“ZAMONAVIY TA‟LIM TIZIMINI RIVOJLANTIRISH VA UNGA QARATILGAN KREATIV G„OYALAR,
TAKLIFLAR VA YECHIMLAR” MAVZUSIDAGI 37-SONLI RESPUBLIKA ILMIY-AMALIY ON-LINE
KONFERENSIYASI
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the real and the extraordinary were common. In this respect, there is no boundary in the
human mind for either situation. Man has "entered" the essence of the object not with his
consciousness, but with his intuition. In this process, music was associated with the daily
life of the primitive community .
The music was mainly aimed at uniting people, inviting them to work together. For
example, the loud (fighting) cries of the men of the community at different heights served as
a great tool in trapping animals during the hunt, while the melodious whistling of birds
singing helped the hunters to catch wild birds. This unique ―mediating‖ quality of music
later became the basis for the creation of labor songs in the process of working the land
(farming) .
But primitive people thought that music was controlled by supernatural forces.
Because of this, music is revered as a factor that protects from evil, evil forces, and brings
success to the work started. For example, they sang or danced in imitation of animals in
order to turn the animals to their side.
The initial form of the music is associated with the orderly tuning of the screaming
sounds in the voice. The process of "possessing" and controlling one's own voice has been
very long and continuous. At the same time, there was a gradual transition from chaotic
chaotic tones to certain meaningful melodies. The melodies are based on sounds with a clear
pitch. Instrumental music appeared later . In the course of man's growing activity, along
with new tools of labor, relatively perfect musical instruments began to appear.
Our national musical instruments, which are an invaluable asset of the Uzbek people,
have a special place in our national musical culture due to their uniqueness, attractiveness of
patterns, variety of sound and uniqueness of performance capabilities. From time
immemorial, musical instruments have played an important role in the spiritual life of the
Uzbek people and are closely linked with everyday life. They still have their own
characteristics in the formation of people's worldview . In particular, the art of
instrumental performance has been formed by our ancestors as a unique aesthetic tool for
centuries and has aroused great interest not only in the science of music, but also in modern
music. Exploring all its unique features and aspects will help to enrich the practice of
instrumental performance.
Found as a result of archeological excavations and have not reached us as a complete
instrument, these instruments, described in scientific sources, date back to the Paleolithic
period. They also testify to the development of early music in the most ancient history of
mankind, as well as the level of culture.
Archaeological excavations in Central Asia have shown that in pre-Islamic times, the
circle was dominated by women. Their singing and dancing in accordance with the doira
methods was formed in those times and has been developing for centuries . Doyra, shards,
rusts and safoyils were widely used by tiles in ―Oymoma‖ ceremonies. Nisa is depicted on
the roofs as a doira responsible for accompanying religious ceremonial dances, sometimes
performed by the dancers themselves, and sometimes by special doiraists.
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