Requirements for the Acquisition of Credit Points: Successful presentation of the programme and individual work.
The preparation of the BA Performance.
Literature: ( tā vēl būs )
The Scope of the Course: 96 hours, 3 credit points.
Type of Assessment – a test and an examination.
I.The Author of the Course: Lecturer Andrejs Vanags
The Content of the Course: The objective of the course is to introduce the students to the history of music and literature on music, the fundamentals of the theory and the most important personalities throughout centuries. After the acquisition of the course the students will be able to use their knowledge when searching for music to implement their creative plans as well as they will have an understanding and a sense of music and the ability to use various forms of compositions.
Preconditions for the Acquisition of the Course: General training in motion and dance.
Thematic Planning:
THEMES
|
Week
|
Type of classes and hours
| Term 1 |
|
| -
Theories of the origin of music and instruments.
|
1
|
L2
| -
The music of ancient civilisations (Egypt, Greece, Rome)
|
2
|
L2
| -
Music in the Middle Ages, Gregorian chant, secular music, development of musical forms, development of writing and names of scores.
|
3, 4
|
L2, L2
| -
General characteristics of the music and the culture of Renaissance.
|
5
|
L2
| -
Renaissance in Italy, the Netherlands, Germany and England.
|
6, 7
|
L2, L2
| -
Renaissance in other countries.
|
8, 9
|
L2, L2
| -
General characteristics of Baroque music and culture.
|
10
|
L2
| -
The early baroque (D.Buxtehude, J.Pachelbell and others).
|
11, 12
|
L2, L2
| -
Masters of Baroque music: J.S.Bach, G.F. Handel.
|
12, 14, 15, 16
|
L2, L2, L2 L2
| Term 2 |
|
| -
General characteristics of Classicism, forms of music and their structure, the composition of an orchestra and the arrangement of the members of the orchestra.
|
17, 18
|
L2, L2
| -
The grand classics of Vienna: J.Haidn, W.A.Mocart, L.van Bethoven.
|
19, 20, 21
|
L2, L2, L2
| -
The other composers of Classicism.
|
22
|
L2
| -
Characteristics of the music and the culture of Romanticism.
|
23
|
L2
| -
Romanticism in Italy: G.Rossini. G.Verdi, the historic opera, G.Puccini.
|
24, 25, 26
|
L2, L2, L2
| -
Romanticism in Germany: F.Schubert, R.Schumann, F.Mendelssohn, J.Brahms, R.Wagner and others.
|
27, 28, 29
|
L2, L2, L2
| -
New national schools and romanticism in other countries.
|
30, 31
|
L2, L2
| -
Tendencies and styles in music after romanticism at the end of the 19th century: impressionism, expressionism and neo-classicism.
|
32
|
L2
| Term 3 |
|
| -
The history of Russian music.
|
33, 34, 35, 36
|
L2, L2, L2, L2
| -
The history of Latvian music.
|
37, 38, 39, 40
|
L2, L2, L2, L2
| -
French music in the 20th century.
|
41, 42
|
L2, L2
| -
British music in the 20the century.
|
43
|
L2
| -
German music in the 20th century.
|
44
|
L2
| -
The history of jazz music.
|
45, 46
|
L2, L2
| -
The history of rock music.
|
47, 48
|
L2, L2
|
Preconditions for the Acquisition of the Credit Points: A test and an examination.
II. III.Literature: -
Vītoliņš J. Mūzikas vēsture. R. “Grāmatu draugs”
-
Šveicers A. J. S. Bahs., M. “Mūzika”, 1965.
-
Čulaki M.Simfoniskā orķestra instrumenti. R. “Zvaigzne”, 1981
-
Pečerskis P. Krievu klasiskā mūzika. R. “LVI” ,1964
-
Volkovs J.Itāliešu dziesmas, opera un dziedātāji. R. “Liesma” ,1969
-
Grīnfelds N. Padomju Latvijas mūzika. R. “Liesma” ,1976
-
Tjuļins J. Mūzikas forma. M. “Mūzika” ,1974
-
Klotiņš A. Mūzika un idejas.R. “Liesma”, 1987
-
Kārkliņš L. Simfoniskie darbi latviešu mūzikā. R. “Liesma” ,1973
-
Briede-Bulāvinova V. Latviešu opera. R. “Zinātne”, 1975
-
Bohländer C. Jazz Führer (I un II daļa). Leipzig “Edition Peters” ,1980
-
Krasinska L. Mūzikas elementārteorija .R. “Zvaigzne”, 1981
-
Kārkliņš L. Mūzikas leksikons. R. “Zvaigzne”, 1990
-
Avramecs B., Mūzikas instrumentu mācība. R.,1997
-
Muktupāvels V. Tradicionālā un populārā mūzika. R.,1997
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