3 C: The plane ‘jogs on the spot’ (bounces up and down without
moving forwards) first of all before it starts to move across
the bay.
4 A: It no longer delivers mail, another company has the contract
to do that; it delivers ‘people instead of parcels’ – it takes
passengers, not mail.
5 A: She is ‘having another go’; she is doing ‘precisely the same
challenge’ that she did once before; she is ‘revisiting an attempt
that almost killed her last time’; she is ‘about to try to finish the
job’ that she did not finish the first time.
6 B: ‘In some ways you could say it’s insecurity. I have always wanted
to excel at something.’ (A possible reason for doing it is that she
has feelings of insecurity and wants to achieve something big so
that she won’t continue to lack confidence in herself.)
Part 2: The birth of Coronation Street 7 F: link between ‘At that stage’ at the beginning of F and when the
writer was 21, mentioned at the beginning of the article; link
between the work described in F and the work described before
the gap.
8 D: link between ‘the genius who created the show’ before the gap
and ‘that person’ in D.
9 A: link between ‘this’ at the beginning of A and the idea that
the creation of the programme would be a good subject for a
television drama, mentioned before the gap – the writer wasn’t
the only person who thought this was a good idea because
someone commissioned him to write the drama.
10 G: link between the fact that there had never been a show about
ordinary people and their lives and the fact that there had also
never been an original show featuring regional actors – link
between two things that had not happened before but which
were both true of
Coronation Street ; link between the question
‘so what was the point?’ in G and ‘It was that …’ after the gap.
11 E: link between the statement that ‘It’ (the idea of
Coronation Street ) should have ended there after the gap and the fact that
the idea was rejected, as described in E; link between ‘written
and discarded’ after the gap and the events described in E –
Warren writing the script and the TV management rejecting it
firmly (‘in no uncertain terms’).
12 C: link between ‘that inauspicious beginning’ in C and the problems
just before the first episode was broadcast, described before the
gap; ‘inauspicious’ = suggesting that something will go badly
and not be successful; link between ‘that event’ in C and the
broadcasting of the first episode, described before the gap.