The connection of S. with other branches of S. 1

Quatation. Quating dates back to religious traditions. As a result, the dialogue of 2 texts, the pretext and the present text, brought additional m-ngs. Every Q. is a metaphor, which speaks of what is absent and engages the reader into a speculative activity. Q-s are especially conspiculous, when used in strong position. Allusions are references without further detailed to history, current events. Not only should the reader recognize the person, object or event alluded to, but he should understand, the its relevance to the story of connotations created. Accord. to the role played in the text, the significance of the theme or idea, A-s are divided into: dominant local Local are effective in some part of the text. Dominant – is a compositional hinge of the text, connecting all the lines with the main idea Ex. Dyke “The Centor” (кентавр); Stainback “The Winter of our...” Among A we distinguish troponisms and autotroponisms. The name of a person plays a mystical role in people’s life. It may determine his life and it may be transformed, acquire new m-ng hence to the person having it. There are no m-ngless names. All names signify smth. One of the types of the int-ty is “a text within a text”. It may be borrowed (“The ant and the grasshoper”) or it may be created by the author himself. Borrowed int-ty – author’s int-ty Created by the author – inner/functional int-ty Reminiesences are the familiar plots, motifs, w-ding, sounding of the text, which arouse associations with other literary texts. A new notion was introduced into the theory of int-ty – digest R, which mean the reader’s preconception of some phenomena, facts, genres, which form their expectations. A digest R is a ready list or set of stereotype utterances texts, established in the memory of the person and being a part of his linguistic competence. One more type of int-ty is centontexts. (“Cento” – ласкутное одеяло; берутся строчки различных текстов и соединяются) Intermedial int-ty, when texts belonging to dif. semiotic systems are intergrated. It is presented by the verbal discriptions of text of dif. parts (painting, music, architecture, etc)