Introduction 3 chapter chapter I fictional languages in the context of modern reality 5



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THE SOCIAL ASPECTS OF G.ORVELLL\'S NOVEL

Conclusions on Chapter II



  1. The novel "1984" by George Orwell is a classic work in the genre of dystopia, combining all the main characteristics of this genre.

  2. Newspeak is a fictitious political language based on English that aims to control and subdue.

  3. "Newspeak" within the framework of the work performs the following functions:

parody-satirical, spatio-temporal localization, compositional organization of the text, character characteristics function.

  1. The role of "newspeak" in the work is to contribute to the solution of the ideological tasks set by the author, as well as to reveal the meaning of the novel.

  2. The features of the Newspeak vocabulary include: a clear and logical organization of the structure of the language (dividing the vocabulary into 3 classes); word-formation system based on quantitative and qualitative changes; planting in the language of artificially formed abbreviations and abbreviations; full of euphemisms.

CONCLUSION


In this final qualification work, the main areas of use of fictional languages were analyzed, and the functioning of fictional languages in dystopian novels was studied using the English-language novel by J. Orwell "1984" as an example.
The main areas of use of fictional languages are the arts, including cinema and literature, as well as the gaming industry, both real and virtual.
In literature, fictional languages are the main element of such a genre as dystopia: they play an important role in shaping the style of this genre. In addition, with the help of fictional languages, a concept is supported that characterizes the fictional world described in the work. Also, the fictional languages used in fiction reflect the individual style of the author.
J. Orwell's novel "1984" is a classic example of a dystopian novel of the 20th century. In this novel, the author uses the fictional language "Newspeak" - a political language based on English, and used to maintain total control over the population of the fictional state of Oceania.
In the poetics of this work, fictional language plays a significant role: "newspeak" contributes to the solution of the ideological tasks set by the author, as well as to the disclosure of the meaning of the novel, which is a caustic political satire. Moreover, "newspeak" influences the plot organization and figurative system of the novel, giving originality to the style of the work. It should be concluded that the fictional language incorporated into the text of a work of art is one of the important components of the dystopian genre.
Fictional languages in the works of the dystopian genre perform a number of important functions: the function of spatial and temporal localization, the parodic- satiric function, the function of the compositional organization of the text, the function of characterization. The main function of George Orwell's Newspeak is a parodic-satirical assessment of the negative (according to the author himself) linguistic changes taking place in the English language: the processes of simplification of grammar and semantics, an increase in the number of words with ambivalent meanings, euphemisms and abbreviations.
Ideas about "Newspeak" are formed from a theoretical application to the novel, which summarizes information about the resources and ways of using this language, as well as their elements of "Newspeak" incorporated into the novel.
The grammatical, lexical and semantic characteristics of "Newspeak" reflect the language problems that were relevant in the middle of the 20th century: simplification of grammar and semantics, the growth of morphological unification, the presence in languages of euphemisms and words with ambivalent meaning, applicable both for positive; and for negative evaluation, numerous abbreviations.
The lexical features of "Newspeak" include: a clear and logical organization of the structure of the language (dividing vocabulary into 3 classes), based on imitation of the class system existing in the described state; word-formation system based on quantitative and qualitative changes; planting in the language of artificially formed abbreviations and abbreviations and saturation with euphemisms.
Fictional languages determine the genre of a work, act as a motivator for the development of history, enrich the text of a work of art, introduce polysemy, ambivalence, and polyvariance of interpretations and connotations into it, turn reading into a process of decoding textual forms and sign systems. When considering a work of art in the foreground
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intertextuality is put forward - the perception of all literature as a single text, interpretation to clarify the hidden meaning.

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