Scientific Collection «InterConf», (39): with the Proceedings of the 8th International Scientific and Practical Conference «Science and Practice: Implementation to Modern Society» (December 26-28, 2020) at Manchester, Great Britain

[3, 13]. 
He quickly became known for his talent, and while writing in the ranks of the 
literary organization, he wrote his works with the signatures “Heydar”, “Efendiyev” 
and “H-q”. His articles on M.F Akhundzadeh are largely in his publicist work, which 
stems from Heydar Efendiyev's love for MirzaFataliAkhundzade's creativity and 
personality. 
Journalist Ismet Safarov, who appreciates Heydar Efendiyev's creative way as a 
publicist, wrote: “In the early days of his career, H. Efendiyev was known as a critic, 
publicist and fine teacher in Shaki. During his student years, the young Heydar has 
published a number of articles with the signatures of “Heydar” and “Afandiyev” in the 
“Bilgi” magazine, “Sheki Worker” and other “Young Pens” pages. Among them are 
“A look at our literary history”, “Activity and Organization of Sheki Branch of Fatali 
Akhundzadeh,” Golden Pen “Literary Society” and other publicist articles” [4]. In 
honor of the 50th anniversary of his death, Heydar Efendiyev wrote in the newspaper 
Sheki Felicity: “Any person who respects our cultural history is obliged to remember 

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the memory of Mirza. We would have paid our debt in the face of history. M.F., 
Akhundzadeh's memory should be celebrated nationwide ”[5, 72]. 
While studying at the Faculty of Mathematics at the Azerbaijan State University 
in 1929-1932, Heydar Efendiyev made a number of valuable articles in the national 
press, especially in the pages of the magazine “Help for a Teacher”. After his higher 
education, he returned to his native Sheki and began teaching at the school where he 
was writing and writing for the first time until 1933 [6, 310]. 
In 1933, Heydar Efendiyev connected his life with the Academy of Sciences of 
the Azerbaijan SSR until the end of his life and gained fame as the organizer and head 
of geochemical science in Azerbaijan. This outstanding scientist of science and 
literature died in 1967 in Baku. 
One of the members of the Sheki organization of the “Golden Pens Association” 
was Osman Jazmade. This illuminated teacher, who was born in Nukha in 1907, 
maintains friendly relations with Heydar Efendiyev, Abdulaziz Demirchizade and 
Sabit Rahman, who are active members of the Sheki section of the Golden Pen Society. 
He has written satirical poems and fiction from his youth and published them in the 
pages of the “Nukha Worker” and the “Nukha Workers”, and later on the Hedgehog 
and “Sheki Workers”. Later, this eminent personality, who moved to Baku, worked as 
a reporter for “Molla Nasraddin”, magazines “Sharq Woman” and “Yeni Yol” and 
published his works under the pseudonym “Aciz”. The poet's “Hedgehog” magazine 
published satirical poems “Zim passed” and “Chadra, hat, alphabet”. In the satirical 
poem “The Time Has Been Passed,”the policemen are exposed by a subtle poetic 
procession:
One of the active members of the Sheki organization of the Golden Pens Society 
was Abdulazal Demirchizade, one of the founders of the Azerbaijani linguistics. He 
was born in 1909 in the family of blacksmith Mammad. The blacksmith Mammad put 
his son in a school in Shaki in 1917 called “Truth – education”. But little Abdul's dream 
was to study in a city school. He expressed his wish to his father that he could hardly 
read it, even if it was difficult. Demirchizadeh studied at the same school with Heydar 

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Efendiyev at the city school (which is now school 5). In addition to their personal 
friendships, they were joined by artistic creativity and a love of literature. Because both 
Abdulazal and Heydar wrote poems and were active members of the Sheki branch of 
the Golden Pen Society. 
A. Demirchizade was an active representative of the literary environment, not 
only during his school years, but also during his studies at Sheki Pedagogical School. 
He returned to Sheki after graduating from the language and literature faculty of the 
Azerbaijan State University (now - BSU) and later received postgraduate education. 
He is a perfect researcher of Azerbaijani linguistics. Demirchizade then grew up to be 
the most prominent linguist in the Azer flag and wrote numerous works on diarrhea. 
While Demirchizade's growing up as a prominent linguist was due to his personal work 
and talent, on the other hand his cultivation environment was associated with his 
outstanding scholars. 
The scholar himself once wrote: “… I was a student of such prominent figures as 
Professor Bekir Chobanzade, Abdurrahimbey Hagverdiyev, Yusif Vazir, Abdulla 
Shaig, and a number of famous personalities in the field of literature, art and science – 
Samad Vurgun, Suleiman Rustam, Abulhan , academician Hamid Arasli, Professor 
Jafar Khandan, People's Artist S. Salamzadeh and others as a classmate... 
His services in the field of Azerbaijani agriculture are expressed in two verses in 
his remarks on the 60th anniversary of the birth of the scientist, Mammadsalim Tahir, 
a well-known scientist of the Azerbaijan State Pedagogical Institute [5,74]. 
A prominent representative of our children's literature, poet and poet Zahid Khalil 
wrote in his book “The author of poems and dramas”. Reflecting Demirchizade's activities 
in the Golden Pen Society, he wrote: “Demirchizade started his artistic career at the age 
of 19-20 and worked on this front for nearly 20 years. He was still an active member of 
the Red Pens Society while studying at the Shaki Pedagogical School and often made 
fiction articles on the pages of the ShekiFahli newspaper. He skillfully utilized the richness 
of the Azerbaijani language and the possibilities of artistic words from his first poems to 
his great poems “Garaca Shepherd”, “Sonya”, “Dede Gorgud” [8]. 

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The first poem of A.Demirchizade was published in the newspaper “Nukha 
Fahler” in 1927, and readers of the republic and local newspapers have often come to 
see him. His poems “Anama”[9], “Vur” [9], “Challenge” [9], which he wrote during 
those years, were published in the pages of the newspaper “Nukha Worker” In the 
poem “Anama”, the young poet confronted the skull and expressed the desire and 
desire for the education of women, not the letter sent by his mother, but by the hands 
of his mother. 
A. Demirchizade's Feletons were published on the pages of the Nukha Workers' 
newspaper under the signature of “Chalsaqqal”. A.Demirchizadeh has also tested the 
pen in dramatics, and for the first time in our literature he has written a libretto “Dada 
Korkut” [10] together with Sh. Libretto was included in the repertoire of the Azerbaijan 
State Philharmonic Society in 1943 and played on stage. The main idea of the work is 
to protect the homeland's lands from the enemy and instigate hatred towards the enemy, 
depending on the authors' people's position. Events in the libretto are based on a simple 
plot line. The plot shows that while Uruz khan is hunting, the enemy attacks Oguz. As 
a reflection of the thinking mind of the people, the wise advice and inspiration of Dede 
Korgud dominates - as the embodiment of the public unity, the Uruz khan Karaca is 
shepherded and exiled by the shepherd. From the very beginning, the audience sees the 
authors' spirit. In the epic, Kazan khan considers the help of a simple shepherd to be 
unforgivable to him. Demirchizade combines them in the libretto as the embodiment 
of the ruling-folk union. Another author's position is that the love story of Uruz khan's 
shepherd's daughter Gulchin is reflected in the work. 
Relationship to “Kitabi-Dada Korud” did not stop him from devoting his work to 
this magnificent monument, he also wrote the play “Karaca Shepherd” based on the 
motives of the saga of Salur Kazan's house. A.Demirchizadeh is also a talented poet 
with a poetic talent. Y. Ismailova, a literary critic who writes in motives of “Kitabi-
Dada Gorgud” in Azerbaijani literature, writes with great care about the structural 
features of the work: “Karaca Shepherd” is generally a playwriting for poetry. The 
poems in the work have rhythmic structure, interstitial and Egyptian rhymes, and 

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beautiful artistic content. Poems and songs, in all cases, contribute to the development 
of the plot, on the one hand, while enhancing the artistic nature of the work, on the one 
hand, by combining the content of the depicted assembly and the plot ” [11]. 
Salur Kazan in Python - The dark shepherd line is delivered to the reader in a 
simplified way. For example, the play paradigm in play is not the same as in the saga. 
In the epic, Kazan khan speaks to his brother Karagun's dream, in accordance with the 
idea that Demirchizade should be close to the people, breathe with the people, and trust 
the people. In the third veil, the playwright portrays Kazan khan with Karaca's shepherd 
in battle to show the unwavering unity of this union.  
In the play, as in the play, Oguz warriors win over the enemy in accordance with 
the author's wishes and wishes. A talented playwright who could not even imagine the 
ruler of the nation, Uruz son of the head of Oguz Salur Kazan and his shepherd daughter 
Gulchin artfully express their wishes. 
One of the active members of the Sheki section of the Golden Pens Society was 
Sabit Rahman. His uncle, Alakbar Mahmudov, had a great service in his connection to 
literature. This prominent educator was one of the organizers of the “Freedom of 
Education” in Sheki, served as the head of the Sheki Accident Education Department 
after the Soviet government in Azerbaijan, and was one of the leaders in the fight 
against illiteracy in Shaki. Despite being a physicist and mathematician, he was an 
active member of the Sheki Golden Pen Society. He was editor of the Bilgi magazine, 
which was published as a body of the Sheki Accident Education Department in 1924, 
and has published articles on the issues of literature and public education in the 
magazines “Revolution and Culture”, “The East Woman”, and the Communist 
newspaper. Exactly, with the support and blessing of this outstanding educator, Sabit 
Rahman has dignified the Shaki literary and cultural environment by stepping into the 
world of great literature. Sabit Rahman, like his contemporaries, was educated in the 
city school where his uncle taught. Arif Safiyev, a philological researcher who 
researches the works of Sabit Rahman in a monograph, writes about the evolution of 
the writer's literary creativity and his connection to the “Molla Nasreddin” magazine: 

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His first papers and articles were published in the journal “Molla Nasreddin”. The 
participation of “Molla Nasreddin” magazine has influenced the writer's creativity. 
Hagverdiyev played an important role [13,11]. The writer used the pseudonym “Sheikh 
Samit” in his first stories and felonies. 
A small article does not exclude the opportunity to speak about the creativity of 
all members of the Golden Pen Society. However, it is important to note that this period 
of regional literature should be carefully investigated and the manuscripts found in the 
sorted papers should be brought to the attention of the readers.