Personal life and literary works of charles dickens. Scientific supervisor: iskandarova I. B. Student: abdullayeva yulduz

Conclusion on Chapter I.


To conclude everything in short from this chapter, I would say there are many more things which you should know about the Modern period and literature development of this era. The more you will study the works of this literature the more you will admire it. There are some literary theories or concepts which you may not understand easily. In such cases you can get instant assignment help and learn things in an easier way.
The vitality of Dickens’ works is singularly great. They are all a-throb, as it were, with hot human blood. They are popular in the highest sense because their appeal is universal, to the as well as the educated. The humor is superb, and most of it, so far as one can judge, of no ephemeral kind. The pathos is more questionable, but that too, at its simplest and best; and especially when the humour is shot with it – is worthy of a better epithet than excellent. It is supremely touching. Imagination, fancy, wit, eloquence, the keenest observation, the most strenuous endeavor to reach the highest artistic excellence, the largest kindliness, - all these he brought to his life-work. And that work, as I think, will live, it can be prophecy for ever. Of course fashions change. Of course no writer of fiction, writing for his own little day, can permanently meet the needs of all after times. Some loss of immediate vital interest is inevitable. Nevertheless, in Dickens’ case, all will not die. Half a century, a century hence, he will still be read; not perhaps as he was read when his words flashed upon the world in their first glory and freshness, nor as he is read now in the noon of his fame. But he will be read much more than we read the novelists of the last century – be read as much, shall I say, as we still read Walter Scott. And so long as he is read, there will be one gentle and humanizing influence the more at work among men.
CHAPTER II. LITERARY WORKS AND STYLE OF CHARLES

1.