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Books that describe America in 18 - 19 th century



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Books that describe America in 18 - 19 th century
Harriet Beecher Stowe, Uncle Tom’s Cabin (1852)
With the intention of awakening sympathy for oppressed slaves and encouraging Northerners to disobey the Fugitive Slave Law of 1850, Harriet Beecher Stowe (1811–1896) began writing her vivid sketches of slave sufferings and family separations. The first version of Uncle Tom’s Cabin appeared serially between June 1851 and April 1852 in the National Era, an antislavery paper published in Washington, D.C. The first book edition appeared in March 1852 and sold more than 300,000 copies in the first year. This best-selling novel of the nineteenth century was extremely influential in fueling antislavery sentiment during the decade preceding the Civil War.In her copy of Uncle Tom’s Cabin, Susan B. Anthony (1820-1906) in 1903 acknowledges progress made in the last half-century, but regrets that blacks are still not treated fairly. Shown are the book plate, title page, and an inscription from Anthony.
Harriet Beecher Stowe, The Key to Uncle Tom’s Cabin (1853)
Although Stowe tried to present a fairly sympathetic picture of slaveholders in her novel, Southerners severely criticized her work as misrepresenting and exaggerating slave conditions. In order to defend the authenticity of her novel, which Stowe contended was a «mosaic of facts,»she collected extensive real-life accounts that supported the experiences and qualities depicted by each of her major characters. In the Key to Uncle Tom’s Cabin, Stowe presents personal observations, testimonial statements, and legal cases that become an even stronger indictment of slavery.
Catharine E. Beecher and Harriet Beecher Stowe, The American Woman’s Home (1869)
This classic domestic guide by sisters Catharine E. Beecher and Harriet Beecher Stowe is dedicated to «the women of America, in whose hands rest the real destinies of the Republic.»It includes chapters on healthful cookery, home decoration, exercise, cleanliness, good air ventilation and heat, etiquette, sewing, gardening, and care of children, the sick, the aged, and domestic animals. Intended to elevate the «woman’s sphere»of household management to a respectable profession based on scientific principles, it became the standard domestic handbook.10
Mark Twain, Adventures of Huckleberry Finn (1884)
Novelist Ernest Hemingway famously said, «All modern American literature comes from one book by Mark Twain called Huckleberry Finn. . . . All American writing comes from that. There was nothing before. There has been nothing as good since.»During their trip down the Mississippi on a raft, Twain depicts in a satirical and humorous way Huck and Jim’s encounters with hypocrisy, racism, violence, and other evils of American society. His use in serious literature of a lively, simple American language full of dialect and colloquial expressions paved the way for many later writers, including Hemingway and William Faulkner.
Emily Dickinson, Poems (1890)
Very few of the nearly 1,800 poems that Emily Dickinson wrote were published during her lifetime and, even then, they were heavily edited to conform to the poetic conventions of their time. A complete edition of her unedited work was not published until 1955. Her idiosyncratic structure and rhyming schemes have inspired later poets.
Stephen Crane, The Red Badge of Courage (1895)
One of the most influential works in American literature, Stephen Crane’s The Red Badge of Courage has been called the greatest novel about the American Civil War. The tale of a young recruit in the American Civil War who learns the cruelty of war made Crane an international success, although he was born after the war and had not experienced battle himself. The work is notable for its vivid depiction of the internal conflict of its main character—an exception to most war novels until that time, which focused more on the battles than on their characters.11
For many years, the editor of the important Atlantic Monthly magazine, William Dean Howells (1837-1920), published realistic local color writing by Bret Harte, Mark Twain, George Washington Cable, and others. He was the champion of realism, and his novels, such as A Modern Instance (1882), The Rise of Silas Lapham (1885), and A Hazard of New Fortunes (1890), carefully interweave social circumstances with the emotions of ordinary middle-class Americans. Love, ambition, idealism, and temptation motivate his characters; Howells was acutely aware of the moral corruption of business tycoons during the Gilded Age of the 1870s. Howells's The Rise of Silas Lapham uses an ironic title to make this point. Silas Lapham became rich by cheating an old business partner; and his immoral act deeply disturbed his family, though for years Lapham could not see that he had acted improperly. In the end, Lapham is morally redeemed, choosing bankruptcy rather than unethical success. Silas Lapham is, like Huckleberry Finn, an unsuccess story: Lapham's business fall is his moral rise. Toward the end of his life, Howells, like Twain, became increasingly active in political causes, defending the rights of labor union organizers and deploring American colonialism in the Philippines

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