By Dr Oliver Tearle


Symbolism and Imagery of “Bliss”



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A Short Analysis of Katherine Mansfield

Symbolism and Imagery of “Bliss”

THE PEAR TREE

Vincent Van Gogh Stil Life with pears, 1887-1888. Galerie Neue Meister, Dresden
In Mansfield’s short stories, birds, trees, insects and objects are often introduced by means of a precise comparison e.g. the pear tree in “Bliss”: ‘At the far end, against the wall, there was a tall slender pear tree in fullest, richest bloom; it stood perfect, as though becalmed against the jade-green sky’.
What of the two cats? The beauty is somewhat diminished by the appearance of the cats — one is grey and pregnant, the other black, following like a shadow.
Some have said the pear tree is a phallic symbol. When both women look at the tree they’re both looking at Harry. I may have gone awol on a psilocybin interpretation, but I think this is a bit of a stretch. Almost everything can be phallic in literature.
The pear tree could be a symbol of nature’s indifference to human suffering.
Or the tallness of it may represent Bertha’s homosexual aspirations, realised suddenly to their fullest. The flowering of the tree could symbolise the flowering of her sexual feelings. ‘[Bertha] seemed to see on her eyelids the lovely pear tree with its wide open blossoms as a symbol of her own life.’ Across literature, blossoms are a common symbol of sexual maturation and release. The flowering tree could be a symbol of Bertha’s life, and the image of the cat appears once more after Bertha realises her husband has been unfaithful.
Combine these possible meanings, the tree might represent masculinity after all — the tree is tall and assertive and represents the ‘masculine’ part of Bertha’s sexual desire.
Bertha herself isn’t quite sure about the significance of the tree, and the symbolism of the tree remains only vague to the reader.

  • The first mention of the pear in storytelling is in Homer’s (9th century BC) epic poem, The Odyssey.

  • You find pears, apples and figs throughout Christian iconography, probably as a metaphor for any kind of sacred tree. It frequently appears in connection with Christ’s love for humankind.


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