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Literary Bulletin, Vol. XVII, Cambridge, Mass., 1969.
12. Gédéon Tallemant des Réaux, Historiettes (Paris, 1834).
13. Albert Cim, Amateurs et Voleurs de Livres (Paris, 1903).
14. Ibid.
15. Léopold Delisle, Les Manuscrits des Fonds Libri et Barrois (Paris, 1888).
16. Marcel Proust, Les Plaisirs et les jours (Paris, 1896).
17. Munby, “The Earl and the Thief”.
18. Philippe Vigier, “Paris pendant la monarchie de juillet 1830–1848”, in Nouvelle Histoire de Paris
(Paris, 1991).
19. Jean Freustié, Prosper Mérimée, 1803–1870 (Paris, 1982).
20. Prosper Mérimée, Correspondance, établie et annotée par Maurice Parturier Vol. V: 1847–1849 (Paris,
1946).
21. Prosper Mérimée, “Le Procès de M. Libri”, in Revue des Deux Mondes, Paris, Apr. 15, 1852.
22. Delisle, Les Manuscrits des Fonds Libri et Barrois.
23. Cim, Amateurs et voleurs de livres.
24. Lawrence S. Thompson, “Notes on Bibliokleptomania”, in The Bulletin of the New York Public Library,
New York, Sept. 1944.
25. Rudolf Buchner, Bücher und Menschen (Berlin, 1976).
26. Thompson, “Notes on Bibliokleptomania”.
27. Cim, Amateurs et voleurs de livres.
28. Charles Lamb, Essays of Elia, second series (London, 1833).
THE AUTHOR AS READER
1. Pliny the Younger, Lettres I–IX, ed. A.M. Guillemin, 3 vols. (Paris, 1927–28), VI: 17.
2. Even the Emperor Augustus attended these readings “with both goodwill and patience”: Suetonius,
“Augustus”, 89: 3, in Lives of the Twelve Caesars, ed. J.C. Rolfe (Cambridge, Mass., & London, 1948).
3. Pliny the Younger, Lettres I–IX, V: 12, VII: 17.
4. Ibid., I: 13.
5. Ibid., VIII: 12.
6. Juvenal, VII: 39–47, in Juvenal and Persius: Works, ed. G.G. Ramsay (Cambridge, Mass., & London,
1952).
7. Pliny the Younger, Lettres I—IX, II: 19.
8. Ibid., V: 17.
9. Ibid., IV: 27.
10. Horace, “A Letter to Augustus”, in Classical Literary Criticism, ed. D.A. Russell & M. Winterbottom
(Oxford, 1989).
11. Martial, Epigrammata, III: 44, in Works, ed. W.C.A. Ker (Cambridge, Mass., & London, 1919–20).
12. Pliny the Younger, Lettres I—IX, I: 13.
13. Ibid., IX: 3.
14. Ibid., IX: 23.
15. Ibid., IX: 11.
16. Ibid., VI: 21.
17. According to the poet Louis MacNeice, after one of Thomas’s readings “an actor who had been
standing dazzled in the wings said to him with amazement, ‘Mr Thomas, one of your pauses was fifty
seconds!’ Dylan drew himself up, injured (a thing he was good at): ‘Read as fast as I could’, he said
haughtily.” John Berryman, “After Many A Summer: Memories of Dylan Thomas”, in The Times Literary
Supplement, London, Sept. 3, 1993.
18. Erich Auerbach, Literatursprache und Publikum in der lateinischen Spätantike und im Mittelalter
(Berne, 1958).
19. Dante, De vulgare eloquentia, trans. & ed. Vittorio Coletti (Milan, 1991).
20. Jean de Joinville, Histoire de saint Louis, ed. Noël Corbett (Paris, 1977).
21. William Nelson, “From ‘Listen Lordings’ to ‘Dear Reader’ ”, in University of Toronto Quarterly 47/2
(Winter 1976–77).
22. Fernando de Rojas, La Celestina: Tragicomedia de Calisto y Melibea, ed. Dorothy S. Severin (Madrid,
1969).
23. María Rosa Lida de Malkiel, La originalidad artística de La Celestina (Buenos Aires, 1967).
24. Ludovico Ariosto, Tutte le opere, ed. Cesare Segre (Milan, 1964), I: XXXVIII, quoted in Nelson, “From
‘Listen Lordings’ to ‘Dear Reader’ ”.
25. Ruth Crosby, “Chaucer and the Custom of Oral Delivery”, in Speculum: A Journal of Medieval Studies
13, Cambridge, Mass., 1938.
26. Quoted in M.B. Parkes, Pause and Effect: An Introduction to the History of Punctuation in the West
(Berkeley & Los Angeles, 1993).
27. Thomas Love Peacock, Nightmare Abbey (London, 1818).
28. Samuel Butler, The Notebooks of Samuel Butler, ed. Henry Festing Jones (London, 1921).
29. P.N. Furbank, Diderot (London, 1992).
30. Peter Ackroyd, Dickens (London, 1991).
31. Paul Turner, Tennyson (London, 1976).
32. Charles R. Saunders, “Carlyle and Tennyson”, PMLA 76 (March 1961), London.
33. Ralph Wilson Rader, Tennyson’s Maud: The Biographical Genesis (Berkeley & Los Angeles, 1963).
34. Charles Tennyson, Alfred Tennyson (London, 1950).
35. Ralph Waldo Emerson, The Topical Notebooks, ed. Ronald A. Bosco (New York & London, 1993).
36. Kevin Jackson, review of Peter Ackroyd’s lecture “London Luminaries and Cockney Visionaries” at the
Victoria and Albert Museum, in The Independent, London, Dec. 9, 1993.
37. Ackroyd, Dickens.
38. Richard Ellman, James Joyce, rev. ed. (London, 1982).
39. Dámaso Alonso, “Las conferencias”, in Insula 75, Mar. 15, 1952, Madrid.
40. Stephen Jay Gould, The Panda’s Thumb (New York, 1989).
THE TRANSLATOR AS READER
1. Rainer Maria Rilke, letter to Mimi Romanelli, May 11, 1911, in Briefe 1907–1914 (Frankfurt-am-Main,
1933).
2. Louise Labé, Oeuvres poétiques, ed. Françoise Charpentier (Paris, 1983).
3. Carl Jacob Burckhardt, Ein Vormittag beim Buchhandler (Basel, 1944).
4. Racine’s poem, a translation of only the second half of Psalm 36, begins, “Grand Dieu, qui vis les cieux
se former sans matière”.
5. Quoted in Donald Prater, A Ringing Glass: The Life of Rainer Maria Rilke (Oxford, 1986).
6. Alta Lind Cook, Sonnets of Louise Labé (Toronto, 1950).
7. Labé, Oeuvres poétiques.
8. Rainer Maria Rilke, “Narcissus”, in Sämtliche Werke, ed. Rilke-Archiv (Frankfurt-am-Main, 1955–57).
9. Quoted in Prater, A Ringing Glass.
10. Natalie Zemon Davis, “Le Monde de l’imprimerie humaniste: Lyon”, in Histoire de l’édition française,
I (Paris, 1982).
11. George Steiner, After Babel (Oxford, 1973).
12. Paul de Man, Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust (New
Haven & London, 1979).
13. D.E. Luscombe, The School of Peter Abelard: The Influence of Abelard’s Thought in the Early
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