CONCLUSION
In this course work , an attempt was made an attempt to analyze the system of images and ways of its linguistic embodiment in the works of Ernest Hemingway. Ernest Hemingway uses various stylistic means to form images in his works. Ernest Hemingway's works have specific distinctive features - elements of understatement and simplicity of the author's speech and the speech of the characters. In addition, Hemingway chose one theme for most of his works – he wrote about the lives of people of the "lost generation" - children, old men, women, men -almost all of his characters are unhappy, not satisfied with life, or forgotten.The aim and all the tasks were achieved.
E. Hemingway presents the plot and the main meaning of his stories in the form of an "echo" of past events, symbols and personalization. These stylistic means, intertwined with the chronicle of historical events, tend to be over- confident, which was not considered classical before the use of such a literary style. Hemingway's prose style is probably the most widely used literary device in the world literature of the 20th century. Trying to be as objective and honest as possible, the author revealed and discovered a unique stylistic means: to describe a series of actions in short sentences, in which there are no all kinds of comments or emotional phrases. The true essence of the writer's works lies in the fact that throughout his work he tried to recreate exact physical sensations, in fact hiding the tenderness of aesthetic feeling. Overall, working with Ernest Hemingway's texts, we came to the conclusion that this is an intelligent person who was given the Nobel Prize for a reason at the time. With his military journalistic activities, he brought the spirit of war to people and informed the people of America about the events on the fronts during the Second World War.
Hemingway created an original, innovative style. He developed a whole system of specific artistic display techniques: editing, interrupting dialogue. Also associated with his name is the deepening of the concept of subtext in literature, that is, hidden meaning. Not only in words, but also in silence, hints, pauses, the writer noses to the reader what he wanted to say. The author communicates with the reader on the "you", introduces him to the state of being in the "place" and emotionally gives color to the event.
Using the constant principle of writing only about what he saw, experienced or knew well, Ernest Hemingway sought to be in the center of events all the time. He was a man who had risked his life all his life for the sole purpose of making others believe in his bravery.
REFERENCES
Brennen, Carlene Fredricka. Hemingway’s Cats: An Illustrated Biography. Sarasota, FL: Pineapple Press, 2006, p. xiii.
Dearborn, Mary V. Ernest Hemingway: A Biography. New York, NY: Alfred A. Knopf, 2017, p. 2.
Ernest Hemingway, Selected stories, Progress Publishers, Moscow, 1971.
Meyers, Jeffrey. Hemingway: A Biography. New York, 1985 (Macmillan: London, 1986 (Harper & Row: New York 1985).
Paul, Steve, Gail Sinclair, and Steven Trout eds. War + Ink: New Perspectives on Ernest Hemingway’s Early Life and Writings. Kent, OH: The Kent State University Press, 2014, p. x.
Wagner-Martin, Linda (Ed.). A Historical Guide to Ernest Hemingway. Oxford University Press: New York and Oxford, 2000
William Faulkner vs Ernest Hemingway, "As usual words fail him": 20 Great Literary Feuds, https://www.telegraph.co.uk> Culture>Books> Authors, 2018.
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