Microsoft Word Seminars on stylistics


Task 6. Pick out vulgar words and translate the sentences into



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seminars in stylistics

 Task 6. Pick out vulgar words and translate the sentences into 
your mother tongue: 
 
1.
I’ll hand him that, the old devil. (M. Spillages) 
2.
“That bastard crosses there every night”, the man said. (E. Hemingway) 
3.
Suddenly Percy snatched the letter… “Give it to me, you rotten devil”, 
Peter shouted. “I’ll kick your big fat belly. I swear I will” (J. Braine) 
4.
Look at the son of a bitch down there: pretending he’s one of the boys 
today. (J. Jones) 
5.
How are you, Cartwright? This is the very devil of a business, you know! 
The very devil of a business. (A. Christie) 
6.
“Poor son of a bitch” he said. “I feel for him, and I’m sorry I was 
bastardly.” (J. Jones) 
7.
I’m no damned fool! I couldn’t go on believing forever that gang was 
going to change the world. (O’Henry) 
8.
“Listen, you son of a bitch”, he said feeling an icy calm that was a 
flaming rapture of abandon. (J. Jones) 
9.
Man, you just a big black bugger. 
10.
“You’ll probably see me at a loss for one to-night.” 
“I bet. But you’ll stick to me, won’t you?” 
“Like a bloody leech, man.” (K. Amis) 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


23
CHAPTER II 
 
Lexical Expressive Means and Stylistic Devices 
Interaction of Logical and Nominal Meanings 
 
 
Antonomasia 
 
 
 
The first type of antonomasia is trite when its contextual meaning is logical, 
because, to be employed as a cannon noun, the proper name must have fixed 
logical associations between the name itself and the qualities of its bearer which 
may occur only as a result of long an frequent usage. 
e.g.
“Othello” stands for “a jealous person”, “Don Juan” for amorous. 
The second type of antonomasia, as a rule, is original for the variety of 
common nouns becoming contextual proper names is unlimited, and thus each case 
is a unique creation. 
The main function of 
antonomasia 
to characterize the person simultaneously with naming him-is 
vastly use in the so-called “speaking names” 
Stylistic device based on the interaction of 
the logical and nominal meanings of the 
same word

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