Joseph Conrad (December 3, 1857 – August 3, 1924) was a Polish-born British novelist, one of the most important and respected writers of the late nineteenth- and early twentieth centuries. Conrad's works emerge out of the confluence of three literary currents prominent in the Europe of Conrad's time: Romanticism, particularly in the works of Polish novelist Henryk Sienkiewicz; realism, which flowered in Russia in the works of Leo Tolstoy and Fyodor Dostoevsky; and modernism, which emerged as the dominant literary aesthetic of the twentieth century.
Conrad's works draw on the symbolism of the Romantics and the psychological acuity of the realist and modernist schools. Despite these affinities, Conrad defies easy categorization. Conrad saw in Western colonialism the failure of the "civilized world" to fulfill its moral responsibilities. He witnessed and then documented through his fiction how the "white man's burden," or the West's responsibility to the rest of the world, became clouded by selfish ambition through its quest for colonial domination.
Born and raised in Poland, Conrad spent part of his youth in France and the majority of his early life at sea; only in his mid-thirties would he settle down, in England, to start a career as a writer, writing not in Polish or French, but in English, his adopted third language. Like the Russian émigré Vladamir Nabokov, Conrad is regarded as a master prose stylist among authors in the English literary canon. His knowledge of languages and cultures, gleaned not only from his European experiences but also from his decades spent as a sailor at sea, can be seen in the haunting style of his prose and the enormity of the themes which he constantly brings to the surface. His works inspired writers throughout the twentieth century.
Our work is devoted to the analysis of the novels by William Somerset Maugham and Joseph Conrad. The plots of there novel generally revolve around the subject of marriage and lay emphasis especially on its tremendous importance in the lives of the nineteen century women.
While making our research we used the works of such linguists as Vinokur G.O., Suvorov S.P., Arnold I.V. and many others. During our work we used the works on the translation theory of such linguists as Levitskaya T.R., Fiterman A.M., Komissarov V.N., Alimov V.V., Shveytser A.D., Garbovskiy N.K., Dmitrieva L.F., Galperin I.R., Arnold I.V., Yakusheva I.V., van Deik, Kolshanskiy and others. We used also the articles from the the periodical editions.
The aim of our work is to reveal W. Somerset Saugham’s "Of Human Bondage" and Joseph Conrad's "Lord Jim": plot structure and character analysis.
The hypothesis: in our investigation we suppose to prove that the literature can reflect humanity problems such as problem of morality and human relationships on example of W. Somerset’s and J. Conrad’s creativity.
The aim and hypothesis have defined the next tasks:
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