Yusupov Oybek Nematjonovich Ahmedova Nigora Shavkatovna


Iambus is a foot consisting of one unstressed syllable followed by one stressed  syllable 2.  Trochee



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 Iambus
is a foot consisting of one unstressed syllable followed by one stressed 
syllable
2. 
Trochee
is a foot consisting of one stressed syllable followed by one unstressed 
syllable 
3. 
Dactyl
is a foot consisting of one stressed syllable followed by two unstressed 
syllables
4.
Anapest
is a foot consisting of two unstressed syllables following by one 
stressed syllable 
5.
Amphibrach
is a foot consisting of one unstressed syllable followed by one 
stressed syllable and one stressed[60: 42].
Questions for discussion: 
1. What is the stylistic device of rhythm? 
2. What are basic feet of English poetry?
3. What is metre? 
4. Why rhythm of prose is based on the succession of images? 
CONTENTS
 


46 
 
6. Graphical Expressive Means 
Graphical EMs serve to convey in the written form those emotions which in the 
oral speech are expressed by intonation and stress, in written form they are shown 
mostly with the help of punctuation and deliberate change of a spelling of a word 
[63]. 
“A detective! I never ‘eard of such a thing! What d’yer come ‘ere for if yer 
want to be a detective. ‘Ere, yer not big enough, ‘cos yer’d ‘ave to be a pleeceman 
first before they’d let yer be a detective, and they’d never ‘ave yer as a pleeceman. ” 
(J.D. Priestley,“ Angel Pavement”)
Woman, without her, man is nothing. 
 
All types of punctuation can be used to reflect the emphatic intonation of the 
speaker. Such ‘emphatic’ punctuation is used in many syntactical SDs: aposiopesis 
(break-in-the-narrative) [You’ll just come home, or I’ll …], rhetorical questions, 
suspense etc.
The changed type (
italics

bold type
) or spelling multiplication (laaarge) are 
used to indicate the additional stress on the emphasis word or part of the word. 
There is no direct connection between the graphical SDs and the intonation they 
reflect, for their choice is too inadequate for the variety and quality of emotions 
recurrent in intonation[61:42]. 

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