At present great importance is attached to the teaching of foreign languages. No doubt, it happens not without purpose

1. A.S. Byatt’s life and literary career

Byatt was born in Sheffield as Antonia Susan Drabble, the eldest child of John Drabble, QC, and Kathleen Bloor, a scholar of Browning. Her sisters are the novelist Margaret Drabble and the art historian Helen Langdon. Her brother Richard Drabble QC is a barrister. As a result of the bombing of Sheffield during the Second World War the family moved to York.

Byatt's upbringing was fairly unhappy as she struggled against her domineering mother. She was educated at two independent boarding schools, Sheffield High School and the Quaker Mount School in York. She noted in an interview in 2009, "I am not a Quaker, of course, because I'm anti-Christian and the Quakers are a form of Christianity but their religion is wonderful – you simply sat in silence and listened to the nature of things."

She did not enjoy boarding school, citing her need to be alone and her difficulty in making friends. She went on to Newnham College, Cambridge, Bryn Mawr College in the United States, and Somerville College, Oxford.^[5] Byatt lectured in the Department of Extra-Mural Studies of the University of London (1962–71), the Central School of Art and Design and from 1972 to 1983 at University College London.

She married Ian Charles Rayner Byatt in 1959 and had a daughter, as well as a son who was killed in a car accident at the age of 11. The marriage was dissolved in 1969. She has two daughters with her second husband Peter John Duffy.

Byatt's relationship with her sister Margaret Drabble has sometimes been strained due to the presence of autobiographical elements in both their writing. While their relationship is no longer especially close and they do not read each other's books, Drabble describes the situation as "normal sibling rivalry" and Byatt says it has been "terribly overstated by gossip columnists" and that the sisters "always have liked each other on the bottom line."

She has written critical studies of Dame Iris Murdoch, who was a friend, mentor and a significant influence on her own writing. Also known for her short stories, Byatt has been influenced by Henry James and George Eliot as well as Emily Dickinson, T. S. Eliot, and Robert Browning, in merging realism and naturalism with fantasy. Her story collections include Sugar and Other Stories (1987); The Djinn in the Nightingale's Eye (1994), a collection of fairy tales; Elementals: Stories of Fire and Ice (1998); and Little Black Book of Stories (2003). The Matisse Stories (1993) features three pieces, each describing a painting by Henri Matisse, each the tale of an initially smaller crisis that shows the long-present unravelling in the protagonists' lives. Her books reflect a continuous interest in zoology, entomology, geology,^[10] and Darwinism among other repeated themes. Byatt has written for media including the British journal Prospect, The Guardian, The Times and The Times Literary Supplement.^[6] She has been a judge on many literary award panels including the Hawthornden Prize, the Booker, David Higham Prize for Fiction, and the Betty Trask Award.

On the role of writing in her life, she says: "I think of writing simply in terms of pleasure. It's the most important thing in my life, making things. Much as I love my husband and my children, I love them only because I am the person who makes these things. I, who I am, is the person that has the project of making a thing. Well, that's putting it pompously – but constructing. I do see it in sort of three-dimensional structures. And because that person does that all the time, that person is able to love all these people."