Auditory perception and its verbalization in the poetic text of A. N. Maikova Irina Ryadinskaya, student
Belgorod state national research University
This article is devoted to the study of the verbalization of auditory perception in the poetic texts of A. N. Maikova. The analysis revealed that auditory perception in the poet’s work is closely related to the process of cognition of the world and reality. In poetry A. N. Maikova auditory perception occupies a Central place, being a semantic dominant in the system of structure-forming cycles of poems. The most important role this feeling plays at the level of language and artistic system. Semantic multifunctionality of auditory vocabulary in lyrical language A. N. Maikova not only participates in the formation of the author’s idiostyle, but also gives an idea of the model of sensory perception in the consciousness of the Russian language. Keywords: auditory perception; language system; auditory vocabulary; perception. Рядинская Ирина Геннадьевна, студент
Белгородский государственный национальный исследовательский университет
T
he relevance of the work is due, first, to the study of
linguistic representations of the universal auditory category
of perception, showing an individual view of the world. What
fits this work into the scope of work performed within the
anthropocentric approach to the study of language; second,
the need for a systematic and multidimensional description of
linguopoetics an. Maikova, since up to now a detailed analysi
lexical features of his poetics from the position of the category
of perceptivity were not carried out, which implies the scientific
novelty f this study.
The limitation of the material works of one author aims to
identify idiostyle features of the study of poetry, the description
of the author’s individual picture of the world.
The aim of the study is to identify traditional and
individually-authored ways of representation of auditory
situation of perception in the poetry of A. N. Maikov and
analysis in ideastream aspect.
The goal necessitated the following tasks:
1) analysis of the vocabulary of auditory perception as a
means of transmitting the author’s worldview;
2) identification of auditory perception and its verbalization
in the poetic text of A. N. Maikova.;
3) analysis of the functions of the vocabulary of auditory
perception.
Verbalization of sensory perception as the most important
fragment of the reflection of the common language picture