A course of modern english lexicology

Anadiplosis
With her on my knee, I was then happy, happy at least in my own way.
Chain repetition
A smile would come into Mr. Pickwick’s face, the smile extended into a laugh, the laugh — into a roar, and the roar became general. (Dickens)
Framing
Money is what he’s after, money.
Extended repetition
Pain, even slight pain tends to isolate.

9. TAUTOLOGY

Syntactic tautology is the repetition of the subject expressed by a noun in a form of a pronoun.

Syntactic tautology And the maiden, she lived with no other thought.

10. POLYSYNDETON

Polysyndeton is the excessive use of several conjunctions in close succession, especially where some might be omitted (as in "he ran and jumped and laughed for joy").

Polysyndeton "I said, 'Who killed him?' and he said 'I don't know who killed him, but he's dead all right,' and it was dark and there was water standing in the street and no lights or windows broke and boats all up in the town and trees blown down and everything all blown and I got a skiff and went out and found my boat where I had her inside Mango Key and she was right only she was full of water." (Ernest Hemingway)

11. ASYNDETON

Asyndeton is a stylistic device in which conjunctions are deliberately omitted from a series of related clauses. It is contrary to polysyndeton. This device helps the author to make each unit independent and prominent. Its use can have the effect of speeding up the rhythm of a passage and making a single idea more memorable. A classical example of asyndeton is the Latin quote of Julius Caesar “Veni, vidi, vici” (I came, I saw, I conquered).

Asyndeton They dove, splashed, floated, splashed, swam, snorted. (James T. Farrell)