Fors adabiyoti Persian literature



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Fors adabiyot1 1

Ro'yxatlar

  • Kitoblar

  • Mualliflar




Yaqin Sharq

  • Qadimgi

  • Shumer

  • Bobil

  • Misrlik

    • Qadimgi Misr

  • Ibroniycha

  • Pahlaviy

  • Fors tili

  • Arabcha

  • Isroil

Evropa

  • Yunoncha

  • Lotin

  • Ilk o'rta asrlar

    • Rim masalasi

    • Frantsiya masalasi

    • Britaniya masalasi

  • O'rta asrlar

  • Uyg'onish davri

Zamonaviy

  • Strukturaviylik

  • Poststrukturalizm

  • Dekonstruktsiya

  • Modernizm

  • Postmodernizm

  • Post-mustamlakachilik

  • Gipermatnlar




Shimoliy va Janubiy Amerika

  • Amerika

  • Kanadalik

  • Meksikalik

  • Yamayka

Lotin Amerikasi

  • Argentinalik

  • Braziliyalik

  • Kolumbiyalik

  • Kuba

  • Peru




Avstraliyalik

  • Avstraliyalik

  • Yangi Zelandiya

Osiyo

Sharqiy / janubi-sharqiy

  • Xitoy

  • Yapon

  • Koreys

  • Vetnam

  • Tailandcha

Janubiy

  • Tamilcha

  • Sanskritcha

  • Hind

  • Pokiston

  • Assam

  • Bengal tili

  • Gujurati

  • Hind

  • Kannada

  • Kashmiriy

  • Malayalam

  • Marati

  • Nepal

  • Rajastani

  • Sindxi

  • Telugu

  • Urdu

  • Ingliz tilida hind yozuvlari




Afrika

Shimoliy

  • Marokash

Sahro osti

  • Nigeriyalik

  • Janubiy Afrika

  • Suaxili




Tegishli mavzular

  • Ilmiy fantastika tarixi

  • Adabiyotdagi yillar ro'yxati

  • Mamlakatlar bo'yicha adabiyot

  • Teatr tarixi

  • G'oyalar tarixi

  • Intellektual tarix

Adabiyot portali

  • v

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  • e

Tarixiy jihatdan zamonaviy fors hikoyasi rivojlanishning uch bosqichidan o'tdi: shakllanish davri, konsolidatsiya va o'sish davri va xilma-xillik davri.[34]
Turli xillik davri
Bu davrda g'arb adabiyotining Eron yozuvchilari va mualliflariga ta'siri aniq. Yozuvga yangi va zamonaviy yondashuvlar joriy etildi va bir qancha janrlar maxsus qissa sohasida rivojlandi. Eng mashhur tendentsiyalar zamonaviy usullari va spekulyativ fantastika.
She'riyat
Zamonaviy va klassik taniqli fors shoirlari kiradi[35] Mehdi Axavan-Sotish, Simin Behbaxani, Farohxod, Muhammad Zohari, Bijan Jalali, Mina Assadi, Siavash Kasraie, Fereydon Moshiri, Nader Naderpur, Sohrab Sepehri, Muhammad-Rizo Shofei-Kadkani, Ahmad Shamlou, Nima Yushij, Xushang Ebtehaj, Mirzadeh Eshgi (klassik), Muhammad Taghi Bahar (klassik), Aref G'azvini (klassik), Parvin Etesami (klassik) va Shahriar (klassik).
Klassik fors she'riyatining hozirgi zamonda
XIX asrdan boshlab bir nechta taniqli klassik shoirlar paydo bo'ldi, ular orasida Muhammad Tagi Baxar va Parvin Etesami eng mashhur bo'lgan. Muhammad Tagi Baxar "shoirlar shohi" unvoniga ega bo'lib, 20-asrning boshlarida fors adabiyotining alohida muassasa sifatida paydo bo'lishi va rivojlanishida katta rol o'ynagan.[36] She'rlarining mavzusi Eronning ijtimoiy va siyosiy ahvoli edi.
Parvin Etesamini mumtoz uslubda yozgan eng buyuk fors ayol shoiri deb atash mumkin. Uning ajoyib seriyalaridan biri Mast va Xoshyar (Mast va ayyor), romantik she'riyat bilan shug'ullanadiganlarning ko'pchiligida hayratga sazovor bo'ldi.[37]
Hozirgi fors she'riyati
Nima Yushij zamonaviy fors she'riyatining otasi sanaladi, zamonaviyni eskidan farqlash uchun ko'plab texnik va shakllarni joriy etdi. Shunga qaramay, ming yillik mumtoz she'riyatga asoslangan mamlakat va madaniyat ichida ushbu yangi adabiy shaklni ommalashtirishning qadr-qimmati uning nodir usullarini o'zlashtirgan va zamonaviy she'riyatning yangi usullarini sinab ko'rgan Ahmad Shamlou kabi shogirdlariga beriladi.
Fors she'riyatini prosodik choralar zanjiridan ozod qilgan Nima Youshij tomonidan olib borilgan o'zgarish, uzoq adabiy an'analarda burilish nuqtasi bo'ldi. Undan keyin kelgan shoirlarning idrok va tafakkurini kengaytirdi. Nima mumtoz she'riyat tamoyillarini boshqacha tushunishni taklif qildi. Uning rassomligi aniq uzunlikdagi hemistichga bo'lgan ehtiyojni yo'qotish va qofiya an'analariga rioya qilish bilan chegaralanmagan, balki inson va ijtimoiy mavjudotni zamonaviy tushunishga asoslangan kengroq tuzilishga va funktsiyaga qaratilgan. Uning she'riyatni yangilashdan maqsadi uni "tabiiy o'ziga xoslik" ga bog'lash va shoirning ongi va lingvistik ijrosida zamonaviy intizomga erishish edi.[38]
Nima mumtoz she'riyatda hukmronlik qiladigan rasmiy texnika uning hayotiyligi, kuchi va taraqqiyotiga xalaqit beradi, deb hisoblagan. Garchi u o'zining ba'zi estetik xususiyatlarini qabul qilgan va she'riyatida kengaytirgan bo'lsa-da, ushbu san'atning "tabiiy tartibini" ta'kidlab, she'riy tajribasini kengaytirishdan to'xtamagan. Nima Youshij zamonaviy she'riyatda asos solgan narsa, uning vorisi Ahmad Shamlou davom etdi.
The Sepid she'r (bu oq she'rga tarjima qilingan), o'z manbalarini ushbu shoirdan olgan, Nimai she'riyat maktabiga kirib, erkinroq tuzilmani qabul qilgan majburiy qoidalardan qochgan. Bu shoir va uning hissiy ildizlari o'rtasida to'g'ridan-to'g'ri munosabatlarga imkon berdi. Avvalgi she'riyatda shoirning ko'rish sifatlari, shuningdek, mavzu doirasi faqat umumiy ma'noda ifodalanishi mumkin edi va she'riy ifoda uchun qo'yilgan rasmiy cheklovlar ostida edi.

Xalilolloh Xaliliy "Deewaan-e Khalilullah Khalili" muqovasida
Nima’s poetry transgressed these limitations. It relied on the natural function inherent within poetry itself to portray the poet’s solidarity with life and the wide world surrounding him or her in specific and unambiguous details and scenes. Sepid poetry continues the poetic vision as Nima expressed it and avoids the contrived rules imposed on its creation. However, its most distinct difference with Nimai’ poetry is to move away from the rhythms it employed. Nima Youshij paid attention to an overall harmonious rhyming and created many experimental examples to achieve this end.[38]
Ahmad Shamlu discovered the inner characteristics of poetry and its manifestation in the literary creations of classical masters as well as the Nimai’ experience. He offered an individual approach. By distancing himself from the obligations imposed by older poetry and some of the limitations that had entered the Nimai’ poem, he recognized the role of prose and music hidden in the language. In the structure of Sepid poetry, in contrast to the prosodic and Nimai’ rules, the poem is written in more "natural" words and incorporates a prose-like process without losing its poetic distinction.Sepid poetry is a developing branch of Nimai’ poetry built upon Nima Youshij's innovations. Nima thought that any change in the construction and the tools of a poet’s expression is conditional on his/her knowledge of the world and a revolutionized outlook. Sepid poetry could not take root outside this teaching and its application.
Ga binoan Simin Behbaxani, Sepid poetry did not receive general acceptance before Bijan Jalaliasarlari. He is considered the founder of Sepid poetry according to Behbahani.[39][40]Behbahani herself used the "Char Pareh" style of Nima, and subsequently turned to g'azal, a free-flowing poetry style similar to the Western sonnet. Simin Behbahani contributed to a historic development in the form of the ghazal, as she added theatrical subjects, and daily events and conversations into her poetry. She has expanded the range of traditional Persian verse forms and produced some of the most significant works of Persian literature in the 20th century.
A reluctant follower of Nima Yushij, Mehdi Axavan-Sotish uni nashr etdi Organ (1951) to support contentions against Nima Yushij's groundbreaking endeavors. In Persian poetry, Mehdi Akhavan Sales has established a bridge between the Khorassani va Nima Maktablar. The critics consider Mehdi Akhavan Sales as one of the best contemporary Persian poets. He is one of the pioneers of free verse (new style poetry) in Persian literature, particularly of modern style epics. It was his ambition, for a long time, to introduce a fresh style to Persian poetry.[41]
Farohxod is important in the literary history of Iran for three reasons. First, she was among the first generation to embrace the new style of poetry, pioneered by Nima Yushij during the 1920s, which demanded that poets experiment with rhyme, imagery, and the individual voice. Second, she was the first modern Iranian woman to graphically articulate private sexual landscapes from a woman's perspective. Finally, she transcended her own literary role and experimented with acting, painting, and documentary film-making.[42]
Fereydon Moshiri is best known as conciliator of classical Persian poetry with the New Poetry initiated by Nima Yooshij. One of the major contributions of Moshiri's poetry, according to some observers, is the broadening of the social and geographical scope of modern Persian literature.[43]
A poet of the last generation before the Islamic Revolution worthy of mention is Muhammad-Rizo Shofei-Kadkani (M. Sereshk). Though he is from Khorassan and sways between allegiance to Nima Youshij and Akhavan Saless, in his poetry he shows the influences of Hafiz and Mowlavi. He uses simple, lyrical language and is mostly inspired by the political atmosphere. He is the most successful of those poets who in the past four decades have tried hard to find a synthesis between the two models of Ahmad Shamloo and Nima Youshij.[44]
In the twenty-first century, a new generation of Iranian poets continues to work in the New Poetry style and now attracts an international audience thanks to efforts to translate their works. Éditions Bruno Doucey published a selection of forty-eight poems by Garus Abdolmalekian entitled Our Fists under the Table (2012),[45] translated into French by Farideh Rava. Other notable names are poet and publisher Babak Abazari (1984–2015), who died under mysterious circumstances in January 2015,[46] and emerging young poet Milad Khanmirzaei.[47]
Persian literature awards

Mualliflar va shoirlar
Asosiy maqola: Fors shoirlari va mualliflari ro'yxati
Shuningdek qarang

Izohlar va ma'lumotnomalar

    1. ^ Qoshiqchi, Brayan (1994). "Dari, fors va tojiki". Marashida Mehdi (tahrir). Shimoliy Amerikadagi fors tadqiqotlari: Muhammad Ali Jazayeri sharafiga bag'ishlangan tadqiqotlar. Leyden: Brill. 177–178 betlar. ISBN 9780936347356.

    2. ^ Qoshiqchi, Brayan (2012). "Dari, fors va tojiki". Shiffmanda, Garold (tahrir). Afg'oniston va uning qo'shnilaridagi til siyosati va til mojarosi: o'zgaruvchan til tanlovi siyosati. Leyden: Brill. p. 94. ISBN 978-9004201453.

    3. ^ Campbell, George L.; King, Garet, eds. (2013). "Forscha". Dunyo tillari to'plami (3-nashr). Yo'nalish. p. 1339. ISBN 9781136258466.

    4. ^ Artur Jon Arberry, The Legacy of Persia, Oksford: Klarendon Press, 1953, ISBN 0-19-821905-9, p. 200.

    5. ^ Fon Devid Levinson; Karen Kristensen, Encyclopedia of Modern Asia, Charles Scribner's Sons. 2002, vol. 4, p. 480

    6. ^ Frye, R.N., "Darī", Islom entsiklopediyasi, Brill nashrlari, CD versiyasi.

    7. ^ C. A. (Charlz Ambruz) Stori va Frantso de Blois (2004), "Fors adabiyoti - biobibliografik tadqiqot: V jild. Mo'g'ullargacha bo'lgan davr she'riyati", RoutledgeCurzon; 2-qayta nashr etilgan nashr (2004 yil 21-iyun). p. 363: "Shaxsiy ismi Ilyos bo'lgan Nizomiy Ganja'i - Forslarning Firdavsiydan keyingi eng taniqli mahalliy shoiri. Uning nishosi uni Ozarbayjonning Ganja shahrida (Elizavetpol, Kirovobod), o'sha paytgacha hanuzgacha eronlik bo'lgan mamlakat sifatida belgilaydi. U butun umrini Zakavkaziyada o'tkazdi; ba'zi she'riy asarlaridagi oyat uni Qumning orqa chetida tug'ilgan odamga aylantiradi - bu soxta interpolatsiya. "

    8. ^ Franklin Lyuis, Rumiyning o'tmishi va hozirgi kuni, Sharq va G'arb, Oneworld nashrlari, 2000. Qanday qilib deyarli sakkiz yuz yil muqaddam Xurosonda, buyuk Eronning shimoliy-sharqiy viloyati, biz bugun Markaziy Osiyo deb aniqlagan mintaqada tug'ilgan bir fors o'g'li. , lekin o'sha paytlarda Buyuk Fors madaniyati sohasi sifatida ko'rib chiqilgan bo'lib, Vizantiya madaniy sohasining orqaga chekinishidagi Markaziy Anadoluda, hozirgi Turkiyada, g'arbdan 1500 mil uzoqlikda joylashganmi? (p. 9)

    9. ^ Encyclopedia of Library and ... - Google Books

    10. ^ Abdolhossein Zarrinkoub, Naqde adabi, Tehran 1959 pp: 374–379.

    11. ^ Yar-Shater, Ehsan. 1986 yil. Persian Poetry in the Timurid and Safavid Periods, Eronning Kembrij tarixi. Cambridge: Cambridge University Press, pp. 973-974. 1986 yil

    12. ^ Iraj Parsinejad, A History of Literary Criticism in Iran, 1866-1951, (Ibex Publishers, Inc., 2003), 14.

    13. ^ Abdol Hossein Saeedian, "Land and People of Iran" p. 447

    14. ^ Willem Floor, Edmund Herzig. Eron va dunyo Safaviylar davrida I.B.Tauris, 15 sep. 2012 yil ISBN 1850439303 p 494

    15. ^ Kennan, Hans Dieter; va boshq. (2013). Vagabond Life: The Caucasus Journals of George Kennan. Vashington universiteti matbuoti. p. 32. (...) Iranian power and cultural influence dominated eastern Georgia until the coming of the Russians

    16. ^ Giunshvili, Jamshid Sh. (15 June 2005). "Šāh-nāma Translations ii. Into Georgian". Entsiklopediya Iranica. Olingan 28 may 2012.

    17. ^ Farmanfarmaian 2009 yil, p. 24.

    18. ^ Sigfried J. de Laet. Insoniyat tarixi: VII asrdan XVI asrgacha UNESCO, 1994. ISBN 9231028138 p 734

    19. ^ Ga ́bor A ́goston, Bruce Alan Masters. Usmonli imperiyasining ensiklopediyasi Infobase nashriyoti, 1-yanvar. 2009 yil ISBN 1438110251 p 322

    20. ^ Doris Vastl-Valter. Chegara tadqiqotlari bo'yicha Ashgate tadqiqot sherigi Ashgate Publishing, Ltd., 2011 ISBN 0754674061 p 409

    21. ^ a b Bertold Spuler. Fors tarixi tarixi va geografiyasi Pustaka Nasional Pte Ltd ISBN 9971774887 p 68

    22. ^ Franklin D. Lewis. Rumi - Past and Present, East and West: The Life, Teachings, and Poetry of Jal l al-Din Rumi Oneworld Publications, 18 okt. 2014 yil ISBN 1780747373

    23. ^ a b Bertold Spuler. Fors tarixi tarixi va geografiyasi Pustaka Nasional Pte Ltd ISBN 9971774887 p 69

    24. ^ "Nietzsche's Zarathustra". Philosophical forum at Frostburg davlat universiteti. Olingan 2006-03-31.

    25. ^ "Latif Nazemi "A Look at Persian Literature in Afghanistan"" (PDF). Arxivlandi asl nusxasi (PDF) 2008-02-27 da.

    26. ^ "گلرخسار صفی اوا، مادر ملت تاجیک". BBC forsi. Olingan 2006-03-31.

    27. ^ "مومن قناعت، شاعر و سیاستمدار". BBC forsi. Arxivlandi asl nusxasi 2012-12-23 kunlari. Olingan 2006-03-31.

    28. ^ "فرزانه، صدای نسل نو". BBC forsi. Arxivlandi asl nusxasi 2013-01-14. Olingan 2006-03-31.

    29. ^ "پویایی فرهنگ هر کشور ی در "آزادی" نهفته است". Arxivlandi asl nusxasi 2005-11-29 kunlari. Olingan 2006-03-31.

    30. ^ "A history of literary criticism in Iran (1866-1951)". Olingan 2006-03-31.

    31. ^ AH Zarrinkoub: A biography

    32. ^ "Luminaries - Mohammad Reza Shafiei-Kadkani". Iran Daily - Panorama. 2005-09-24. Arxivlandi asl nusxasi 2006-05-17. Olingan 2006-03-31.

    33. ^ "همایش بزرگداشت افصح زاد Arxivlandi 2012-07-22 soat Arxiv.bugun" da BBC forsi. Accessed on 2006-03-31.

    34. ^ Houra Yavari, "The Persian Short Story"

    35. ^ http://www.sharghnewspaper.com/850407/html/v2.htm

    36. ^ Wali Ahmadi. "The institution of Persian literature and the genealogy of Bahar's stylistics".

    37. ^ "Parvin Etesami's biography at IRIB.com". Arxivlandi asl nusxasi 2008-01-12 kunlari.

    38. ^ a b "Mansur Khaksar "Shamlu's poetic world"". Arxivlandi asl nusxasi 2012-02-19. Olingan 2006-03-27.

    39. ^ "جایزه شعر بیژن جلالی به سیمین بهبهانی اهدا شد". BBC forsi. Olingan 2006-03-31.

    40. ^ "معرفی منتقدان و پژوهشگران برگزیده شعر". BBC forsi. Olingan 2006-03-31.

    41. ^ Mehdi Akhavan Sales's biography on Iran Chamber Society (www. iranchamber.com)

    42. ^ "Forough Farrokhzad and modern Persian poetry" (PDF). Arxivlandi asl nusxasi (PDF) 2008-02-27 da. Olingan 2006-03-30.

    43. ^ Fereydoon Moshiri's official website

    44. ^ Mahmud Kianush, "A Summary of the Introduction to Modern Persian Poetry"

    45. ^ http://www.editions-brunodoucey.com/garous-abdolmalekian

    46. ^ http://www.rusartnet.com/biographies/humanitarian/they-must-not-be-forgotten/iran/babak-abazari

    47. ^ http://www.rusartnet.com/persian-culture/iranian-writers/milad-khanmirzaei-%D9%85%DB%8C%D9%84%D8%A7%D8%AF-%D8%AE%D8%A7%D9%86%E2%80%8C%D9%85%DB%8C%D8%B1%D8%B2%D8%A7%DB%8C%DB%8C

Manbalar

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Vikipediya a matniga ega 1911 Britannica entsiklopediyasi haqida maqola Fors adabiyoti.

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Fors adabiyoti




Eski

  • Behistun yozuvlari

  • Qadimgi forscha yozuvlar

  • Ganjnameh

  • Van qal'asida Buyuk Kserks yozuvlari

  • Xarg orolidagi Ahamoniylar yozuvi






O'rta

  • Ayadgar-i Zariran

  • Counsels of Adurbad-e Mahrspandan

  • Denkard

  • Jamasp kitobi

  • Arda Virafning kitobi

  • Karnamak-i Artaxshir-i Papakan

  • Zardusht kubi

  • Dana-i Menog Xrat

  • Mani shahridan Shabuhragan

  • Shahristanha-ye Eranshahr

  • Bundahishn

  • Menog-i Xrad

  • Jamasp Namag

  • Dadestan-i Denig

  • Zadspram antologiyasi

  • Warshtmansr

  • Zand-i Vahman yasn

  • Drakht-i Asurig

  • Shikand-gumanig Vizar






Klassik

900-lar

  • Rudaki

  • Daqiqi

  • Firdavsi (Shohname)

  • Abu Shakur Balxiy

  • Abu Tohir Xosrovani

  • Shohid Balxiy

  • Bal'ami

  • Rabiya Balxiy

  • Abusaid Abolxeyr (967–1049)

  • Avitsena (980–1037)

  • Unsuri

  • Asjadi

  • Kisai Marvazi

  • Ayyuqi

1000s

  • Bāba Tāher

  • Nosir Xusrav (1004–1088)

  • Al-G'azzoliy (1058–1111)

  • Xvaja Abdulloh Ansoriy (1006–1088)

  • Asadi Tusi

  • Qatran Tabrizi (1009–1072)

  • Nizom al-Mulk (1018–1092)

  • Mas'ud Sa'd Salmon (1046–1121)

  • Moezi Neyshapuri

  • Umar Xayyom (1048–1131)

  • Fakhruddin As'ad Gurgani

  • Ahmad G'azzoliy

  • Xujviri

  • Manuchehri

  • Ayn-al-Quzat Hamadoniy (1098–1131)

  • Usmon Muxtori

  • Abu-al-Faraj Runi

  • Sanai

  • Banu Goshasp

  • Borzu-Nama

  • Afdaliddin Kashani

  • Abu'l Hasan Mixiyar Daylamiy

  • Muizzi

  • Mahsati Ganjavi

1100-lar

  • Hakim Eronshoh

  • Suzani Samarqandi

  • Hasan G'aznaviy

  • Faramarz Nama

  • Shahabuddin Suhravardiy (1155–1191)

  • Adib Sobir

  • Falaki Shirvani

  • Am'aq

  • Najmiddin Roziy

  • Attar (1142–v.1220)

  • Xag'oniy (1120–1190)

  • Anvari (1126–1189)

  • Faramarz-e Xodadad

  • Nizomiy Ganjaviy (1141–1209)

  • Faxriddin ar-Roziy (1149–1209)

  • Kamoliddin Esfaxani

  • Shams Tabriziy (d.1248)

1200s

  • Abu Tohir Tarsusi

  • Avxadiy Maragay

  • Shams al-Din Qays Roziy

  • Sulton Valad

  • Nasur al-Din at-Tsī

  • Afdaliddin Kashani

  • Faxr-ad-Din Iroqlik

  • Mahmud Shabistari (1288-1320-yillar)

  • Abu Majd Tabriziy

  • Amir Xusro (1253–1325)

  • Saadi (Bustan / Golestan)

  • Bahrom-e-Pajdo

  • Pur-Baxa Jami

  • Zartosht Bahram va Pajdo

  • Rumiy

  • Homam Tabriziy (1238–1314)

  • Nojat al-Majales

  • Xvaju Kermani

  • Sulton Valad

  • Badr Shirvani

  • Zu'l-Fiqar Shirvani

1300-lar

  • Ibn Yamin

  • Shoh Ni'matulloh Vali

  • Hofiz

  • Abu Ali Qalandar

  • Fazlallah Astarabadi

  • Nasimi

  • Emadiddin Faqih Kermani

1400-lar

  • Ubayd Zakani

  • Salmon Savaji

  • Xatefi

  • Jami

  • Kamol Xujandi

  • Ahli Sheroziy (1454–1535)

  • Fuzuli (1483–1556)

  • Ismoil I (1487–1524)

  • Baba Fagani

1500s

  • Vaxshi Bafqi (1523–1583)

  • Muhtasham Kashani (1500–1588)

  • 'Orfi Sheroziy

1600-lar

  • Taleb Amoli

  • Saib Tabriziy (1607–1670)

  • Kalim Kashani

  • Xazin Laxiji (1692–1766)

  • Saba Kashani

  • Abdul-Qodir Bodil (1642–1720)

  • Nav'i Xabushani

  • Muhammad Qoli Salim Tehroniy

  • Rasa Salim Tehroniy

1700-lar

  • Neshat Esfaxani

  • Abbos Foroughi Bastami (1798–1857)

1800-yillar

  • Mahmud Saba Kashani (1813–1893)

  • Mirza G'olib (1797-1869)

  • Zeynalabdin Shirvani (1780-1838)

  • Rza-Qoli Xon Xaydayat

  • Qaani









Zamonaviy

She'riyat


Eron

Ahmadreza Ahmadi
Mehdi Axavan-Sotish
Hormoz Alipour
Qaysar Aminpur
Muhammad Rizo Aslaniy
Aref Qazvini
Ahmad NikTalab
Manuchehr Atashi
Mahmud Mosharraf Ozod Tehroniy
Muhammad-Taqi Bahar
Riza Baraxeni
Simin Behbaxani
Dexxoda
Hushang Ebtehaj
Bijan Elaxi
Parviz Eslampour
Parvin E'tesami
Farohxod
Xusseyn Monzavi
Hushang Eroniy
Iraj Mirzo
Bijan Jalali
Siavash Kasraie
Esmail Xoy
Shams Langeroodi
Muhammad Moxtari
Nosrat Rahmani
Yadolloh Royya
Tahereh Saffarzadeh
Sohrab Sepehri
Muhammad-Rizo Shafii Kadkani
Muhammad-Xusseyn Shahriar
Ahmad Shamlou
Manuchehr Shayboniy
Nima Yooshij
Fereydon Moshiri

Armaniston

  • Edvard Xagverdian

Afg'oniston

  • Nadiya Anjuman

  • Vasif Baxtari

  • Roziq Faani

  • Xalilulloh Xaliliy

  • Yusuf Kohzad

  • Massud Navabiy

  • Abdul Ali Mustagni

Tojikiston

  • Sadriddin Ayniy

  • Farzona

  • Iskandar Xatloniy

  • Abolqasem Lahouti

  • Gulruxsor Safieva

  • Loyiq Sher-Ali

  • Payrav Sulaymoni

  • Mirzo Tursunzoda

O'zbekiston

  • Asad Gulzoda

Hindiston

  • Muhammad Iqbol




Romanlar

  • Ali Muhammad Afg'oniy

  • G'azaleh Alizoda

  • Bozorg Alavi

  • Riza Amirxoniy

  • Mahshid Amirshohiy

  • Riza Baraxeni

  • Simin Daneshvar

  • Mahmud Dovlatabadiy

  • Soudabeh Fazaeli

  • Riza Gassemi

  • Houshang Golshiri

  • Aboutorab Xosraviy

  • Ahmad Mahmud

  • Shahriyar Mandanipur

  • Abbos Marufi

  • Iraj Pezeshkzad

Qisqa hikoyalar

  • Jalol Al-Ahmad

  • Shamim Bahar

  • Sadeq Chubak

  • Simin Daneshvar

  • Nader Ibrahimi

  • Ebrahim Golestan

  • Houshang Golshiri

  • Sadegh Hedayat

  • Muhammad-Ali Jamolzoda

  • Aboutorab Xosraviy

  • Mostafa Mastoor

  • Jaafar Modarres-Sadegi

  • Xushang Moradi Kermani

  • Bijan Najdi

  • Shahrnush Parsipur

  • G'ulom-Xusseyn Sa'edi

  • Bahram Sadegi

  • Goli Taraqqi

O'yinlar

  • Riza Abdoh

  • Mirzo Fatali Oxundzoda

  • Mohsen Yalfani

  • Bahram Beyzay

  • Bahman Forsiy

  • Amir Reza Koohestani

  • Alireza Koushk Jalali

  • G'ulom-Xusseyn Sa'edi

  • Bijan Mofid

  • Hengameh Mofid

  • Abbos Nalbandyan

  • Akbar Radi

  • Pari Saberi

  • Mirza Aqa Tabriziy

  • Muhammad Yagubi

Ssenariylar

  • Said Aghigi

  • Muhammad Rizo Aslaniy

  • Raxshan Bani-E'temad

  • Bahram Beyzay

  • Hojir Darioush

  • Pouran Derakhshandeh

  • Asg'ar Farhodiy

  • Bahman Farmanara

  • Farrox G'affari

  • Behruz G'aribur

  • Bahman Gobadiy

  • Fereydun Gole

  • Ebrahim Golestan

  • Ali Xotami

  • Abolfazl Jalili

  • Ebrahim Hatamikiya

  • Abdolreza Kahani

  • Varuj Karim-Masihi

  • Samuel Xachikyan

  • Abbos Kiarostami

  • Majid Majidi

  • Mohsen Maxmalbaf

  • Dariush Mehrjui

  • Riza Mirkarimi

  • Rasul mollagolipur

  • Amir Naderi

  • Jafar Panaxi

  • Kambuziya Partovi

  • Fereydun Rahnema

  • Rasul Sadr Ameli

  • Muhammad Sadri

  • Parviz Shahbazi

  • Sohrab Shahid-Saless

Tarjimonlar

  • Amrollah Abjadyan

  • Jaleh Amuzgar

  • Najaf Daryabandari

  • Muhammad G'oziy

  • Lili Golestan

  • Sadegh Hedayat

  • Solih Xusseyni

  • Ahmad Kamyabi Mask

  • Muhammad Moin

  • Ebrahim Pourdavoud

  • Hamid Samandarian

  • Jalol Sattoriy

  • Jafar Shahidi

  • Ahmad Shamlou

  • Ahmad Tafazzoli

  • Abbos Zaryab

Esseistlar

  • Oydin Agdashloo

  • Muhammad Ebrahim Bastani Parizi

  • Ehsan Yarshater









Zamonaviy fors va klassik fors tillari bir xil, ammo 1900 yildan beri yozuvchilar zamonaviy deb tasniflanadi. Bir vaqtlar fors tili arab bo'lmagan islom dunyosining ko'pchiligining umumiy madaniy tili bo'lgan. Bugungi kunda bu rasmiy tildir Eron, Tojikiston va ikkita rasmiy tillardan biri Afg'oniston.



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