“ it can’t happen here” by sinclair lewis as an anti-utopian, anti-fascist novel content introduction



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Sinclair Lewis, American novelist and social critic who punctured American complicy with his broadly drawn, widely popular satirical novels.
Lewis spent his last years traveling throughout Europe, unable to find publishers for his work and aware that his impact on American literature was far less than his early admirers had led him to believe. Lewis was overshadowed by other American writers, including Ernest Hemingway (1899–1961) and William Faulkner (1897–1962), who had yet to appear when Lewis first attracted attention. Later critics also felt that the Nobel Prize Lewis had won in 1930 should have gone to the stronger novelist Theodore Dreiser (1871–1945) instead.
Married and divorced twice, in Lewis's last years he retreated almost completely


Sinclair Lewis.

from other people. Increasingly self-conscious about his physical decline, he refused to be seen even by his few friends. He died on January 10, 1951, of a heart attack in a small-town clinic just outside of Rome, Italy. During his last years Sinclair Lewis wandered extensively in Europe, and after his death in Rome in 1951 his ashes were returned to his birthplace. Although Lewis is not considered to have been a great writer, his place in the history of American literature is secure.


1.2 Sinclair Lewis career and works
His first four novels were all unsuccessful. In 1920 Lewis achieved instant worldwide recognition with the publication of Main Street, the story of a gifted young girl married to a dull, considerably older village doctor who tries to bring culture and imagination to empty, small-town life. Next Lewis focused on the American businessman in Babbitt (1922), perhaps his major work. Lewis purposely wrote in a fantastic style, ignoring formal plot development or structure. The creation of George F. Babbitt, an intellectually empty, immature man of weak morals who nevertheless remains a lovable comic figure, is Lewis's greatest accomplishment. One critic remarked, "If Babbitt could write, he would write like Sinclair Lewis.
His first novel, Our Mr. Wrenn (1914), attracted favourable critisism but few readers. At the same time he was writing with ever-increasing success for such popular magazines as The Saturday Evening Post and Cosmopolitan, but he never lost sight of his ambition to become a serious novelist. He undertook the writing of Main Street as a major effort, assuming that it would not bring him the ready rewards of magazine fiction. Yet its publication in 1920 made his literary reputation. Main Street is seen through the eyes of Coral Kennisot, an Eastern girl married to a Midwestern doctor who settles in Gopher Prairie, Minnisota (modeled on Lewis’ hometown of Sauk Centre). The power of the book derives from Lewis’ careful rendering of local speech, customs, and social amenities. The satire is double-edged—directed against both the townspeople and the superficial intellectualism that despises them. In the years following its publication, Main Street became not just a novel but the textbook on American provincialism.
In 1922 Lewis published Babbitt a study of the complacent American whose individuality has been sucked out of him by Rotary clubs, business ideals, and general conformity. The name Babbit  passed into general usage to represent the optimistic, self-congratulatory, middle-aged businessman whose horizons were bounded by his village limits.
Lewis’ later books were not up to the standards of his work in the 1920s It Can’t Happen Here (1935) dramatized the possibilities of a Fascist takeover of the United States It was produced as a play by the Federal Theatre with 21 companies in 1936. Kingsblood Royal (1947) is a novel of race relations.
Lewis's next popular novel, Arrowsmith (1925), returned to the form of Main Street to portray a young doctor's battle to maintain his dignity in a petty, dishonest world. Despite its often simplistic look at science as a means of saving one's soul, Arrowsmith was offered the Pulitzer Prize. Lewis, however, immediately refused the honor because the terms of the award required that it be given not for a work of value, but for a work that presents "the wholesome atmosphere of American Life."
Elmer Gantry (1927), an extreme assault on religious hypocrisy (the false expression of the appearance of goodness), seems more concerned with the main character's morals than with the failings of organized religion. Dodsworth (1929), a sympathetic description of a wealthy, retired manufacturer seeking happiness in Europe, is more successful. Here Lewis makes little effort to hide his liking of, and even admiration for, the values described earlier in BabbittIn 1930 Sinclair Lewis became the first American to win the Nobel Prize for Literature, but this honor brought him little personal happiness.
Lewis produced a great deal of writing in the following years, but none of these works were as successful as his earlier efforts. Ann Vickers (1933) traces the career of an unstable woman who starts as a social worker and ends as the mistress of a politician; Cass Timberlane (1945) deals with an unhappy marriage between middle-aged judge and his loving wifeKingsblood Royal (1947) takes on the subject of racial prejudice; and The God-Seeker (1949) tells the story of a New England missionary's attempts to convert the Native American Indians of Minnesota in the 1840s.



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