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part of the complex belongs to that grave. Graves 
are compact buildings with similar to family me-
morials, surrounded with walls accessible through 
a small arch. However, since the sixteenth century 
ensemble has been accompanied of gardens. There 
was a “chorbog” of the northern side of grave. 
Fruit and ornamental trees planted in the garden. 
For example: from ornamental trees: willow, 
spruce, maple, poplar; fruit trees - peaches, pears, 
apples, grapes; flowers - roses were planted. There 
were streams of the both side of garden from the 
City Gate, there were tree lines along the two 
sides of streams. Theses were created for Abdul-
lakhon visitors, in order to be under the shadow. 
Thus, the green park served as “connecting role” 
of Bukhara to Chor Bakr. 
Chor Bakr had been expanded with “sagana” 
and dakhm(memorials) for many years. Neverthe-

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Мe

morchilik va qurilish muammolari
 
2016 йил, №2 сон 
41 
less, main complex of ensemble are three build-
ings - schools, the khanakh and a mosque which 
looking to the city side. There is the mosque with 
rectangular hall on the north side, on the south 
side there was a wide khanaka with small mud-
slides in the corners with flat intersection. They 
rectangular formed area and two mudslides fill the 
lined madrasah, the front area forms the outside 
and inside of the mosque there is a minaret on the 
main point of the ensemble. This vertical element 
connects front side of the building to the surround-
ing environment. Thus, contrary to all the laws of 
the formation of the ensemble, the ensemble of 
Chor Bakr was established. The area of the build-
ing combines buildings with surrounding envi-
ronment without separation. That makes a unique 
of this ensemble. The arch of mosque and khanaka 
is symmetry. It was rounded with mosaic belt with 
writings on it. Sides of it is filled with the two-
storey mudslide. That is not typical for these types 
of buildings. The interior of the mosque and 
khanaka were done skillfully. "Ling blow" method 
is reflected beautifully on it. “Chor-Zamin” was 
used for the covering of the dome system. It is 
especially visible in the mosque. The rectangular 
design of the chapel altered into the square shape, 
and the square was the basis of the narrow column 
which support dome [4]. 
The ensemble Qizbibi is located 30 km far 
from Bukhara city. In the past, these lands were 
the downstream of the Zarafshan River. In XVI 
century, this land turned into a sandy area due to 
the frequent changes of the water level in the river 
and water shortage brought. Exactly at this time 
many ancient villages eliminated. The recovering 
was observed in XVIII century. In this century , 
construction of the ensemble Qizbibi was finished. 
Women khanaka - entrance gate of Qizbibi facing 
to the south. The ensemble consists of three court-
yards. On the veranda there is a marble tomb-
stones Qizbibi grave, Mosque-Khanakah, “chillk-
hona”, kitchen, bathroom combined with a clean-
ing room, lining mudslides. Various functional 
rooms seem constructed sequential. Such ensem-
bles are specific to the first half of the Middle 
Ages. Sufis absolutely isolated from the world 
lived in the courtyard not going out. The ensemble 
had been erected bySodiqjon the minister(vazir) of 
Mir Arab for Mrs. Mastura (Qizbibi’s real names). 
Mastura khanum was Sufi and according to legen-
dary, the disappeared in of one of mudslide of 
khanakha. The local people believe that The spirit 
of Qizbibining still lives there. 
A lot of females visit there to ask for the hap-
piness or children. The Composition of the en-
semble is simple and has the local character. It is 
not distinguished with complex solutions and so-
phisticated majesty. The subordinate element of 
ensemble is khanakah, is has averag in size, built 
in the traditional building style. 
The formed architectural ensembles of Buk-
hara is divided into external ensemble of the city 
ensemble of the city, community ensembles. Big 
external ensembles were formed based on the un-
der the idea of creation of the garden art, or ex-
pansion of the holy places. Sitara-i Mohi Khosa 
complex harmonized the combination of local and 
European architecture, Bahauddin Naqshbandi 
complex reflects the Bukhara architecture of Buk-
hara; Chor Bakr ensemble is unusual, excellent 
idea with perfect experimental results. In addition 
to, Abdukholik Gijduvoni and Qizbibi shrine ar-
chitectural ensembles formed in the outskirt of the 
a holy place of the town.