Only by the end of the thirties Chaplin managed to renew his studies at the
workers’ college. Although his books began to appear in the late forties, writing
never became his sole profession. Then Sid Chaplin was working in the
administration of the coal mines in Newcastle and at the same time was writing
novels and articles for newspapers and magazines. Chaplin did not win popularity
with his first book. His first publication was a series of short stories entitled “The
and highly appreciated by critics was Chaplin’s novel “The Day of the Sardine”
year later was an equal success. The latest of the writer’s novels is “Sam in the
Morning” (1965). As a writer, Sid Chaplin belonged to the so-called “working
class literature” trend in English literature. This trend included, besides Chaplin
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himself, Alan Sillitoe, Raymond Williams, Stan Barstow, David Storey and others.
The essential subject of Chaplin’s books is the life of the working class youth. The
writer deals mainly with the present and the future of the younger generation of the
English people. A teenager is always present in his characters.
Arthur Haggerston, the hero of “The Day of the Sardine”, is faced with the
problem: which way of life to choose? The usual, everyday life with its bourgeois
standards and attributes threatens to make “a sardine” of him. The image of a
“sardine” is for Chaplin the symbol of a human being absolutely submissive to the
power of circumstances. Arthur does not want to become a sardine and chooses an
ordinary profession of “the white collar” type. On the other hand, Arthur’s protest
has no clear direction; like thousands of other teenagers, he is angry at society as
such. Becoming involved in a youth gang, the hero is always in danger of
committing some crime. At the end of the novel Arthur is helped to get rid of the
gang’s influence by his grown-up friend Harry Parker, but the old problem of
choosing a way of life is never solved. Tim Mason, the main character in “The
Watchers and the Watched”, finds himself in a similar situation. He is older than
Arthur and is married, but his wife, with her conformist views, belongs to the
world of “the watchers”, the prison-guards of society, while Tim himself is one of
“the watched” imprisoned within it. As Arthur Haggerston, Tim Mason protests
against the routine of “sardine-like” existence. A possible solution is prompted by
his father, an elderly worker, who reminds Tim of the working class movement in
the twenties and thus points out to him the way to live and struggle.
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