Interjections. Usually these words express our feeling such as regret, despair, sorrow, woe, surprise, astonishment etc. In the previous parts we have spoken about interjections which were defined as expressive means of the language. Emotionally coloured features of interjections after conscious and intentional intensification of their structural and semantic properties move up to a generalized status and become a stylistic device.
Interjections may be divided into simple and derivative.
Simple interjections: Oh! Ah! Bah! Pooh! Gosh! Hush! Alas! Voy! Eh! Oh! Be! Ie! Iy! Voey! E-ha! xa! Voy-bo`y! Xaya! I-i! Yop! Ey! Xax! Obbo!
Derivative interjections: Heavens! Good gracious!
Dear me! Good! By the lord! God knows! Bless me! Hum bug! Yopiray! Tavba! Alvido! Yopirim! Parvardigor! Barakalla!, “Xe, mayli-da, uka, buyam endi qirq yilda bir eshak o`yin deganday gap-da. Voy, Xushomadgo`y-ey!” Voy, otasi tushgur-ey, dedi kula-kula Musa, -men sizni so`fi, bunday ishlarga r`tabor qilmaydi deb yursam, sizda gap ko`p ekan. Voy, otasi tushkur-ey!
There are a number of adjectives and adverbs which may be classified as interjections. Among them are the following: terrible, awful, great, wonderful, splendid. When they are used as interjections they are not used in their logical dictionary meanings. In most cases they are used in their emotive meanings as intensifiers.
In newspaper language, colloquial words and word combinations, and sometimes general slang words, are used to give an expressive evaluation of facts and events. In modern poetry, words of all layers are most widely used. Lyrical poetry allows the usage of various non-poetic words to create the atmosphere of sincerity, confidence etc. Slang words in fiction (mostly in dialogues) add to the informality and emotiveness of the character’s speech alongside with indicating social and speech peculiarities of the personages.
To this group, we refer terms, nomenclature words, historical words, exotic words, and lexical neologisms.
Terms are words and word combinations expressing scientific and scholarly notions in which essential properties of the object or phenomenon are reflected. Terms are generally associated with a definite branch of science and, therefore, with a set of other terms belonging to that particular branch of science or humanities. For example, language and speech may be used as synonyms in everyday usage, but in de Saussure’s theory, they are opposed to each other as terms.
Nomenclature words are very close to terms: they refer to a definite branch of human activity, mainly professional, e.g. names of minerals, chemical elements, types of cars etc.
Historical words denote objects and notions referring to the past.
Exotic words denote notions and objects unknown or rarely met in the given language community.
Lexical neologisms are new (or old) words denoting new notions.
All the words mentioned above, being used in special texts, have no stylistic functions: their usage is determined by their nominative function, i.e. to define the denotate. In fiction, they may acquire connotative meaning due to their syntagmatic relations with both stylistically marked and neutral words. For example, in Live with Lightning, Say No to Death, The Citadel, Airport, they are used to create the life-like atmosphere of a laboratory, hospital etc. When used in monologues or dialogues, terms become a means of the speech characterisation. Sometimes, while incompatible with their context, terms may be used to create a satirical or humorous effect.
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