All the Light We Cannot See: a novel

But who was to say that at that moment we wouldn’t collide against the underside of the
barrier, and thus be horribly squashed between two surfaces of ice?
He is here. He is right below me.

---

Do something. Save her.
But God is only a white cold eye, a quarter-moon poised above the smoke, blinking, blinking, as
the city is gradually pounded to dust.

---

Nine

---

May 1944

---

Edge of the World
I
n the back of the Opel, Volkheimer reads aloud to Werner. The paper Jutta has written on seems
little more than tissue in his gigantic paws.
. . . Oh and Herr Siedler the mining official sent a note congratulating you on your
successes. He says people are noticing. Does that mean you can come home? Hans
Pfeffering says to tell you “a bullet fears the brave” though I maintain that’s bad advice.
And Frau Elena’s toothache is better now but she can’t smoke which makes her cranky, did
I tell you she started smoking . . .
Over Volkheimer’s shoulder, through the cracked rear window of the truck shell, Werner
watches a red-haired child in a velvet cape float six feet above the road. She passes through trees
and road signs, veers around curves; she is as inescapable as a moon.
Neumann One coaxes the Opel west, and Werner curls beneath the bench in the back and does
not move for hours, bundled in a blanket, refusing tea, tinned meat, while the floating child pursues
him through the countryside. Dead girl in the sky, dead girl out the window, dead girl three inches
away. Two wet eyes and that third eye of the bullet hole never blinking.
They bounce through a string of small green towns where pollarded trees line sleepy canals. A
pair of women on bicycles pull off the road and gape at the truck as its passes: some infernal lorry
sent to blight their town.
“France,” says Bernd.
The canopies of cherry trees drift overhead, pregnant with blossoms. Werner props open the
back door and dangles his feet off the rear bumper, his heels just above the flowing road. A horse
rolls on its back in grass; five white clouds decorate the sky.
They unload in a town called Épernay, and the hotelkeeper brings wine and chicken legs and
broth that Werner manages to keep down. People at the tables around them speak the language that
Frau Elena whispered to him as a child. Neumann One is sent to find diesel, and Neumann Two
engages Bernd in a debate about whether or not cow intestines were used as inflatable cells inside
first-war zeppelins, and three boys in berets peer around a doorpost and ogle Volkheimer with
huge eyes. Behind them, six flowering marigolds in the dusk form the shape of the dead girl, then
become flowers once more.
The hotelkeeper says, “You would like more?”
Werner cannot shake his head. Just now he’s afraid to set down his hands in case they pass right
through the table.
They drive all night and stop at dawn at a checkpoint on the northern rim of Brittany. The walled
citadel of Saint-Malo blooms out of the distance. The clouds present diffuse bands of tender grays
and blues, and below them the ocean does the same.
Volkheimer shows their orders to a sentry. Without asking permission, Werner climbs out of the
truck and slips over the low seawall onto the beach. He winds through a series of barricades and
makes for the tide line. To his right runs a line of anti-invasion obstacles shaped like a child’s
jacks, strung with razor wire, extending at least a mile down the shoreline.
No footprints in the sand. Pebbles and bits of weed are strung in scalloped lines. A trio of outer

---

islands bear low stone forts; a green lantern glows on the tip of a jetty. It feels appropriate
somehow, to have reached the edge of the continent, to have only the hammered sea left in front of
him. As though this is the end point Werner has been moving toward ever since he left Zollverein.
He dips a hand in the water and puts his fingers in his mouth to taste the salt. Someone is
shouting his name, but Werner does not turn; he would like nothing more than to stand here all
morning and watch the swells move under the light. They’re screaming now, Bernd, then Neumann
One, and finally Werner turns to see them waving, and he picks his way along the sand and back up
through the lines of razor wire toward the Opel.
A dozen people watch. Sentries, a handful of townspeople. Many with hands over their mouths.
“Tread carefully, boy!” Bernd is yelling. “There are mines! Didn’t you read the signs?”
Werner climbs into the back of the truck and crosses his arms.
“Have you completely lost it?” asks Neumann Two.
The few souls they see inside the old city press their backs up against walls to allow the
battered Opel to pass. Neumann One stops outside a four-story house with pale blue shutters. “The
Kreiskommandantur,” he announces. Volkheimer goes inside and returns with a colonel in field
uniform: the Reichswehr coat and high belt and tall black boots. On his heels come two aides.
“We believe there is a network of them,” one aide says. “The encoded numbers are followed by
announcements, births and baptisms and engagements and deaths.”
“Then there is music, almost always music,” says the second. “What it means we cannot say.”
The colonel drags two fingers along his perfect jawline. Volkheimer gazes at him and then his
aides as though assuring worried children that some injustice will be righted. “We’ll find them,” he
says. “It won’t take long.”

---

Numbers
R
einhold von Rumpel visits a doctor in Nuremberg. The tumor in the sergeant major’s throat,
reports the doctor, has grown to four centimeters in diameter. The tumor in the small intestine is
harder to measure.
“Three months,” says the doctor. “Maybe four.”
An hour later, von Rumpel has installed himself at a dinner party. Four months. One hundred and
twenty sunrises, one hundred and twenty more times he has to drag his corrupted body out of a bed
and button it into a uniform. The officers at the table talk with indignation about other numbers: the
Eighth and Fifth German Armies retreat north through Italy, the Tenth Army might be encircled.
Rome could be lost.
How many men?
A hundred thousand.
How many vehicles?
Twenty thousand.
Liver is served. Cubes of it with salt and pepper, showered in a rain of purple gravy. When the
plates are taken away, von Rumpel hasn’t touched his. Thirty-four hundred marks: all he has left.
And three tiny diamonds that he keeps in an envelope inside his billfold. Each perhaps a carat.
A woman at the table enthuses about greyhound racing, the speed, the 
charge
she feels watching
it. Von Rumpel reaches for the looped handle of his coffee cup, tries to hide the shaking. A waiter
touches his arm. “Call for you, sir. From France.”
Von Rumpel walks on wobbly legs through a swinging door. The waiter sets a telephone on a
table and retreats.
“Sergeant Major? This is Jean Brignon.” The name conjures nothing in von Rumpel’s memory.
“I have information about the locksmith. Whom you asked about last year?”
“LeBlanc.”
“Yes, Daniel LeBlanc. But my cousin, sir. Do you remember? You offered to help? You said that
if I found information, you could help him?”
Three couriers, two found, one last puzzle to solve. Von Rumpel dreams of the goddess almost
every night: hair made of flames, fingers made of roots. Madness. Even as he stands at the
telephone, ivy twines around his neck, climbs into his ears.
“Yes, your cousin. What have you discovered?”
“LeBlanc was accused of conspiracy, something to do with a château in Brittany. Arrested in
January 1941 on a tip from a local. They found drawings, skeleton keys. He was also
photographed taking measurements in Saint-Malo.”
“A camp?”
“I have not been able to find out. The system is rather elaborate.”
“What about the informer?”
“A Malouin named Levitte. First name Claude.”
Von Rumpel thinks. The blind daughter, the flat on rue des Patriarches. Vacant since June 1940
while the Natural History Museum pays the rent. Where would you run, if you had to run
somewhere? If you had something valuable to carry? With a blind daughter in tow? Why Saint-
Malo unless someone you trusted lived there?

---

“My cousin,” Jean Brignon is saying. “You’ll help?”
“Thank you very much,” says von Rumpel, and sets the receiver back in its cradle.

---

May
T
he last days of May 1944 in Saint-Malo feel to Marie-Laure like the last days of May 1940 in
Paris: huge and swollen and redolent. As if every living thing rushes to establish a foothold before
some cataclysm arrives. The air on the way to Madame Ruelle’s bakery smells of myrtle and
magnolia and verbena; wisteria vines erupt in blossom; everywhere hang arcades and curtains and
pendants of flowers.
She counts storm drains: at twenty-one she passes the butcher, the sound of a hose splashing onto
tile; at twenty-five she is at the bakery. She places a ration coupon on the counter. “One ordinary
loaf, please.”
“And how is your uncle?” The words are the same, but the voice of Madame Ruelle is different.
Galvanized.
“My uncle is well, thank you.”
Madame Ruelle does something she has never done: she reaches across the counter and cups
Marie-Laure’s face in her floury palms. “You amazing child.”
“Are you crying, Madame? Is everything all right?”
“Everything is wonderful, Marie-Laure.” The hands withdraw; the loaf comes to her: heavy,
warm, larger than normal. “Tell your uncle that the hour has come. That the mermaids have
bleached hair.”
“The mermaids, Madame?”
“They are coming, dear. Within the week. Put out your hands.” From across the counter comes a
wet, cool cabbage, as big as a cannonball. Marie-Laure can hardly fit it into the mouth of her
knapsack.
“Thank you, Madame.”
“Now get home.”
“Is it clear ahead?”
“As water from the rock. Nothing in your way. Today is a beautiful day. A day to remember.”
The hour has come.