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academic subjects (silos)
of science, technology, engineering,
arts and mathematics can
be structured into a framework by which to plan integrative curricula” (p. 1).
The
objectives of STEAM are to reconstruct research policy, advocate integration of Art
education in K-12, and to motivate employers to hire artists and
designers to stimulate
innovative thinking (
The Congressional STEAM Caucus, 2013
). The following journal
articles investigate the application of this actively growing curriculum framework.
Mixed-Methods
In a mixed-methods design approach, researchers examined
STEAM integrated
curriculum and pedagogy of pre-service elementary teachers using peer-evaluation
surveys and open-ended interview questions. The quantitative data elicited from the
surveys about STEAM lesson plans was intended to identify possible differences between
pre-service elementary teachers that are bilingual generalist regular
generalist, or an
undecided generalist (Tillman, 2015, p. 314). In this study, bilingual generalists refers to
those who intend to teach
in Spanish and in English, regular generalists refers to the
regular elementary education majors, and undecided generalist refers to those in an
education program who have undecided tracks (Tillman, 2015, p. 303). Qualitative data
was elicited from the teachers via interviews regarding their
perspectives and attitudes
about the curriculum.
The peer-evaluated surveys were formulated using a scale that evaluated seven
objectives: “(1) Do the lessons creatively demonstrate innovative ways of teaching
mathematics or science? (2) Is lesson content closely related to the lesson objectives in a
creative manner? (3) Was there creativity used in developing
an enjoyable learning
environment? (4) Are there enough creative challenges presented for students? (5) Are
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the arts components creatively integrated with the mathematics? (6) Do the lessons try to
creatively create an equitable learning environment that respects all students’ ideas? (7)
Are there enough choices for students to creatively choose their own ways to solve the
problems?” (Tillman, 2015, p. 313). The open-ended interview questions asked the
teachers to compare and contrast their lessons with the others’
lessons in terms of
authentic creativity (Tillman, 2015, p. 313). Results show that all groups of teachers had
the most success with, “including creative innovation and creative connection” and the
least amount of success with, “including creative challenges and creative choices”
(Tillman, 2015, p. 320). Overall, there were very few differences among the three sets of
teachers who participated in the study (Tillman, 2015, p. 323).
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