction.
Lectures are based on the samples of directors’ work which are featured in films and the literature read independently.
Preconditions for the Acquisition of the Course: The programmes of the previous three terms shall be successfully acquired.
Thematic Planning:
THEMES
|
Week
|
Type of classes and hours
| -
The essence of film direction.
|
1
|
L2;L2
| -
The script, its idea.
|
2
|
L2;L2
| -
Director’s artistic conception.
|
3
|
L2;L2
| -
Director’s script.
|
4
|
L2;L2
| -
Director’s means of expression.
|
5
|
L2;L2
| -
A staging.
|
6
|
L2;L2
| -
A frame.
|
7
|
L2;L2
| -
A phrase of editing.
|
8
|
L2;L2
| -
An episode.
|
9
|
L2;L2
| -
The compositional structure of a film.
|
10
|
L2;L2
| -
Director’s cooperation with a cameraman.
|
11
|
L2;L2
| -
The role of sound (music, noises, etc)
|
12
|
L2;L2
| -
A seminar: ”The Arsenal of the Director’s Means of Expression.”
|
13
|
S4
| -
The peculiarities of the genres of the works of film direction documentary films;
|
14
|
L2;L2
| -
feature films;
|
15
|
L2;L2
| -
commercials;
|
16
|
L2;L2
| -
serials.
|
17
|
L2;L2
|
Preconditions for the Acquisition of the Credit Points:
-
To read the said list of literature.
-
A positive assessment in the seminars.
-
A positive reference about the theoretical paper.
-
A positive assessment at the examination.
III.
IV.Literature:
1. Selection:“Kino mākslas valoda“ and “Kino valoda“
2. M.Martens “Kino valoda“
3. B.Belašs “Kino”
4. Z.Krakauers “Filmas daba”
5. S.Eizenšteins “Kopotie raksti” 1.- 6. sējumi
6. Selection: “Dokumentālā kino - žanru problēmas”
7. H.Franks “Ptolemeja karte“
8. Selection:“Dziga Vertovs“
9. Vigodskis “Mākslas psiholoģija“
10. J.Civjans “Kino vēsturiskā recepcija“
11. M.Montegjū “Filmu pasaule“
12. J.Lotmans, J.Civjans “Dialogs ar ekrānu”
13. S.Jutkevičs “Režisūras poētika“
14. Recommended: Selection “Filmu gramatika“ (in English)
The Name of the Course: The Fundamentals of Drama
The Scope of the Course: 32 academic hours (32 hours of lectures).
2 credit points. The form of assessment – a test.
The Author of the Course: Lecturer Lauris Gundars
Preconditions for the Acquisition of the Course: Prior knowledge in the basic speciality, direction and work with an actor.
The Contents of the Course: The programme is designed for all those students whose basic speciality is not drama, namely, for the Theatre, Film and TV directors. The students shall acquire the fundamentals of drama, the theory of drama, they should be competent in the specific features of dramatic works regarding the genre. The training process includes both practical works and the theoretical analysis of works from the point of view of the drama material.
The Thematic Planning:
CI.Theme |
Week
|
Type of classes and hours
|
1. The general regularities of drama, the nature of characters, their meaning in a dramatic work.
|
1, 2
|
L2; L2
|
2. Narrative as the main driving force.
|
3
|
L2
|
3. The essence and role of conflict in drama.
|
4
|
L2
|
4. The basic narrative and parallel lines.
|
5, 6
|
L2; L2
|
5. Character and the general composition of a work, character and the main task, character as an embodiment of the idea.
|
7, 8
|
L2; L2
|
6. The composition of dramatic works: the five-acts’ method, the five-step composition, specific compositions, their preconditions.
|
9, 10
|
L2; L2
|
7. The classical and alternative compositions of dramatic works.
|
11, 12
|
L2; L2
|
8. The scope of dramatic works in the theatre: a one-act play, performances of several acts, their specific features, stage versions.
|
13, 14
|
L2; L2
|
9. The scope of dramatic works in the cinema and TV: a full-length film, a short film, a TV programme, a screen version.
|
15, 16
|
L2; L2
|
Requirements for the Acquisition of Credit Points:
A successfully completed practical work.
Literature:
Aristotelis. Poētika, Rīga
Červinskis A. Kā uzrakstīt pārdodamu scenāriju, Maskava, 1989
Mitta A. Kino starp paradīzi un elli. Maskava., 1998
Sīgere L. Tēli un to sistēmas., USA, 1998
Sīgere L. Literāra darba pārvēršana dramatiskā. USA 1990
Foglers K. Arhetipi un to izmantošana dramaturģijā., USA, 1987
Frīdmans Dž. Filmu sērijas un seriāli, G.B. 1993
Ekborns N. Kā nerakstīt lugu., G.B. 1985
Do'stlaringiz bilan baham: |
