Kamolliddin Begzod

In addition to the official reception, battle scenes, and fortifications, the paintings include a double painting depicting the construction of the Bibikhanum Mausoleum in Samarkand; B. painted on a copy of Sharafuddin Ali Yazdi's "Zafarnoma" copied by the calligrapher Sultan Muhammad Hyp (1528, Herat, Tehran's Sultanate Library); Three of the 19 miniatures in Nizami's Hamsa (1442, at the British Museum in London) from 1493 to 1535 are B.'s works: The Battle of Layli and Majnun, The Battle of the Horsemen, and Bahrom Gor's Battle with the Dragon. They have the inscription "Savarrahu alabd Behzod". B.'s name is mentioned in 7 of the 22 paintings in a copy of Nizami's Hamsa (1494, British Museum in London); In the manuscript of Amir Khusrav Dehlavi's epic "Layli and Majnun" (1495 in the Saltikov Shchedrin People's Library in St. Petersburg) B.

In addition to the official reception, battle scenes, and fortifications, the paintings include a double painting depicting the construction of the Bibikhanum Mausoleum in Samarkand; B. painted on a copy of Sharafuddin Ali Yazdi's "Zafarnoma" copied by the calligrapher Sultan Muhammad Hyp (1528, Herat, Tehran's Sultanate Library); Three of the 19 miniatures in Nizami's Hamsa (1442, at the British Museum in London) from 1493 to 1535 are B.'s works: The Battle of Layli and Majnun, The Battle of the Horsemen, and Bahrom Gor's Battle with the Dragon. They have the inscription "Savarrahu alabd Behzod". B.'s name is mentioned in 7 of the 22 paintings in a copy of Nizami's Hamsa (1494, British Museum in London); In the manuscript of Amir Khusrav Dehlavi's epic "Layli and Majnun" (1495 in the Saltikov Shchedrin People's Library in St. Petersburg) B.

In the manuscript of Amir Khusrav Dehlavi's epic "Layli and Majnun" copied by Sultan Muhammad Hiravi (St. Petersburg), B. is referred to as "The Debate in the Madrasa", "Layli and Majnun at School", "Layli and Majnun in the Desert", "With Majnun Layli's Dog" and " In the presence of the madman's ambassador Layla, there are miniatures entitled "; B. 2 illustrated a manuscript of Saadi's Gulistan (1486, at the Fogg Museum of Art at Harvard, from the former Rothschild complex) copied by the calligrapher Sultanali Mashhadi; 4 of the 13 paintings in the manuscript of Amir Khusraw Dehlavi's Hamsa (1495, Chester Beatty Library in Dublin) have features characteristic of B.'s works; Double painting "Sultan Hussein in the Garden" (1485-90, Gulistan Museum in Tehran, murakqa); "Old Man and Young Man" painting (at the Kevorkyan Complex in New York); "Camel Fight" (at the Gulistan Museum in Tehran); Portrait of Sultan Hussein (at the F. Martin Complex in Sweden); Portrait of Muhammad Shaibanikhan (at the Timken Burnet Complex); Portrait of Abdurahman Jami (in the Riza Library in Iran); "Sultan Hussein and Alisher Navoi" double painting (in St. Petersburg). In addition, B.'s works are available in libraries, manuscript collections, museums and private collections. As an artist, Us Tod brought up a number of students in Herat and Tabriz. His disciples spread the B. tradition throughout the Middle East. B.'s traditions had a positive effect on the work of later artists (see Behzod Miniature School).