Kamolliddin Begzod

B.'s work was highly valued by his contemporaries, setting the direction for the development of painting in the Middle East until the 17th century. B. continued and enriched the traditions of his predecessors. The history of his works is complex, rich in free movement, composed of bright, attractive colors, which are in harmony with each other. Nature is alive, the scenes of life are clear and realistic, convincing and moving. The lines are extremely delicate, the colors are elegantly crafted. In his portraits, he focused on the depiction of human spirituality, spirit, emotions, and character.

Manuscript of Saadi's Boston (1478, in the Chester Beatty Library in Dublin); Drawings from Attor's Manuscript Uttair (1483, at the Metropolitan Museum of Art in New York), 1487; Of the 13 paintings in Navoi's Hamsa manuscript (1485, the Bodley Library in Oxford and the John Reylands Library in Manchester), "The Prophet with His Companions," "Hoja Abdullah Ansari Conversing with Dervishes," is given. An Egyptian copy of Sa'di's Boston (1488, in the National Library in Cairo) and the Horsemen "," The Debate in the Mosque "," The Conversation of the Scholars "," Zulayha's Prayer to Yusuf "were created by B.; Eight of the 12 miniatures in the manuscript of Sharafuddin Ali Yazdi's "Zafarnoma" (1467, John Hopkins flour, Baltimore, USA) copied by the calligrapher Sherali are B.'s work (1990s).

Manuscript of Saadi's Boston (1478, in the Chester Beatty Library in Dublin); Drawings from Attor's Manuscript Uttair (1483, at the Metropolitan Museum of Art in New York), 1487; Of the 13 paintings in Navoi's Hamsa manuscript (1485, the Bodley Library in Oxford and the John Reylands Library in Manchester), "The Prophet with His Companions," "Hoja Abdullah Ansari Conversing with Dervishes," is given. An Egyptian copy of Sa'di's Boston (1488, in the National Library in Cairo) and the Horsemen "," The Debate in the Mosque "," The Conversation of the Scholars "," Zulayha's Prayer to Yusuf "were created by B.; Eight of the 12 miniatures in the manuscript of Sharafuddin Ali Yazdi's "Zafarnoma" (1467, John Hopkins flour, Baltimore, USA) copied by the calligrapher Sherali are B.'s work (1990s).