Қарши давлат университети ҳузуридаги илмий даражалар берувчи phD

Dialog chronotope. This form of interaction between Amir Temur and Amir Hussein makes the reader more interested in the reality of the work, a deeper understanding of the historical truth in the heart of the reader.
In the second part of the chapter, entitled “The category of artistic time and the method of expression in tetralogy” there were discussed the following: the series of moments, days, months, years, periods were firmly connected to each other, creating the conditions for the emergence of a holistic artistic concept; the relation of the form of time to the past is manifested by what aspects the writer focuses on reality; the path traversed and its analysis reflect to a certain extent in the dreams, hopes, losses, sufferings, and everyday life of the heroes of the work.
As the category of the artistic epoch develops in chronological order, the writer also draws a parallel between the suspension of reality and the re-expression of reality. The victory over the world-famous Yildirim Boyazid brings peace and tranquility to Amir Temur. For example, the defeat of the Roman emperor, who took up arms in defiance of the word of surrender, is reflected in the struggle to turn the twenty-seven states into a single centralized state. The form of time is expressed in a mixed way in this respect. The existing tradition of appearing colorful in the world of imagination and fantasy further inspires the writer. In this sense, a great intention can be seen in the great love for the person of Amir Temur.
Memory chronotope. In historical tetralogy, Sahibkiran's deep observation, discussion as the form recollection of the past. That is, what Sahibkiran saw and experienced, the real reasons for his hard work were revealed. A simple observation also provides an in-depth analysis of the causes of changes in the nature of Amir Temur.
Dream chronotope. In the first book of historical tetralogy, the advice of Hakim at-Termizi to his disciple, who reported that Amir Temur would rule over the people of Turan, takes the form of a dream. The dream of Mir Sayyid Baraka, which he told Amir Temur, actually happened as follows:
«One day, before noon he fell asleep for a moment. Suddenly he fell asleep and dreamed. For the first time in his life, He dreamed of Termiz Ota. He said to him:
“Sayyid! My approval of you is endless. You have done the sincere service of a disciple, you have not allowed my grave to disappear, you have remembered us, you have built a khanaqah and you have received the blessings of the pilgrims. God, don't underestimate you. I was restless until those seconds. Now my heart has calmed down, it may the property and the mammoth garden flourish, may the pure springs of religion and faith never cease to boil! However, his own son reigns in the land of Turan. Go to him and do not take the offence at his soul!”⁵⁹
The artistic age is presented as a gesture that Mir Sayyid Baraka encouraged to get acquainted with Sahibkiran Amir Temur, to live and work together. Indeed, artistic time and space were here to make sure that both intellectuals were right in real life. Wherever Amir Temur conquered, he built sacred shrines, bridges, madrasas and mausoleums with the advice and beautiful prayers of the great saint Mir Sayyid Baraka.