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The story of a young girl growing up in the shadow of a dominant father, Byatt's first novel, The Shadow of the Sun, was published in 1964. Her novel The Game (1967) charts the dynamics between two sisters,[6] and the family theme is continued in her quartet The Virgin in the Garden (1978), Still Life (1985), Babel Tower (1996), and A Whistling Woman (2002), Still Life winning the PEN/Macmillan Silver Pen Award in 1989.[6] Her quartet of novels is inspired by D. H. Lawrence, particularly The Rainbow and Women in Love.
Describing mid-20th-century Britain, the books follow the life of Frederica Potter, a young intellectual studying at Cambridge at a time when women were heavily outnumbered by men at that university, and then tracing her journey as a divorcée with a young son making a new life in London. Byatt says some of the characters in her fiction represent her "greatest terror which is simple domesticity [...] I had this image of coming out from under and seeing the light for a bit and then being shut in a kitchen, which I think happened to women of my generation."[3] Like Babel Tower, A Whistling Woman touches on the utopian and revolutionary dreams of the 1960s. She describes herself as "a naturally pessimistic animal": "I don't believe that human beings are basically good, so I think all utopian movements are doomed to fail, but I am interested in them."[3]
In those books and other works, Byatt alludes to, and builds upon, themes from Romantic and Victorian literature.[6] She conceives of fantasy as an alternative to, rather than an escape from, everyday life, and it is often difficult to tell when the fantastic in her work actually represents the eruption of psychosis. "In my work", she notes "writing is always so dangerous. It's very destructive. People who write books are destroyers."[3] Possession (1990) parallels the emerging relationship of two contemporary academics with the lives of two (fictional) 19th-century poets whom they are researching. It won the Booker Prize in 1990 and was made into a film in 2002. Byatt's novella Morpho Eugenia, included in Angels & Insects (1992), was turned into the successful film also called Angels & Insects (1995), nominated for an Academy Award. Her novel The Children's Book was shortlisted for the 2009 Man Booker Prize[6] and won the James Tait Black Memorial Prize.
She has written critical studies of Dame Iris Murdoch, who was a friend, mentor and a significant influence on her own writing. Also known for her short stories, Byatt has been influenced by Henry James and George Eliot as well as Emily Dickinson, T. S. Eliot, and Robert Browning, in merging realism and naturalism with fantasy. Her story collections include Sugar and Other Stories (1987); The Djinn in the Nightingale's Eye (1994), a collection of fairy tales; Elementals: Stories of Fire and Ice (1998); and Little Black Book of Stories (2003). The Matisse Stories (1993) features three pieces, each describing a painting by Henri Matisse, each the tale of an initially smaller crisis that shows the long-present unravelling in the protagonists' lives.
Her books reflect a continuous interest and zoology, entomology, geology,[10] and Darwinism among other repeated themes. Byatt has written for media including the British journal Prospect, The Guardian, The Times and The Times Literary Supplement.[6] She has been a judge on many literary award panels including the Hawthornden Prize, the Booker, David Higham Prize for Fiction, and the Betty Trask Award.
On the role of writing in her life, she says: "I think of writing simply in terms of pleasure. It's the most important thing in my life, making things. Much as I love my husband and my children, I love them only because I am the person who makes these things. I, who I am, is the person that has the project of making a thing. Well, that's putting it pompously – but constructing. I do see it in sort of three-dimensional structures. And because that person does that all the time, that person is able to love all these people."[3]
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