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Asian Journal of Multidimensional Research (AJMR)
https://www.tarj.in
438
AJMR
Musical Theater, named for the first time in the Republic, began its work with the musical drama
“Farhod and Shirin”.[9]
Thus, while Khurshid's creative work in theater and drama and poetry took shape before the
October coup, it flourished after the revolution. It should be noted that Sh. Khurshid played a
significant role in the emergence and development of musical drama and opera in Uzbekistan.
He was the first to use the terms “musical drama” and “sad comedy” in the development of the
performing arts. In 1918-1919, he first used the term “Opera” in the musical “Little Work”
staged at the Oriental Stage Theater; In the early 20's, with his musical dramas, in collaboration
with composers, he founded the “Stage Navoiynoma”. In 1922, Khurshid’s musical dramas
“Farhod and Shirin”, “Layli and Majnun” appeared on the stage. In 1928, the Andijan State
Musical Theater, named for the first time in the Republic, began its work with the musical drama
“Farhod and Shirin”.[10]
In the early twentieth century, European theater was established in Turkestan. A national
playwright, composer, artist, painter, director and other professionals have emerged.
From 1918, Mannon directed the Uyghur Turon Theater and played an important role in its
transformation into a professional theater, composing repertoires and creating a style of
performance. The first generation of actors and directors of the theater studied in 1924-1927 in
drama studios opened in Moscow under the Uzbek House of Education. At the end of the 1920s,
the Russian Theater of Young Spectators (1928) and the Uzbek Theater of Young Spectators
(1929) were established. Later, theaters, dozens of district and city theaters appeared in
Namangan in 1931, Kashkadarya in 1932, and Surkhandarya region in 1935. The State Russian
Drama Theater (1934-1938) and the Republican Puppet Theater (1939) were opened in Tashkent
and Samarkand. The Navoi State Opera and Ballet Theater was founded in 1939. In the same
year, the State Comedy Theater was established, and a year later it was transformed into the
Republican Musical Drama and Comedy Theater named after Muqumi.[11]
The Tashkent Children's Theater was founded in 1939. Uzbek and Russian performances were
shown. Folk puppets under the direction of R. Doniyorov played an important role in the
formation of the theater. The troupe participated in the first decade of Uzbek art in Moscow in
1937 with the play “Sultanat” (S.Abdulla). S. Urazova and Y. Podgurskaya played an important
role in the early development of the Uzbek puppet theater.By the 1950s, the theater had gained a
lot of experience and staged works by Uzbek authors: “ZiyotBotir” (N. Khabibullaev), “Parrot
and Dove” (M. Muhammedov), “The Incident in the Forest ”(S. Abdukakhor) and others. The
play “Aldar Kosa” (A. Bichkov), created during this period, was a great success. In 1958, the
Puppet Theater of Uzbekistan took part in the All-Union Puppet Theater Festival. The theater
focused on the balance between the components of the play, puppetry and acting. He won the
first prizes in the performances "Rahim and brown" (I.Bobokhonov, A.Kobulov), "Alijon and
Valijon" (S.Abdukakhor), “Temir bola” (G.Khojaev). The theater, in particular, has focused on
creating original performances that illuminate the life of the Uzbek people. “Magic bowl”
(R.Botirov, I.Yakubov), “Semurg” (Zulfiya, S.Somova), “Shirmonbuloq” (N.Ruzmuhammedov),
“Kachalpolvon” (E.Ravshan) created in the 70s , Based on the story of Sh. Tetr serves children
from preschool age to parents.The performances “Smile of Ayhan”, “SohibjamolGalateya”
(V.Gador, S.Darvash), “Naked Horn” (E.Shwarst) are intended for adults. The repertoire also
includes performances for children, such as “The Adventures of Fatima”, “Gazcha” (N. Gernet,
T. Gurevish). By 1978, the theater had staged 230 plays.
ISSN: 2278-4853 Vol 10, Issue 9, September, 2021 Impact Factor: SJIF 2021 = 7.699
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