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parts of the country) of the artistic culture of the countries of 
the East played a significant role in this.
The official cultural policy of Canada is to preserve the 
traditions of various ethnic groups, and at the same time, to 
overcome their self-isolation. This course promotes accelerated 
integration of immigrants into Canadian society and creates a 
favorable cultural atmosphere for them. Canada has turned into 
a multinational country, where there is a place for mass culture, 
but, above all, for the genuine art and literature of different 
nations. Various educational programs help immigrants to 
master French and English languages professionally, get a job 
in their specialty. The Government of Canada takes care of 
popular literary education, artistic taste and offers programs 
that stimulate and interest in creativity.
In the late 90s of the XX century, League of Canadian Poets 
began to hold poetry festivals and coordinate numerous national 
competitions for the best poetry book — among beginning poets, 
among children, among professional poets. It is this League that 
organizes book fairs of Canadian poetry abroad (for example, 
in London, Paris, Prague); she informs Canadian study centers 
around the world about literary innovations — with annotations, 
curriculum vitae about authors, price indicators.
In Canada, copyright protection organizations, state and 
federal National Arts Councils have been established.
At the cultural level, they talk about active processes of 
enriching the worldview of the intelligentsia of Canada, due to 
the specifics of the imagery, mentality, and traditions of various 
ethnic groups from other countries. At the level of the literary 
text and its language, they reflect the processes of interaction 
of different poetic devices, ideas about the genre and structure, 
inconsistencies in the interpretation of rhyme, line length, word 
symbolism and its phonomorphological composition.
All of Canada’s poetry and, accordingly, literary criticism and 
the study of its texts, i. e. Canadian poetics as a scientific field, 
unlike, for example, Russia, is based on the study of audience 
perception of poetry. On direct contact with the reader, viewer, 
listener, while our domestic poetry and modern poetry prefers 
the study of a specific text, author’s style, historical and cultural 
and aesthetic context.

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