Asian Research Journals
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155
Special
Issue
depict the plight of women. This is clearly expressed in the works of classic poets of the XIX
century. It is mainly depicted in a broad sense by Berdakh.
The poem "Kelin" (Bride) openly shows the hard life of women of that period. For instance:
Your day passes in torment,
In despondency the night passes,
Your voice sounds, not joyful,
not free, in grief you stand the bride[6].
We can learn that the above examples of the poem should show that the innovation for that
period is women taking equality that they can work on a par with men in different industries. In
poetry, it is considered impossible to separate tradition from innovation. Karakalpak poetry in
the process of its development was based on examples of folk art and classical poetry.
Twittering language,
Sing a voice,
Fly to the sky,
Your steel wing is tired,
Let your friends laugh and the enemies disappear,
There is a famous country that enemies cannot defeat [7].
The novelty of this poem is the first duty is the novelty of form. The verse consists of six lines.
The syllables in these lines are different. In it, the shortest line consists of 3 syllables, and the
longest line reaches 11 syllables.
Here, the author of the above lines could combine the initial 3 lines into one, consisting of 11
syllables. And another peculiarity of this verse is that the second stanza consists of 11 syllables
and 6 lines, and the first line consists of 3 syllables and the next as well. This is an initial
example in Karakalpak poetry.
Artistic creativity does not mean that it never used ready-made forms. For poets, perfection of
forms means the effort to always be in the process of searching, that is, ideas, consciousness,
feelings, complete and accurate transmission of the psychological states of the lyrical hero. And
therefore, in every work of art form is born again, and art forms created by others remain as a
school for the study of others ”[8].
CONCLUSION
Our poets, taking advantage of the traditions of folklore, created new written literary traditions.
New contents constantly required new forms. And therefore, in the poetry of that period, new
genres, genre forms and images were mastered, and some were restored. Because this is the time
of the transition of oral creativity to writing at the turn of two centuries. This process was
important for the subsequent period of Karakalpak poetry.
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