Мақола ва тезислар номи

Foydalanilgan adabiyotlar:
 
1.Sh.M.Mirziyoyev. 2017-yil 8-mart tadbiri uchun bagʻishlangan nutqidan.
2.Abdurasulova T.D., Limina O.V. Yefimova N.V. Individualno-psixologicheskiye 
osobennosti nerabotayuщix jenщin //Semeynaya psixologiya i semeynaya terapiya.-2006.-№2.-
S.114-126.
3.Akramova F.A. Oilada maʼnaviy muhitni shakllantirishda xotin-qizlarning roli. - T.: “Nihol 
Print”, 2016y.
4.Betti Fridan “The Feminine Mystique” 1963. 
5.Ilin Ye.P. Differensialnaya psixologiya mujchinы i jenщinы-SPb.: Piter, 2006.-544s. 
6.Tavris&Offir, 1997 “Nousewifesyndrome”
7.Xorni K. Jenskaya psixologiya. Vostochno-Yevropeyskiy institut psixoanaliza.-SPb.: Piter, 
1993.-150s. 
8.Voroboyeva Marina Yevgenevna, 2015“Osobennosti sotsialnoy identichnosti jenshin do I 
posle rojdeniya rebenka ” 
9.Internet ma’lumotlari. 
 
THE GROWTH AND IMPORTANCE OF UZBEK NATIONAL DANCE IN SOCIETY 
OVER VARIOUS PERIODS 
Nazarova D.A. 
Student of Fergana State University
 
Socio-political developments and the growth in science are shaping our outlooks in society. It 
is no wonder that socio-economic development of world’s nations has come to an unprecedented 
point and globalization has taken on such a staggering pace that its civilization and maintenance 
depend on what our ancestors would call “promotion”. This, in turn, requires us to look at the 
priceless scientific and literary works of erudite public figures, artist and scientists who lived in the 
Middle Ages and it will lead us to assess the role of this great workpieces in the world development 
and thus determine the typology of traditional music and many other national factors along the way. 
We have so far come to see the importance of Five Strategic Movements developed by our 
Honorary President Shavkat Mirziyoyev and many more of his reforms in the development of music 
and arts which further encourage the participation in arts and emphasize its role in personal 
development. 
Music has the power to impact a society’s cultural development globally unlike any other 
form of arts. One of such crucial art forms that carries national pride with it is Uzbek national 
dance. It has developed over several centuries till now. However, as there was no written record of 
it, at many points this knowledge would be forgotten and again recovered in the times of great 
composers and music public figures. This form of art has come to our modern times in this way. 
Cave paintings and other archaeological findings found in Central Asia, more particularly in 
Uzbekistan prove that Uzbek national dance has deep roots. That Uzbek national dance is ancient 
and multifaceted in its form and shape is closely linked to the fact many of our ancestors actively 
practiced agriculture and craftsmanship. In the times of the sacred book “Avesto” of 
Zoroastrianism, the dance developed in two main types which are national and professional. In the 
period of Greek-Bactrian reign (3-4
th
centuries B.C) the status of Turon national dance has allowed 
it to compete with Greek, Byzantium, Indian and Chinese dance.
Due to the development of urban culture, this art become more meaningful and colorful. From 
the 4th to the 8th centuries, dancers from Samarkand, Bukhara, Shakhrisabz, and Tashkent traveled 
along the Great Silk Road to Greece, Egypt, the West, China, Korea, and even Japan in the East to 
perform. 
The art of dance flourished, especially in the reign of Amir Temur and the Temurids. The role 
of women in it was great. Variety, historical layers were evident in the dance. It included games 
around the fire, games dedicated to the symbols of Anaxita and Rustam, maqom dances, dances 

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such as "Argushtak". Dances "Munojot", "Tanavor", "Lazgi" also took a strong place in the 
program of qualified performers during this period. At the beginning of the XV-XVI centuries, 
masters of dance nicknamed Sayyid Badr, Tohiraka, Mohushuk, Maqsudali, Katta Moh, Kichik 
Moh became famous. During this period, the art of dance developed in the direction of folk dance 
and skilled dance art. 
Dance art in the 20
th
century in the direction of Bukhara dance, Khorezm dance, Fergana 
dance; as a stage folk dance reworked on the basis of modern stage requirements: developed in the 
form of ballet performances using elements of national dance. Each of these directions has gone 
through several historical stages over the centuries and has acquired its own form and content. A 
number of state and folk dance groups are known around the world. Hamdamhon, Yusufjon Qiziq 
Shakarjonov, Usta Olim Kamilov, Tamarahonim, Mukarrama Turgunbaeva, Gavhar Rahimova, 
Roziya Karimova, Kunduz Mirkarimova, Karim Rakhimov, Qodir Muminov, Mamura Ergasheva, 
Yulduz Ismatova, Shokir Ahmedov, Gavhar Matyokubova, Dushanlar Sultanbahon, Rushana 
Sultanbahon Dance masters such as Dostmuhamedova and Malika Ahmedova have done a great 
job. 
During the independence period, the art of dance has been developing at a faster pace. On 
January 8, 1997, the decree of the first President of the Republic of Uzbekistan Islam Karimov "On 
the development of the art of national dance and choreography in Uzbekistan" and the 
implementation of this decree, the Cabinet of Ministers issued Resolution 101 on February 25 of 
that year. On this basis, M. The Uzbekraqs creative association named after Turgunbaeva was 
established, and a special fund was set up under the association. 
On this basis, The Uzbekraks Creative Association named after M.Turgunbaeva was 
established, and a special fund was set up under the association. The Tashkent State National 
School of Dance and Choreography was established on the basis of the School of Choreography. 
Ensembles of Uzbekraks and Uzbeknavo creative associations are working to create new dances 
based on the study and restoration of folk dance heritage, to preserve and demonstrate traditional 
dances, and to educate young dancers. The Turgunbaeva Prize has been established for national 
dance performance. A number of state and folk dance ensembles along with dance masters have 
visited various countries around the world to demonstrate the art of Uzbek dance. 
In order to develop national dance and folk art, to identify young talents, the idea to hold an 
annual republican contest named after M. Turgunbaeva was brought up. In other words, our major 
goals are : to unite dance artists across the country, to direct the activities of state and folk 
ensembles and to strengthen the dance hobby movement. Apart from that, we aim to master the 
dance of young men, to create new dances based on the preservation of traditional dance styles, to 
revive the forgotten ancient dances, movements and situations. In addition to that, we would like to 
create a legal and organizational framework for the restoration, improvement of dance education 
and further analyze dance history and offer development and introduction of the most convenient 
method of recording national dances, criticism and promotion of the art of dance, creation of an 
energetic reserve of dancers, dance teachers and choreographers . 
Today we can proudly say that we have songs and dances that can easily compete with 
examples of world folklore. We know that our rituals, our way of life, our mind, our thoughts, our 
language, our music, our songs, even our dances, are all unspoken, non-woven, unwritten folklore. 
For several years, our Uzbek national dances have been participating in international festivals 
around the world and achieving good results. Today, no event, holiday, celebration or ceremony in 
any part of our country is complete without music.
As the head of our state Sh.M.Mirziyoyev noted, “We have a great history worth envying. We 
have great ancestors worth envying. We have incomparable riches that are worth envying. And I 
believe that if we are lucky, we will have a great future, great literature and art. ”