Compulsory (Choice possible)
|
1
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
Total
|
Credit points
|
Lecturer
|
The Methodology of Stage Speech
|
64:2 T
|
64:2 E
|
64:2 T
|
64:2 E
|
64:2 T
|
64:2E
|
|
|
384
|
12
|
Lect. R.Vītiņa, Ass. Prof. A.Matīsa
|
Introduction in to Stage Production
|
64:3 E
|
64:3 E
|
64:3 E
|
64:3 E
|
64:3 E
|
64:3 E
|
64:3 E
|
|
448
|
21
|
As.Prof.P.Krilovs,
Ass.Prof.M.Ķimeel
|
Stage Movements
|
62:2T
|
62:2T
|
62:2T
|
62:2E
|
|
|
|
|
248
|
8
|
Lect. R.Grīnfelde, Lect.Z.Kreicberga
|
The History of Latvian Literature
|
64:2 T
|
64:2 E
|
|
|
|
|
|
|
128
|
4
|
Ass. Prof. R.Briedis
|
Western Philosophy of the 20th Century
|
|
|
|
|
|
|
32:2 E
|
|
32
|
2
|
Prof.P.Laķis
|
History of the Latvian Art
|
|
|
|
32:2 T
|
32:2 E
|
|
|
|
64
|
4
|
Ass.Prof.T.Suta,
Ass.Prof. M.Lapiņa
|
The History and Theory of Music
|
|
|
32:1 T
|
32:1 T
|
32:1 E
|
|
|
|
96
|
3
|
Lect.A.Vanags
|
The History of Culture of Ancient Greece and Ancient Rome
|
48:2 E
|
|
|
|
|
|
|
|
48
| CXXVI.2 |
Lect. H.Tumans
|
Set Design
|
|
|
|
16:1 T
|
16:1 E
|
|
|
|
32
| CXXVII.2 |
Lect.I.Sedlinieks
|
The Theory of Drama
|
32:1 T
|
32:2 T
|
|
|
|
|
|
|
64
|
3
|
Prof.G.Bībers
|
The History of the Latvian Theatre
|
|
|
|
|
48:3
E
|
|
|
|
48
|
3
|
Prof.J.Siliņš,
|
Management
|
|
|
|
|
|
32:2 E
|
|
|
32
|
2
|
Ass. Prof. L.Ķestere
|
The Fundamentals of Drama
|
|
|
32:2 T
|
|
|
|
|
|
32
|
2
|
Lect.L.Gundars
|
Film Editing and Structure Elements
|
|
|
|
|
|
96:6 E
|
|
|
96
|
6
|
Ass.Prof.P.Krilovs
|
Annual Paper
|
|
|
|
3
|
|
3
|
|
|
|
6
|
|
BA Paper
|
|
|
|
|
|
|
|
10
|
|
10
|
|
Total
|
12
|
11
|
10
|
14
|
12
|
16
|
5
|
10
|
|
90
|
|
Theme
|
Week
|
Types of classes and hours
|
1. Visual art. Its tasks.
|
1.
|
L 4
|
2. Work in the exhibition hall of the State Art Museum. The search for a character.
|
2.
|
L2; P2
|
3. Fragmentary composition. Painting. Abstract perception.
|
3.- 4.
|
L2; S2; P4
|
4. A view point. Particular aspects. Imagination. Painting and drawing.
|
5.-6.
|
S2; P6
|
5. Time and space. Central composition. Monumentalism.
The essence of the objectives of applied arts and the theatre.
|
7. - 10
|
L4; S6; P6
|
6. the structure of a figural composition. The principles of harmony and commensurability.
|
11. – 14.
|
L2; S2; P12
|
7. Mood, its tasks and creation.
|
15. – 16.
|
L2; S4 P2
|
8. Light and colour as the means of expression.
|
17. – 20.
|
L2;S4; P10
|
9. A. Warhol: expressing the ideas of the society of his time.
|
21.
|
L4
|
10. Vision. The peculiarities of the eye. Rhythm. Its community with music.
|
22 .- 24.
|
L2; S4; P6
|
11. Dynamics. The representation of drama in a picture and the theatre.
|
25.
|
L2; P2
|
12. Minimalism. Its tasks. Work in an exhibition hall.
|
26. – 28.
|
L2; S2; P8
|
13. The traditional and the contemporary.
|
29.- 30.
|
L2; S4; P2
|
14. A play. A spiral, its use and the creation of a cosmic composition.
|
31. – 32.
|
L2; S2; P4
|