The pecularities of english romanticism: two trends-progressive and regressive. The poets of the "lake school"- w. Wordsworth, S. Coleridge, R. Southey



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THE PECULARITIES OF ENGLISH ROMANTICISM TWO TRENDS-PROGRESSIVE AND REGRESSIVE. THE POETS OF THE LAKE SCHOOL- W.WORDSWORTH, S. COLERIDGE, R. SOUTHEY.

CONCLUSION
Based on the theoretical study, we can draw the following conclusions:
1. The group of romantics belonging to the "Lake School" was W. Wordsworth ,, R. Southey . They were united not only by the fact that they all lived in the north of England, in Cumberland , in the land of lakes (hence they are called " leukists ", from lake - lake), but some common features of their ideological and creative path.
2. The role of representatives of the "Lake School" in the history of literature is great: for the first time they openly condemned the classicist principles of creativity. They demanded from the poet to depict not great historical events and outstanding personalities, but the everyday life of modest workers, ordinary people, thereby being the successors of the traditions of sentimentalism.
3. Having formulated the aesthetic principles of the new romantic art, introducing new categories of the sublime, sensitive, original, they resolutely opposed the obsolete classicist poetics, outlined ways to bring poetry closer to reality through a radical reform of the language and the use of the richest national poetic tradition.
4. The Romantics of the "Lake School" deified Nature. The main principle of the romantic poetry of the members of the "Lake School" was landscape , a description of nature.

  1. Nature for poets acquired a special meaning - all its manifestations, changes, whims became reflections of the spiritual states of poets.f


REFERENCES

  1. Encyclopædia Britannica. "Romanticism. Retrieved 30 January 2008, from Encyclopædia Britannica Online. Britannica.com. Retrieved 2010-08-24.

  2. "Pre-Romanticism." Encyclopædia Britannica. Encyclopædia Britannica Online Academic Edition. Encyclopædia Britannica Inc., 2012. Web. 5 October 2012.

  3. "Samuel Taylor Coleridge". Encyclopædia Britannica. Encyclopædia Britannica Online Academic Edition. Encyclopædia Britannica Inc., 2013. Web. 13 May. 2013.

  4. "William Blake". Encyclopædia Britannica. Encyclopædia Britannica Online Academic Edition. Encyclopædia Britannica Inc., 2012. Web. 2 October 2012.

  5. Chris Baldick (2001). The Oxford Book of Gothic Tales. Oxford University Press. ISBN 978-0-19-286219-8.

  6. Christopher Casey, (30 October 2008). ""Grecian Grandeurs and the Rude Wasting of Old Time": Britain, the Elgin Marbles, and Post-Revolutionary Hellenism". Foundations. Volume III, Number 1. Retrieved 2009-06-25.

  7. Clarence Hugh Holman; William Harmon (1986). A Handbook to Literature. Macmillan. pp. 238, 452. ISBN 978-0-02-553430-8.

  8. Horace Ainsworth Eaton, Thomas De Quincey: A Biography, New York, Oxford University Press, 1936; reprinted New York, Octagon Books, 1972; Grevel Lindop, The Opium-Eater: A Life of Thomas De Quincey, London, J. M. Dent & Sons, 1981.

  9. John Polidori (2008). The Vampyre and Other Tales of the Macabre. OUP Oxford. ISBN 978-0-19-150441-9.

  10. Line 23 of "The Grave" by Robert Blair.

  11. Richard Maxwell and Katie Trumpener, eds., The Cambridge Companion to Fiction in the Romantic Period (2008).

  12. Rupert Christiansen (1988). Romantic Affinities: Portraits From an Age, 1780–1830. London: Bodley Head. p. 215. ISBN 978-0399133107

  13. Wynne-Davies, p. 885.

  14. www.wikipedia.com

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