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THE FORMATION AND BASIS OF ARCHITECTURAL ENSEMBLE ART OF BUKHARA 
(S
uburban architectural ensembles) 
 
Pulotov Mirzo - graduate student 
Fayzullaeva Nodira – assistant of chair “History and theory of architectural science” 
Maqolada Buxoro vohasida shakllangan tarixiy meros ob`ektlari – me`moriy ansamllarning madaniy landshafiti 
mufassal tahlil qilib chiqilgan. Har bir me`moriy ansambilning landshaft echimida o`ziga xos jihatlari aniqlanib, 
ularning shallanish sabablari o`rganilgan. Landshaft echimlaridan tashqari, me`moriy ansambillarning tarixi va 
arxitekturasi haqida qiziqarli ma`lumotlar keltirilgan. 
В статье рассмотрены вопросы развития культуры ландшафтной среды объектов исторического насле-
дия – архитектурные ансамбли. Изучены ландшафтные решения и истоки формирования значимых архи-
тектурных ансамблей города Бухара. Приводится интересная информация об истории и архитектуре ан-
самблей. 
Sitar-i Mohi Khosa located 4 kilometers north 
of the city, the summer residence of the princess. 
The main part of the area is a garden. The way of 
the complex is divided into the old and the new 
palace. The old palace was built in the era of Ab-
dul Ahadkhon. It is the assemble of square pe-
rimeter inner count yard of complex buildings of 
local and European architecture. According to his-
torical data, the construction of palace was under 
the guidance of the master Haji Khafi who was 
sent to study the special architecture and construc-
tion of European. The Master had gained qualifi-
cation of European architecture and construction 
in the cities of St. Petersburg and Yalta. In com-
pliance with the master plan of 1937, premises 
were built according to the carcass of a two-lane. 
This gave the opportunity to establish the pointed 
“nisha” which pointed to the wind. In the old pal-
ace, large rooms with leads to the yard with The 
architectural traditions of Bukhara can be ob-
served. Nevertheless, at the same time, the com-
position of complex laws and sequence of con-
structively of all European architecture duplica-
tions can be seen. Building style is symmetrical 
composition. In front of it there are protruded arch 
minarets which inner surface with eight-corner 
ridge, and traditional round columns. Similarly 
entrance can be seen the facade of the building. It 
evokes the spirit of solemnity for the entrance of 
the main room. Two rooms on the side of the hall 
seems living room, thus illustrates that building 
was the center of the palace complex. On the ar-
chitecture and decoration of the building oriental 
elements are nor observed, therefore, it is assumed 

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morchilik va qurilish muammolari
 
2016 йил, №2 сон 
39 
to be built by foreign masters. The palace is con-
necter to the rectangular shaped garden. In the 
intersection of North to south and from east to 
west at the crossing of the paths leading to the 
square-shaped fields. The flowers were planted or 
rectangular-shaped pool built. As we have seen 
historical composition of the garden preserved the 
composition of “chorbog” formed the Middle 
Ages. The idea of harmonization of local and 
european architecture and design - incorporated in 
the new palace. The new palace was built during 
the emir said Olimkhon. Entrance of the palace 
gate through expanded form of the traditional 
ceremonial gate to the palace gate. Royal dignity 
is reflected on the different colored glazed bricks 
of the gate. Along to the perimeter of arch leads to 
the wooden surrounded interior courtyard. The 
horses of guests were placed on veranda, on the 
other side workshops of the master artisans lo-
cated. There were internal courtyard storage in the 
corner of the palace. Storage were specialized to 
keep the clothes as well as treasure of Amir's fam-
ily is designed to keep the clothes, the same treas-
ure. Previous courtyard were closed with carved 
gates, built 1912 - 1914 years, the corner scheme 
forming passing way leads to the main part of the 
ceremony. Pathways looks to the courtyard with 
arch. The arch was decorated with stucco carv-
ings. The palace surround with three part The 
ceremonial courtyard buildings. On one side of the 
road was consisted of high verandas bringing to 
the other rooms. This veranda can be said that as 
the mere example of new and old composition 
styles of combination. The semi-circular shaped 
light “orayopma” was maintained with delicate 
and feminine columns. Along with the traditional 
columns can resemble to a more typical oriental 
architectural design, though, unique and elegant 
architecture of Europe can be observed. This ar-
chitectural ensemble implemented a unique 
method of internal and external elements of the 
yard to the architecture of an enlarged scale. Each 
area of the apartment has its own ensemble. 
One of the building of the palace- two-storey 
residential building. It was built in 1912. The part 
of the building was the tranquiller place of Amir 
free from the crowd who visited to Sitara – i-Mohi 
Khosa(figure 1). Building has asymmetrical com-
position with different heights and shapes. Previ-
ously, there were bedrooms connected to on the 
larger part of the walkway and stairs. One story 
room, covered with the dome, one room with a 
separate entrance door was added to them. This 
should be a Amir’s room. The second smaller part 
there was a kitchen, a dining room and a not big 
bathroom. There was the mosque in front of the 
building. The architect showed the existence of 
the mosque in this building with light lamps cov-
ered with a spherical dome in the form of a cone. 
The entrance to the mosque is separated with thin 
small column [2]. Despite the eclectic ideas that 
reflect the appearance of the building exotic charm 
exists. The reflection of the water gives such spirit 
to the building. The pool in front of the building 
is 53 x 46 in size, and considered the largest pool 
in Central Asia. The surroundings of the pool di-
aled with local yellow block, which provided 
pleasure microclimate during hot, and extremely 
hot summer days. One more amusing element of 
garden composition is separate minarets s, the two 
epoch terrace. Inside a hexagon design minaret 
raisens to the top of the stairs, "Torch". "The torch 
" sustains multilayered dome on thin columns. 
Small bridge connects the "Torch" and high stage 
of veranda.
The main height of veranda (0.00 level) due to 
the higher above the ground, the stairs were in-
stalled. The veranda is light construction –made 
from wood, corresponds to the image of the artis-
tic view of the palace. Even though trying to be 
close to the oriental style palace, it is not a diffi-
cult to differentiate that it is the job of Russian 
architects in the East topic. The main idea of this 
complex is a garden. 
Ensembles, which is based on natural elements 
such as mineral water complex which is only pre-
served well is in Khawaja Ubbon of Bukhara re-
gion and with the same name facility Chashma 
Ayub, in the village Khayrabad can be taken as 
example. Saint Mutabar's tomb and the other 
complexes around tombs can be seen in Central 
Asia's most prosperous provinces. Although, re-
gardless of where and how they are formed, they 
have a common aspect. All of these complexes 
formed in the style of the surrounding courtyard. 

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