Zamonaviy lingvistika


How culture is related to language



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1.2 How culture is related to language
A culture is a way of life of a group of people--the behaviors, beliefs, values, and symbols that they accept, generally without thinking about them, and that are passed along by communication and imitation from one generation to the next. Culture is symbolic communication. Culture is the holistic combination of learned and shared beliefs, values, and practices that create cohesion in a group and is the core concept within which anthropologists work. It is dynamic, evolving based on the needs of the people within it and as one culture comes into contact with another.
Culture - The importance of understanding culture is that it helps you understand different cultures not just Filipino cultures but also other cultures. Because of understanding different cultures, it lessens your ignorance of other cultures.
Society- The importance of understanding the society is that it helps us understand on how the society works, it also let us know on how we should react or interact to different kinds of groups in the society. And helps us understand on what are our relationships and functions with other individuals and the society itself.
Politics - The importance of understanding politics is that it gives you informations or knowledge about how our government is being managed or run. And understanding politics to helps you know one of the basic rights you have. It also tells you on what is happening on our government.
This treatise on the study of cross-cultural differences between modern societies starts with an examination of the various ways in which culture has been conceptualized. Approaches to the concept and study of culture have varied between academic disciplines, and sometimes even within them. The goal of this analysis is not to provide one right perspective. Culture can be whatever a scholar decides it should be.
CHAPTER II.
Comparative Cultural Studies examines how cultural practices, especially contemporary creative media, both shape and themselves are shaped by current global developments such as the digitization of culture, virtual reality, global interconnectedness, increased people flows, transhumanism, environmental degradation, and new forms of subjectivities. We aim to publish manuscripts that cross disciplines and national borders in order to provide deep insights into these issues. In comparative cultural studies, selected tenets of comparative literature are merged with selected tenets of the field of cultural studies (including culture theories, (radical) constructivismcommunication theories, and systems theories) with the objective to study culture and culture products (including but not restricted to literature, communication, media, art, etc.). This is performed in a contextual and relational construction and with a plurality of methods and approaches, interdisciplinary, and, if and when required, including teamwork. In comparative cultural studies, it is the processes of communicative action(s) in culture and the how of these processes that constitute the main objectives of research and study. However, scholarship in comparative cultural studies does not exclude textual analysis proper of other established fields of study. In comparative cultural studies, ideally, the framework of and methodologies available in the systemic and empirical study of culture are favored. Scholarship in comparative cultural studies includes the theoretical, as well as methodological and applied postulate to move and to dialogue between cultures, languages, literature, and disciplines: attention to other cultures against essentialist notions and practices and beyond the paradigm of the nation-state is a basic and founding element of the framework and its application. Cross-cultural studies, sometimes called holocultural studies or comparative studies, is a specialization in anthropology and sister sciences (sociologypsychologyeconomicspolitical science) that uses field data from many societies to examine the scope of human behavior and test hypotheses about human behavior and culture.
Cross-cultural studies is the third form of cross-cultural comparisons. The first is comparison of case studies, the second is controlled comparison among variants of a common derivation, and the third is comparison within a sample of cases. Unlike comparative studies, which examines similar characteristics of a few societies, cross-cultural studies uses a sufficiently large sample so that statistical analysis can be made to show relationships or lack of relationships between the traits in question.These studies are surveys of ethnographic data.
Cross-cultural studies are applied widely in the social sciences, particularly in cultural anthropology and psychology.
The first cross-cultural studies were carried out by 19th-century anthropologists such as Edward Burnett Tylor and Lewis H. Morgan. One of Edward Tylor's first studies gave rise to the central statistical issue of cross-cultural studies: Galton's problem. In the recent decades [when?] historians and particularly historians of science started looking at the mechanism and networks by which knowledge, ideas, skills, instruments and books moved across cultures, generating new and fresh concepts concerning the order of things in nature. In Cross-Cultural Scientific Exchanges in the Eastern Mediterranean 1560–1660 Avner Ben-Zaken has argued that cross-cultural exchanges take place at a cultural hazy locus where the margins of one culture overlaps the other, creating a "mutually embraced zone" where exchanges take place on mundane ways. From such a stimulating zone, ideas, styles, instruments and practices move onward to the cultural centers, urging them to renew and update cultural notions.
The modern era of cross-cultural studies began with George Murdock (1949). Murdock set up a number of foundational data sets, including the Human Relations Area Files, and the Ethnographic Atlas. Together with Douglas R. White, he developed the widely used Standard Cross-Cultural Sample, currently maintained by the open access electronic journal World Cultures.
Hofstede's cultural dimensions theory is a framework for cross-cultural communication, developed by Geert Hofstede in the 1970s. It describes the effects of a society's culture on the values of its members, and how these values relate to behavior, using a structure derived from factor analysis. The original theory proposed four dimensions along which cultural values could be analyzed: individualism-collectivismuncertainty avoidancepower distance (strength of social hierarchy) and masculinity-femininity (task-orientation versus person-orientation). It has been refined several times since then.
With the widespread access of people to the Internet and the high influence of online social networks on daily life, users behavior in these websites have become a new resource to perform cross-cultural and comparative studies. A study on Twitter examined the usage of emoticons from users of 78 countries and found a positive correlation between individualism-collectivism dimension of Hofstede's cultural dimensions theory and people's use of mouth-oriented emoticons.

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