Ana Elaković Nenadović
University of Belgrade, Faculty of Philology, Belgrade, Serbia;
aelakovic@yahoo.com
The Criticism of Photius on Lycurgus’ and Aeschines’ Oratory
This paper focuses on the analysis of Photius’ testimonies about life and literary style of two
Athenian rhetoricians Lycurgus and Aeschines, who belonged to the famous Canon of ten Attic
orators. The main subject of our research is comparison of the Photius’ criticism of the style and
rhetorical skills of these two authors with some modern tendencies in description and evaluation
of their oratory. Therefore, the research will be conducted on the corpus consisted from Photius
Bibliotheca, speeches of the two orators aforementioned and some recent interpretations of their
rhetorical means, in order to determine if and how the criticism on these two orators has evolved
through centuries.
Dragoljub Marjanović
University of Belgrade, Faculty of Philosophy, Belgrade, Serbia;
sigilopator@gmail.com
The Term
τρισκατάρατος
in Byzantine and Serbian Medieval Literature
Starting point of this paper is the account of a council against heretics which was held by the
Serbian grand zupan Stephen Nemanja in his dominions in the late 12
th
century Serbia. Later, in
the first half of the 13
th
century Nemanja’s son and hagiographer, the first crowned king Stephen
Nemanjic utilized a specific technical term thrice accursed (τρισκατάρατος) in his account of the
council which was convened. Our aim is to present the levels of cultural and literary traditions
which were transmitted from various Byzantine literary genres, which stem from the attic oratory as
far as the 4
th
century B.C. (Demosthenes’ Oration against Aristogeiton), through the literary works
of the rhetor Lucian the Sophist in the second century A.D., and which later entered Byzantine
tradition through pseudo chrisostomian works, and the liturgical and historiographical texts
such as Romanus Melodus, George the Monk, and Constantine Manasses. We tend to present
both the development in the meaning of the term thrice accursed in its long historical path from
Demosthenes to Manasses, its shift from ancient pagan to Christian semantics and thus utilization
in various genres of Byzantine literature, and finally its influence on the genre of Serbian medieval
hagiography, especially in the works of Stephen the first crowned, St. Sava Nemanjic, and archbishop
Daniel II in his Lives of Serbian kings and archbishops.
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