Чет тиллар факультети инглиз тили ўҚитиш методикаси кафедраси

E.g. All this was her property, her delight, her life.[4]
A gradual increase in significance may be maintained in three ways [4, p. 220-221]: logical, emotional and quantitative.
Logical climax is based on the relative importance of the component parts considered from the viewpoint of the concepts embodied in them:
E.g. Nobody ever stopped him in the street to say, with gladsome looks, “My dear Scrooge, how are you? When will you come to see me?” No beggars implored him to bestow a trifle, no children asked him what it was o’clock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blind men’s dogs appeared to know him, and when they saw him coming on, would tug their owners into doorways […]; and then wag their tails, as though they said, “No eye at all is better than an evil eye, dark master!”(Dickens Christmas Carol) [4]
Emotional climaxis based on the relative emotional tension produced by words with emotive meaning:
E.g. He was pleased when the child began to adventure across floors on hands and knees; he was gratified, when she managed the trick of balancing herself on two legs; he was delighted when she first said ‘tata’; and he was rejoiced when she recognized him and smiled at him. /Alan Paton/ [4]
Quantitative climax is an increase in the volume of the corresponding concepts:
E.g. They looked at hundreds of houses; they climbed thousands of stairs; they inspected innumerable kitchens. /Maugham/ [4]
ANTICLIMAX is the reverse of climax [5, p. 61]. It is such an arrangement of ideas, in which there is a gradual increase in significance, but the final idea (which the reader expects to be the culminating one, like in climax) is trifling or farcical; i.e. it is a sudden drop from the serious to the ridiculous [4, p. 221]: