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The issue of norms in the image: although the reality is partially distorted in some places in the writing of the historical work, the writer has a philosophical and aesthetic approach to the scenes of conspiracies by the person of Amir Temur and the enemies of his powerful kingdom. In some places, the reality is deliberately stopped, and the method of «re-imaging» is used at the beginning of the chapter. Nevertheless, at a glance, the image is intensely softened. The subconscious emotions, the impossibility of any commander in the turmoil of mental pressure, allow for a vivid imagination in the actions and moods of heroes in different episodic scenes.
The problem of substantiation of motivation in the image: the art of motivating historical facts is closely connected with the creative intention of the writer. As realistic trends develop, the functional significance of motivation also increases. In it, the author-protagonist-character-conclusion unit connects the subject lines. Muhammad Ali reworks the historical process in the mind of the soul and acts not only as an observer of the character's behavior, but also on the basis of proving and analyzing it. For example, Muhammad Sultan, who has always been in a state of hesitation, offers the writer a convenient opportunity to reveal his character on the basis of motivation. The lyrical expression of Khanzda’s wishes, as well as the sufferings of the future bride Soginch bika (longing, love) stabilizes the new poetic history.
The issue of the author's retreat in the image: the writer often refers to the author's retreat against the background of the masterful depiction of the personality and will of Amir Temur. The author tries to prove the basic reality between conjecture and reality. In wedding and marriage scenes, woven images also resemble historical figures; woven realities resemble historical ones, for example, weddings under the direction of Saraymulkhanim and Kutlug Turkon оga in the tetralogy «the Great Reign»: including Jahangir Mirzo and Khanzoda khanum, Muhammad sultan and Soginch beka, beautiful nurse Khaldona bibi and clerk Muhammad Churoga Dodkhoh, Oqqiz and Ahiy Jabbar.
Apparently, elements other than the subject that coordinate the image also play an important role. In the image above, the author’s retreat coordinates the bubble image of Mironshah Mirzо and his actions, his desire to be the heir to the throne, and the father-child relationship. The writer connects the sorrows of the protagonist's heart with modernity. As the story progresses from subject time to subject time, the concept reflected in the conflict of time demonstrates complete integrity.
In Muhammad Ali's tetralogy «The Great Reign» the interdependence of ideas and artistic pathos shows the perfection of the writer's creative intentions. Motivation in accordance with the norm in the image serves to poetically strengthen the level of literary pathos.
The first volume of the third chapter «Expression of time and space in historical tetralogy» was entitled «Methods of manifestation of the artistic chronotope in the writer's research”. The scientific, theoretical views on the role, function, time and period of the artistic chronotope in the subject are summarizes in it. It is well known that every writer reflects the reality that takes place in the nature of space and time in the behavior of the protagonists involved in the play. That is, in the more attractive appearance of art, the time of its occurrence shines in a specific time and space. As the literary critic U. Jurakulov points out, «A work, unless every poetic part in it is studied in a chronotope system, makes it difficult to interpret a particular work as an independent artistic phenomenon»56. We can also see the scientific and theoretical basis of the scientist's comments in the analysis of Muhammad Ali's tetralogy «The Great Reign».
Professor Damin Turaev noted: “Sahibkiran created many heroes in vast areas, times and places. The destiny of the kingdom was connected with the destiny of the kingdom. It showed how self-sacrificing, hard-working and heroic the kingdom of Turan was built”57. This critique of the critic proves that the Timurid period was widely represented in the novel-epic. In particular, while the third book reflects Mironshakh's rebellion against his father, in this volume it is also skillfully revealed his repentance.
Muhammad Ali's creative intention in artistic perfection is determined by the intensive view of time, the reality of what happened around Sahibkiran on the basis of time and space, that is, the way to apply the components of the composition in the welding of subject lines:
“The bondmaid's child!» – he said bitterly to himself. He had never said that about the children were born from the maids. But those words did not dispel his anger».58
The passage quoted from the Sahibkiran concubine's thoughtful remarks about his son Mironshah, makes a reader to think. The letter sent from Ahiy Jabbor is proof of Mironshah's rebellion against his father. However, the fact that this bad news in the Sultanate had a serious impact not only on Samarkand, but also on the peace of the whole kingdom, deeply saddened the heart of Sahibkiran. The writer expresses the dialogic speech between Sultan Hussein Mirzo and Khalil Sultan, who realized that Sahibkiran's life was coming to the end, in the eighth chapter of the fourth book of the tetralogy. This process fully demonstrated that the latest attack could have been on China.
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