Asian Research Journals
http://www.tarj.in
153
Special
Issue
playwrights appeared. Until the 20th century, representatives of Karakalpak literature presented
their works in oral and manuscript forms, then by the 20th century this process changed, as a
result we saw the rapid development of our literature. Each poet draws his work artistically,
using all the possibilities of the folk language and with style.
Representatives of the poetry of this period A. Musaev, K. Avezov, S. Mazhitov, I. Fazylov, H.
Akhmetov, A. Begimov, J. Aymurzaev, D. Nazbergenov, M. Daribaev, N. Zhapakov made a
huge contribution to the development of the new genre [2].
The poets, taking advantage of the traditions of folklore, created new written literary traditions.
New contents constantly required new forms. And therefore, in the poetry of that period, new
genres, genre forms and images were mastered, and some were restored. This process was
important for the subsequent period of Karakalpak poetry.
In the Karakalpak classical literature, the topic of labor mainly depicted shepherds leading a
difficult life, or haymaking workers who could not get a salary for their work, or the topic of a
woman. But most of them depict the plight of women. This is clearly expressed in the works of
classic poets of the XIX century. We can find out that the above examples of the verses of the
1930s should show that the innovation for that period is women taking equality, that they can
work on a par with men in different sectors. In poetry, it is considered impossible to separate
tradition from innovation.
Karakalpak poetry in the process of its development was based on examples of folk art and
classical poetry. Representatives of our poetry have enriched new traditions corresponding to the
requirements of that time. Poems and historical poem from the works of ZhiyenZhyrau,
Kunhodzha, Ajiniyaz, Berdakh, Otesh, Omar, Ayapbergen, images in general poetry as examples
of means of depiction are included in poetry.
These phenomena are especially pronounced in the works of talented poets. These tasks showed
the innovation of poets in poetry. The achievements of our poets consist in the fact that, having
achieved novelty in literary traditions, they brought literature to the required degree. There is no
reason for poets to abandon any historically accepted national forms. It is known that, the earlier
existing traditional form in the new meaning is supplemented, and changed, updated [3].
Following our new form, our poets reached out to learn forms that did not correspond to our
poetry. However, it is appropriate to say that by the year 30 of the 20th century, Karakalpak
poets could not fully use all the poetic features of world poetry.
Our poets, taking advantage of the traditions of folklore, created new written literary traditions.
New contents constantly required new forms. And therefore, in the poetry of that period, new
genres, genre forms and images were mastered, and some were restored. This process was
important for the subsequent period of Karakalpak poetry.
In the transmission of meaning, the chosen form has a huge role. In Russian literature in the
work of Mayakovsky, this genre was reflected in a very vivid form. The new form has come a
long way, destroying the old and replacing the classics with a new one. Karakalpak poets did not
come to this size right away. Despite the fact that they wrote their poems in a new direction, in a
new trend, most of the verses were inherent in the syllabic size. However, external literary
influences are not always positive. Especially with the influence of literature of large
nationalities on the literature of small peoples, if the former are strong in a certain part of
historical, political development, then there is a risk that the literature of small nationalities loses
ISSN: 2278-4853 Special Issue, March, 2020 Impact Factor: SJIF 2020 = 6.882
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