Implications for the development

marble whiteness
of the skin”
6
. 
5
G. G. Filatova, 
Vorontsov’s portrait gallery
. Issue I / Alupka State Palace and park reserve, Simferopol: 
Business-Inform, 1997, p. 21. 
6
L. M. Frolova, 
Portrait miniatures of the 18
th
 and 19
th
 centuries
/ The Armory in the Moscow Kremlin, 
M.: Izobraz. iskusstvo, 1985.
Fig. 2. Portrait of sculptor Denis Foyatier by L. Dupré. 1834. Archives de la Loire.
Fig. 3. Bust of Countess Elisabeth Vorontsova by Denis Foyatier in the winter garden of Alupka’s 
Palace. Crimea.

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Patrimoniul cultural de ieri: implicații în dezvoltarea societății durabile de mâine
~ 168 ~
STELA ŞTAIHMAN
doctorand 
Universitatea Liberă Internațională din Moldova
lector universitar 
Academia de Muzică, Teatru și Arte Plastice, Chișinău
email: [e-mail]
TANGENȚE ISTORICE DE EVOLUȚIE PLASTICĂ A RELAȚIILOR 
PROPORȚIONALE ÎN COSTUM ŞI ARHITECTURĂ
Summary. Historical plants of plastic evolution of proportional relations in costume and ar-
chitecture
. The process of admiration and detailed selective analysis of visual phenomena in the field 
of Fine Arts from other times highlights the similar means of compositional organization of two 
different three-dimensional structural systems as a concept and performance, such as costume and 
architecture. As an eloquent method of plastic association of forms and details in a whole, the propor-
tional contrast relations, hue and resemblance with which the logic of the interior construction and 
the connection of the structure with the environment are conceptualized. The Proportional Harmony 
Theory, used in the process of designing and constructively developing technology for both cloth-
ing and architectural edifices, lists its millennia since its emergence, and as an aesthetic category is 
promoted in space and time through the following relations and division systems: Egyptian, Ancient, 
Gothic, Renaissance, Baroque, Rococo, Classical, etc. Plasticians create in the ambience of everyday 
life different original space structures, in which both edifices and costume are defined as aesthetic 
means of protection, shelter, covering, with conventional narrative tectonic meanings.