masters, clerks, potters, bakers, mourners, soothsayers,
rat catchers, perfume sellers—even
Sheikh Yassin had come with a group of students. Women were sitting in the rear.
I was relieved to see the sovereign Kaykhusraw sitting with his advisers in the front row. That a
man of such a high rank supported my father would keep tongues quiet.
It took a long time for the members of the audience to settle down, and even after they had, the
noise inside didn’t fully subside and there remained a murmur of heated gossip. In my itch to sit
next to someone who would not speak ill of Shams, I sat next to Suleiman the Drunk. The man
reeked of wine, but I didn’t mind.
My legs were jumpy,
my palms sweaty, and though the air was warm enough for us to take off
our cloaks, my teeth chattered. This performance was so important for my father’s declining
reputation. I prayed to God, but since I didn’t know what exactly to ask for, other than things
turning out all right, my prayer sounded too lame.
Shortly there came a sound, first from far away, and then it drew nearer. It was so captivating
and moving that
all held their breath, listening.
“What kind of an instrument is this?” Suleiman whispered with a mixture of awe and delight.
“It is called the ney,” I said, remembering a conversation between my father and Shams. “And its
sound is the sigh of the lover for the beloved.”
When the ney abated, my father appeared onstage. With measured, soft steps, he approached and
greeted the audience. Six dervishes followed him, all my father’s disciples, all wearing long
white garments with large skirts. They crossed
their hands on their chests, bowing in front of my
father to get his blessing. Then the music started, and, one by one, the dervishes began to spin,
first slowly, then with breathtaking speed, their skirts opening up like lotus flowers.
It was quite a scene. I couldn’t help but smile with pride and joy. Out of the corner of my eye, I
checked the reaction of the audience. Even the nastiest gossipers were watching the performance
with visible admiration.
The dervishes whirled and whirled for what seemed like an eternity.
Then the music rose, the
sound of a
rebab
from behind a curtain catching up with the ney and the drums. And that was
when Shams of Tabriz entered the stage, like the wild desert wind. Wearing a darker robe than
everyone else and looking taller, he was also spinning faster. His hands were wide open toward
the sky, as was his face, like a sunflower in search of the sun.
I heard many people in the audience gasp with awe. Even those who hated Shams of Tabriz
seemed to have fallen under the spell of the moment. I glanced at my father.
While Shams spun
in a frenzy and the disciples whirled more slowly in their orbits, my father remained as still as an
old oak tree, wise and calm, his lips constantly moving in prayer.
Finally the music slowed down. All at once the dervishes stopped whirling, each lotus flower
closing up into itself. With a tender salute, my father blessed
everyone onstage and in the
audience, and for a moment it was as if we were all connected in perfect harmony. A thick,
sudden silence ensued. Nobody knew how to react. Nobody had seen anything like this before.
My father’s voice pierced the silence. “This, my friends, is called the sema—the dance of the
whirling dervishes. From this day on, dervishes of every age will dance the sema. One hand
pointed up to the sky, the other hand pointing down to earth, every speck of love we receive from
God, we pledge to distribute to the people.”
The audience smiled and mumbled in agreement. There was a warm,
friendly commotion all
over the hall. I was so touched by seeing this affirming response that tears welled up in my eyes.
At long last my father and Shams were beginning to receive the respect and love that they most
certainly deserved.
The evening could have ended on that warm note and I could have gone home a happy man,
feeling confident that things were improving, had it not been for what happened next, ruining
everything.
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