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Fundamentals-of-Management-8th-Edition-Ricky-Griffin-978-1285849041

30
Part 1:
An Introduction to Management
Copyright 2016 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).
Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
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building a Steinway, when you meet somebody for the
first time and they ooh and ahh: ‘You build Steinways?
Wow.’ You’re automatically put on a higher level, and
you go, ‘I didn’t realize I was that notable.’ ”
Case Questions
1.
Explain the process by which a Steinway grand
piano is constructed as a
subsystem
of a larger
system
. From what the text tells you, give some
examples of how the production subsystem is
affected by the management, financial, and mar-
keting subsystems.
2.
Discuss the Steinway process in terms of the
sys-
tems perspective
of organizations summarized in
Figure 1.4. Explain the role of each of the three
elements highlighted by the figure—
inputs from
the environment
, the
transformation process
, and
outputs into the environment
.
3.
Discuss some of the ways the principles of
behav-
ioral management
and
operations management
can
throw light on the Steinway process. How about
the
contingency perspective
? In what ways does the
Steinway process reflect a
universal perspective
,
and in what ways does it reflect a
contingency
perspective
?
Case References
Steinway & Sons, “The Steinway Restoration Center,”
www.steinway.com, accessed on July 27, 2013;
Steinway & Sons, “Online Factory Tour,” http://www.
steinway.com, accessed on July 27, 2013; WGBH
(Boston), “Note by Note: The Making of Steinway
L1037,” www.wgbh.org, accessed on July 27, 2013;
Maya Roney, “Steinway: Worth Much More Than a
Song,”
BusinessWeek
, www.businessweek.com,
accessed on July 27, 2013; James Barron, “88 Keys,
Many Languages, One Proud Name,”
New York
Times
, www.nytimes.com, accessed on July 27, 2013;
Michael Lenehen, “K 2571: The Making of a Steinway
Grand,”
Atlantic Monthly
, August 1982, www.
sherwinbeach.com, accessed on July 27, 2013; and
Rick Rogers, “Steinway Builds a Legacy with Distinc-
tive Pianos,”
Daily Oklahoman
(Oklahoma City),
www.richardhuggins.com, accessed on July 27, 2013.

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